{"id":8231,"date":"2026-04-24T16:21:27","date_gmt":"2026-04-24T14:21:27","guid":{"rendered":"https:\/\/quivid.de\/?p=8231"},"modified":"2026-04-24T16:26:41","modified_gmt":"2026-04-24T14:26:41","slug":"twins","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/twins\/8231\/","title":{"rendered":"Twins"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":12,"featured_media":8239,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[138],"district":[186],"access":[194],"accessibility":[131],"space":[132],"year":[250],"gender":[137],"class_list":["post-8231","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-skulptur-plastik","district-sendling","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-aussenraum","year-250","gender-w"],"link_en":"https:\/\/quivid.de\/en\/\/en\/twins\/8231","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Stadtb\u00e4umer","werk_artist_surname":"Alix","werk_artist_gender":"w"}],"werk_artists":[{"ID":8230,"post_author":"12","post_date":"2026-04-24 15:51:44","post_date_gmt":"2026-04-24 13:51:44","post_content":"Alix Stadtb\u00e4umer (*1956 in M\u00fcnster) lebt und arbeitet in M\u00fcnchen. Sie studierte von 1980 bis 1987 an der Akademie der Bildenden K\u00fcnste M\u00fcnchen sowie 1982 an der Rijksakademie Amsterdam. 1987 erhielt sie das F\u00f6rderstipendium der Stadt M\u00fcnchen, 1989 ein DAAD Stipendium f\u00fcr London. 1995 den F\u00f6rderpreis der Stadt M\u00fcnchen, 2025 bekam sie ein Arbeitsstipendium der Stiftung Kunstfonds. Zu ihren Kunst am Bau-Projekten geh\u00f6ren u. a. \"Shibuya\" im Gewerbegebiet Holzkirchen\/Novartis, die Wandgestaltung \"Spurwechsel\" in der Zieblandstr. 28, M\u00fcnchen, die Innenhofgestaltung \"Der offene Himmel\" im Pfarrzentrum Oberhaching, \"Sophora Sophia\" am Giesinger Bahnhofsplatz, M\u00fcnchen, und \"Memory plants\" im Pfarrzentrums Herz Jesu, Winthirstr. 25, M\u00fcnchen.\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Alix Stadtb\u00e4umer","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"alix-stadtbaeumer","to_ping":"","pinged":"","post_modified":"2026-04-24 15:51:44","post_modified_gmt":"2026-04-24 13:51:44","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=8230","menu_order":1,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Sendling (6)","werk_location_address":"Klenze-Gymnasium, Wackersberger Stra\u00dfe 59, 81371 M\u00fcnchen","werk_location_longitude":"48.1156128032995","werk_location_latitude":"11.5441068389133","werk_material":"Aluminium Vollguss, pulverbeschichtet,
\r\nSkulptur Orange: 180 \u00d7 150 \u00d7 445 cm
\r\nSkulptur Violet: 180 \u00d7 170 \u00d7 460 cm","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":true,"werk_map":true,"werk_parts":"zweiteilig","werk_institution":"","werk_architect":"KRUG GROSSMANN ARCHITEKTEN, M\u00fcnchen","werk_architect_landscape":"EGL Landschaftsarchitekten, Landshut","werk_photograph":"Michael Heinrich","werk_author":"Anna Wondrak","werk_txt_long_en":"

“Twins” is a two-part art project by Munich artist Alix Stadtb\u00e4umer. The work was commissioned by the City of Munich as part of the expansion of the Klenze Gymnasium as a contribution to art in architecture. Both aluminium sculptures\u2014one executed in bright orange, the other in bold violet\u2014are 4.60 meters tall and add striking, colorful accents to the school\u2019s outdoor space. They mark two central locations: the entrance area of the schoolyard, which is shared by the Klenze and Dante-Gymnasium, and the open space in front of the gymnasium. From a certain location on the school grounds, both sculptures can be seen at once, thus entering into a dialogue with each other, just like the two schools they connect.<\/p>\n

Although the Klenze-Gymnasium has an emphasis on science and technology, it also has an extensive arts program. Addressing this combination of different disciplines in terms of form and content was both an inspiration and a challenge for Stadtb\u00e4umer, prompting the artist to consider how science could be combined with art, logic with play, and structure with lightness. The starting point for her idea was the mathematical knot theory, which also finds its way into daily cable clutter, for example, when headphone cables or garden hoses become seemingly inextricably tangled.<\/p>\n

