The signature, that reflection of a person\u2019s personality, is in crisis. Qualified electronic signatures and digital signatures compete with handwritten signatures and are also legally valid. The era in which characteristics of a signature, including its legibility, angle of inclination, and size of letters, allowed conclusions to be drawn about a person\u2019s personality, is gradually coming to an end. Autographs are also increasingly being replaced by image documents, including selfies with celebrities. At a time when digitalization is triumphing, Austrian artist Markus Wilfling is preoccupied with the idiosyncratic signature of German Chancellor Willy Brandt (1913-1992). In his threepart art contribution for the new Willy Brandt Comprehensive School (WBG) with the Technical College for Social Services and Health Munich North (FOS), Wilfling installed the signature in white neon lettering on the canopy of the main entrance, which is characterized by glass and blue steel elements. The signature of the school\u2019s namesake shines like a sculpture as a result.<\/p>\n
Brandt\u2019s handwriting is animated, dynamic, and abstract; if one did not know his first and family name, one would be hard-pressed to learn it from looking at his illegible script. The eccentric signature of the man, who was born Herbert Ernst Karl Frahm and adopted the pseudonym Willy Brandt in 1933 to escape persecution by the Nazis, caused considerable irritation in the past. An information board bearing the signature in the school\u2019s previous building provoked questions and complaints. The supposed \u201cArabic characters\u201d caused a stir \u2013 a misunderstanding that prompted Wilfling to address the disturbing effect of a signature. He positioned the Brandt lettering in striking three-dimensionality on the canopy of the school\u2019s main entrance using a blow-up process. Willy Brandt signs the building designed by HASCHER JEHLE Architektur, lending it an aura of officialdom and commitment. Wilfling\u2019s basic idea for the work “Willy Brandt’s Signature” is not intended to provoke, but to foster tolerance.<\/p>\n
In his second installation, Wilfling installs a suspended, 16-meter-high, colorfully painted sculpture made of tulipwood into the shaftlike atrium of the five-story building. He calls his intervention “Synonym for a Distance from a Surface to a Point (Colored Version)”. It is a slender, inverted cone shape consisting of 16 one-meter-long sections, each painted in bright colors with oil paint. Visually, it is reminiscent of a monumental Mikado stick or an equally precisely sharpened colored pencil, which stands out clearly from the wooden fixtures and white painted architectural elements and creates different (color) impressions on each floor. The oversized yet delicate structure unites all the floors and accentuates the clearly structured space with its precise placement. Its color chart aesthetic suggests warmth, vitality, and imagination.<\/p>\n
The third part of Wilfling\u2019s artistic installation, “Signature Turntable”, is a polished, convex, rotating stainless steel disc that invites all students to leave their signatures using different colored permanent markers. Over the years, this creates a graphically condensed, multicolored portrait of the names. Wilfling\u2019s interactive installation follows Beuys\u2019 claim that everyone is an artist and also promotes identification with the school building, where one can leave their mark, immortalize oneself, but do so in analogue form rather than in the pixel world. Hand, color, form: all three works intertwine to form an artistic statement for (human) diversity, individuality, and open-mindedness.<\/p>\n","werk_img":[{"ID":8214,"id":8214,"title":"quivid-kunst-am-bau-markus wilfling-punkt duktus strich-muenchen-2025-03","filename":"quivid-kunst-am-bau-markus-wilfling-punkt-duktus-strich-muenchen-2025-03.jpg","filesize":731210,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-markus-wilfling-punkt-duktus-strich-muenchen-2025-03.jpg","link":"https:\/\/quivid.de\/en\/zwischen-punkt-strich-und-duktus\/8206\/quivid-kunst-am-bau-markus-wilfling-punkt-duktus-strich-muenchen-2025-03-2\/","alt":"","author":"12","description":"","caption":"","name":"quivid-kunst-am-bau-markus-wilfling-punkt-duktus-strich-muenchen-2025-03-2","status":"inherit","uploaded_to":8206,"date":"2026-04-23 12:10:12","modified":"2026-04-23 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Die Unterschrift, dieses Abbild einer Pers\u00f6nlichkeit, steckt in der Krise. Die qualifizierte elektronische Signatur und die digitale Signatur konkurrenzieren den handschriftlichen Namenszug, verf\u00fcgen auch \u00fcber Rechtsg\u00fcltigkeit. Die \u00c4ra, in denen Merkmale der Unterschrift \u2013 etwa Lesbarkeit, Neigungswinkel und Gr\u00f6\u00dfe der Buchstaben \u2013 auf Aspekte der Pers\u00f6nlichkeit haben schlie\u00dfen lassen, geht allm\u00e4hlich zu Ende. Auch das Autogramm wird zunehmend durch ein Bilddokument, das Selfie mit dem Star, verdr\u00e4ngt. Just in einer Zeit des Siegeszuges der Digitalisierung r\u00fcckt der \u00f6sterreichische K\u00fcnstler Markus Wilfling die eigenwillige Unterschrift des deutschen Bundeskanzlers Willy Brandt (1913-1992) in den Fokus: Er platziert in seinem dreiteiligen Kunstbeitrag f\u00fcr den Neubau der Willy-Brandt-Gesamtschule (WBG)\u00a0 mit der Fachoberschule f\u00fcr Sozialwesen und Gesundheit M\u00fcnchen Nord (FOS) die Signatur in wei\u00dfer Neonschrift auf dem Vordach des durch Glas und blaue Stahlelemente gepr\u00e4gten Haupteingangs und bringt die Unterschrift des Namensgebers der Schule skulptural zum Leuchten.<\/p>\n