During her research, Stadtb\u00e4umer came across the puzzle of the so called \u201cConway knot,\u201d which revolves around the question of whether it encloses a disc in four-dimensional space. The problem remained unsolved for decades until, in 2018, the young mathematician Lisa Piccirillo surprisingly found a way to solve the puzzle. The Conway knot is a seemingly complicated, intertwined knot, and it was long unclear whether it could be untangled without cutting it. Piccirillo was finally able to prove mathematically that this is not possible and that the knot therefore remains a \u201creal\u201d knot. Her success, which was based on an unusual approach and a little trick, became a symbol for Stadtb\u00e4umer, as it illustrated that young people in particular can overcome even complex problems using curiosity, courage, and creativity.<\/p>\n

The artist first built the sculptures on a 1:1 scale using flexible plastic pipes. She coated the pipes with plaster, sanded them, stabilized them, and sanded them again. Over the course of several weeks, a precise 1:1 model was created by hand. The Anton Gugg foundry then took over the implementation using the sand casting process. Each sculpture was realized individually in several parts using solid casting, then welded together, sanded again, tested, and finally approved by T\u00dcV.<\/p>\n

The two dynamic loop sculptures are more than just shapes; they resemble abstract three-dimensional drawings in space. Their lines spiral upward, precisely and playfully concurrently, twisting and opening up. As symbols of movement, connection, and individual perspectives, they invite viewers to observe them from different angles, to relate to them, and perhaps even to develop their own associations\u2014be this dancing figures, musical lines, or intricate thoughts. The sculptures exemplify what school is all about today: the dialogue between logic and creativity, between structure and development. They encourage viewers to take a closer look, think in new ways, and discover the connections in what resembles confusion. This is entirely in keeping with Lisa Piccirillo\u2019s insight \u2013 and that of the young people who learn here every day.<\/p>\n","werk_img":[{"ID":8238,"id":8238,"title":"quivid-kunst-am-bau-alix stadtbaumer-twins-muenchen-2025-02","filename":"quivid-kunst-am-bau-alix-stadtbaumer-twins-muenchen-2025-02.jpg","filesize":360588,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-alix-stadtbaumer-twins-muenchen-2025-02.jpg","link":"https:\/\/quivid.de\/en\/twins\/8231\/quivid-kunst-am-bau-alix-stadtbaumer-twins-muenchen-2025-02-2\/","alt":"","author":"12","description":"","caption":"","name":"quivid-kunst-am-bau-alix-stadtbaumer-twins-muenchen-2025-02-2","status":"inherit","uploaded_to":8231,"date":"2026-04-24 14:15:16","modified":"2026-04-24 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“Twins” ist ein zweiteiliges Kunstprojekt der M\u00fcnchner K\u00fcnstlerin Alix Stadtb\u00e4umer, das im Rahmen des Erweiterungsbaus des Klenze-Gymnasiums entstanden ist. Die beiden Aluminiumskulpturen \u2013 eine in leuchtendem Orange, die andere in kr\u00e4ftigem Violett \u2013 erheben sich jeweils rund 4,60 Meter hoch und setzen markante, farbige Akzente im Au\u00dfenraum der Schule. Dabei markieren sie zwei zentrale Orte: den Eingangsbereich des Pausenhofs, der gemeinsam vom Klenze und Dante-Gymnasium genutzt wird, sowie den Platz vor der neuen Turnhalle. Von einem bestimmten Punkt auf dem Schulgel\u00e4nde aus lassen sich beide Skulpturen gleichzeitig sehen und treten so miteinander in einen Dialog, genau wie die beiden Schulen, die sie verbinden. <\/p>\n

Das Klenze-Gymnasium ist naturwissenschaftlich-technisch ausgerichtet, bietet seinen Sch\u00fcler:innen jedoch auch ein breites musisches Angebot. Diese Verbindung unterschiedlicher Disziplinen formal und inhaltlich aufzugreifen, war f\u00fcr Alix Stadtb\u00e4umer Inspiration und Herausforderung zugleich: Wie l\u00e4sst sich Wissenschaft mit Kunst, Logik mit Spiel und Struktur mit Leichtigkeit verbinden? Ausgangspunkt ihrer Idee war die mathematische Knotentheorie, die ihre Ausl\u00e4ufe auch im allt\u00e4glichen Kabelsalat findet, wenn sich z. B. Kopfh\u00f6rerkabel oder Gartenschl\u00e4uche scheinbar unentwirrbar ineinander verwickeln.<\/p>\n

Alix Stadtb\u00e4umer stie\u00df bei ihrer Recherche auf das R\u00e4tsel des sogenannten \u201eConway-Knotens\u201c, in dem es um die Frage geht, ob dieser im vierdimensionalen Raum eine Scheibe umrandet. Jahrzehntelang blieb das Problem ungel\u00f6st, bis die junge Mathematikerin Lisa Piccirillo 2018 \u00fcberraschend einen Weg fand, das R\u00e4tsel zu l\u00f6sen. Der Conway-Knoten ist ein scheinbar kompliziert verschlungener Knoten, bei dem lange unklar war, ob er sich ohne Zerschneiden entwirren l\u00e4sst. Piccirillo konnte schlie\u00dflich mathematisch nachweisen, dass dies nicht m\u00f6glich ist und der Knoten somit tats\u00e4chlich ein \u201eechter\u201c Knoten bleibt. Ihr Erfolg, der auf einem ungew\u00f6hnlichen Denkansatz und einem kleinen Trick beruhte, wurde f\u00fcr Alix Stadtb\u00e4umer zum Sinnbild daf\u00fcr, dass gerade junge Menschen mit Neugier, Mut und Kreativit\u00e4t selbst komplexe Probleme bew\u00e4ltigen k\u00f6nnen.<\/p>\n

Die K\u00fcnstlerin baute die Skulpturen zun\u00e4chst im Ma\u00dfstab 1:1 aus biegsamen Kunststoffrohren, ummantelte sie mit Gips, schleifte, stabilisierte, schleifte erneut \u2013 wochenlang entstand so ein pr\u00e4zises 1:1 Modell in Handarbeit. Anschlie\u00dfend \u00fcbernahm die Gie\u00dferei Anton Gugg die Umsetzung im Sandgussverfahren. Jede Skulptur wurde in mehreren Teilen einzeln im Vollguss realisiert, danach zusammengeschwei\u00dft, erneut geschliffen, gepr\u00fcft und schlie\u00dflich durch den T\u00dcV abgenommen. <\/p>\n

Die beiden dynamischen Schlaufenskulpturen sind mehr als reine Formen, sie wirken wie abstrakte dreidimensionale Zeichnungen im Raum. Ihre Linien schrauben sich pr\u00e4zise und spielerisch zugleich nach oben, winden und \u00f6ffnen sich. Als Sinnbild f\u00fcr Bewegung, Verbindung und individuelle Perspektiven laden sie dazu ein, sie aus verschiedenen Blickwinkeln zu betrachten, mit ihnen in
\nBeziehung zu treten und vielleicht sogar eigene Assoziationen zu entwickeln \u2013 seien es tanzende Figuren, musikalische Linien oder verschlungene Gedanken. Sie stehen exemplarisch f\u00fcr das, was Schule heute ausmacht: den Dialog zwischen Logik und Kreativit\u00e4t, zwischen Struktur und Entfaltung. Die Skulpturen fordern dazu auf, genauer hinzuschauen, neue Wege zu denken und das Verkn\u00fcpfte im scheinbar Verwirrten zu entdecken. Ganz im Sinne von Lisa Piccirillos Erkenntnis \u2013 und der jungen Menschen, die hier t\u00e4glich lernen.<\/p>\n","werk_txt_context":"","werk_collections":false,"werk_sort_data_artists":"Alix Stadtb\u00e4umer","werk_sort_data_category":"Skulptur \/ Plastik","werk_sort_data_district":"Sendling","werk_sort_data_year":"2025","werk_sort_data_access":"auf Anfrage zug\u00e4nglich"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-alix-stadtbaumer-twins-muenchen-2025-03.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-alix-stadtbaumer-twins-muenchen-2025-03-768x1024.jpg","artists":[{"name":"Alix Stadtb\u00e4umer","url":"https:\/\/quivid.de\/en\/artist\/alix-stadtbaeumer\/"}],"tax_category":"Skulptur \/ Plastik","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Sendling","tax_year":2025,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=8231"}],"version-history":[{"count":6,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8231\/revisions"}],"predecessor-version":[{"id":8252,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8231\/revisions\/8252"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8246"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8244"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8248"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8242"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8238"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/8230"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8239"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=8231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=8231"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=8231"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=8231"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=8231"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=8231"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=8231"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=8231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}