Brandts Schriftzug ist schwungvoll, dynamisch, abstrahiert; Vor- und Nachname entziehen sich ohne Vorwissen der Lesbarkeit. Die exzentrische Signatur jenes Mannes, der als Herbert Ernst Karl Frahm geboren wurde und 1933 Willy Brandt als Decknamen angenommen hatte, um der Verfolgung durch die Nationalsozialisten zu entgehen, l\u00f6ste in der Vergangenheit mehrfach Irritationen aus. Eine mit der Unterschrift versehene Informationstafel im schulischen Vorg\u00e4ngerbau f\u00fchrte zu Nachfragen und Beschwerden. Die vorgeblich \u201earabischen Schriftzeichen\u201c erhitzten die Gem\u00fcter \u2013 ein Missverst\u00e4ndnis, das Wilfling dazu bewogen hat, die verst\u00f6rende Wirkung einer Signatur
\naufzugreifen. Er positioniert den Brandt-Schriftzug via Blow-up Verfahren in markanter Dreidimensionalit\u00e4t auf dem Vordach des Haupteingangs der Schule. Willy Brandt signiert gleichsam das von HASCHER JEHLE Architektur geplante Geb\u00e4ude, verleiht ihm eine Aura des Offiziellen, Verbindlichen. Wilflings Grundgedanke f\u00fcr die Arbeit “Die Unterschrift des Willy Brandt” ist nicht die Lust auf Provokation, vielmehr ein Signal f\u00fcr Toleranz.<\/p>\n
In seiner zweiten Installation passt Wilfling eine 16 Meter hohe, h\u00e4ngende und bunt bemalte Skulptur aus Tulipwood in den schachtartigen Lichthof des f\u00fcnfgeschossigen Geb\u00e4udes ein. “Synonym f\u00fcr eine Strecke von einer Fl\u00e4che zu einem Punkt (coloured version)” nennt er seinen Eingriff. Es ist eine schlanke, umgedrehte Kegelform, bestehend aus 16 jeweils ein Meter gro\u00dfen, mit \u00d6lfarbe bunt bemalten Teilst\u00fccken. Optisch f\u00fchlt man sich an einen monumentalen Mikado Stab erinnert oder einen ebensolchen, exakt gespitzten Buntstift, der sich von den Holzeinbauten und wei\u00df gestrichenen Architekturelementen deutlich abhebt und in jedem Geschoss andere (Farb-)Eindr\u00fccke gew\u00e4hrt. Das \u00fcbergro\u00dfe und zugleich zarte Gebilde vereint alle Stockwerke und akzentuiert mit seiner punktgenauen Setzung den klar strukturierten Raum. Suggeriert durch seine Farbkarten- \u00c4sthetik W\u00e4rme, Vitalit\u00e4t und Fantasie.<\/p>\n
Der dritte Teil von Wilflings k\u00fcnstlerischer Bespielung, “Signaturendrehschreibe”, ist eine polierte, konvexe und drehbare Edelstahlscheibe, die alle Sch\u00fcler:innen einl\u00e4dt, mit farblich unterschiedlichen Permanent-Markern ihre Unterschriften zu hinterlassen. Mit den Jahren entsteht so ein grafisch-verdichtetes, vielfarbiges Bildnis der Namen. Markus Wilflings interaktive Installation erf\u00fcllt den Beuys\u2019schen Anspruch, wonach jeder und jede K\u00fcnstler:in sei und f\u00f6rdert zudem die Identifikation mit dem Schulhaus, in das man sich einschreiben kann, verewigen, aber eben analog und nicht in der Pixelwelt. Hand, Farbe, Form: Alle drei Arbeiten verschr\u00e4nken sich zu einem k\u00fcnstlerischen Statement f\u00fcr die (menschliche) Vielfalt, das Individuelle, f\u00fcr Aufgeschlossenheit.<\/p>\n","werk_txt_context":"
Das Kunstprojekt \u201eZwischen Punkt, Strich und Duktus \u201c des \u00f6sterreichischen K\u00fcnstlers Markus Wilfling wurde 2020 im Rahmen eines Kunst am Bau-Wettbewerbs f\u00fcr den Neubau der Willy-Brandt-Gesamtschule und FOS Nord f\u00fcr Sozialwesen und Gesundheit von der Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum zur Realisierung empfohlen. F\u00fcr die sechsz\u00fcgige Gesamtschule mit einem zus\u00e4tzlichen Mittelschulzug nach dem M\u00fcnchner Lernhauskonzept sowie die dreiz\u00fcgige FOS Nord f\u00fcr Sozialwesen und Gesundheit mit gemeinsam genutzter Mensa und neugestaltetem Au\u00dfen- und Freisportbereich realisierte der K\u00fcnstler ein dreiteiliges Werk, das sowohl \u00fcber dem Haupteingang, an der Au\u00dfenfassade sowie im Lichthof des Schulgeb\u00e4udes angebracht wird.<\/p>\n","werk_collections":[{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":1,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Markus Wilfling","werk_sort_data_category":"Installation,Skulptur \/ Plastik","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_district":"Feldmoching-Hasenbergl"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-markus-wilfling-punkt-duktus-strich-muenchen-2025-01.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-markus-wilfling-punkt-duktus-strich-muenchen-2025-01-768x1152.jpg","artists":[{"name":"Markus Wilfling","url":"https:\/\/quivid.de\/en\/artist\/markus-wilfling\/"}],"tax_category":"Installation, Skulptur \/ Plastik","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Feldmoching-Hasenbergl","tax_year":null,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=8206"}],"version-history":[{"count":6,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8206\/revisions"}],"predecessor-version":[{"id":8228,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8206\/revisions\/8228"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8222"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8220"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8210"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8224"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8214"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/8205"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8209"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=8206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=8206"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=8206"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=8206"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=8206"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=8206"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=8206"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=8206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}