{"id":8104,"date":"2026-04-20T17:56:48","date_gmt":"2026-04-20T15:56:48","guid":{"rendered":"https:\/\/quivid.de\/?p=8104"},"modified":"2026-04-20T18:01:40","modified_gmt":"2026-04-20T16:01:40","slug":"gecloud","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/gecloud\/8104\/","title":{"rendered":"geCloud"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":12,"featured_media":8124,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[129,1],"district":[135],"access":[194],"accessibility":[131],"space":[174],"year":[250],"gender":[137],"class_list":["post-8104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-installation","category-unkategorisiert","district-pasing-obermenzing","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-innenraum-aussenraum","year-250","gender-w"],"link_en":"https:\/\/quivid.de\/en\/\/en\/gecloud\/8104","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Farf\u00e1n","werk_artist_surname":"Vanessa ","werk_artist_gender":"w"}],"werk_artists":[{"ID":8098,"post_author":"12","post_date":"2026-04-15 14:40:42","post_date_gmt":"2026-04-15 12:40:42","post_content":"Die k\u00fcnstlerische Praxis von Vanessa Farf\u00e1n geht von der Beziehung aus, die das Licht zu unserer Wahrnehmung der Realit\u00e4t hat. F\u00fcr sie ist Licht nicht nur ein physikalisches Ph\u00e4nomen, sondern ein Werkzeug f\u00fcr Forschung und Erkenntnis. In Form von Installationen, holografischen Collagen (Objekten), partizipativen Installationen und Performances bewegt sich ihre Arbeit zwischen Wissenschaft und Poesie. Vanessa Farf\u00e1n (*in Mexiko-Stadt, Mexiko) lebt und arbeitet in Berlin. Sie studierte am Fine Arts Institute in Mexiko (EDINBA) und erhielt einen MA in Kunst von der Kunsthochschule Berlin-Wei\u00dfensee. Derzeit promoviert sie an der Fakult\u00e4t f\u00fcr Kunst und Gestaltung der Bauhaus-Universit\u00e4t Weimar. Ihre Forschungsarbeit wurde vom Transcript Verlag und der Leuven University ver\u00f6ffentlicht. Ihre Arbeiten wurden in zahlreichen Einzel- und Gruppenausstellungen gezeigt, u. a. im Max-Liebermann-Haus, Berlin (2025), in der Mexikanischen Botschaft, Berlin (2024), im Gropius Bau, Berlin (2022), der Ars Electronica, Linz (2019) und im Museum FLUXUS+ (2018), Potsdam.\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Vanessa Farf\u00e1n","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"vanessa-farfan","to_ping":"","pinged":"","post_modified":"2026-04-16 13:47:19","post_modified_gmt":"2026-04-16 11:47:19","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=8098","menu_order":1,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Pasing-Obermenzing (21)","werk_location_address":"Erweiterung Karlsgymnasium, Am Stadtpark 23, 81243 M\u00fcnchen","werk_location_longitude":"48.1414580320698","werk_location_latitude":"11.4520878076566","werk_material":"Keramik-Emaille auf thermogeformten Platten aus Sicherheitsglas, 730 \u00d7 360 \u00d7 520 cm
\r\nHersteller: Glasmalerei Peter Studios","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":false,"werk_map":false,"werk_parts":"","werk_institution":"","werk_architect":"Holzfurtner und Bahner Architekten und Stadtplaner, M\u00fcnchen","werk_architect_landscape":"TRR Landschaftsarchitekten, M\u00fcnchen","werk_photograph":"Henning Koepke","werk_author":"Quirin Brunnmeier","werk_txt_long_en":"

Robust and fragile, floating yet firmly fixed in space, the atrium in the new addition to the Karlsgymnasium in Pasinger Stadtpark is home to a multi-layered sculptural object that utilizes natural light as its medium. The installation geCloud was created by Mexico City-born, Berlin-based artist Vanessa Farf\u00e1n. The work defies a clear interpretation, navigating between analog and digital poles, between the natural and the artificial. The work traverses the interfaces of different materials, media, and content-related themes, exploring their inherent ambivalences. <\/p>\n

For the installation, Farf\u00e1n first digitally combined several photographs to create a photographic image of a cumulus cloud. The motif was then manipulated to appear less like a photographic document and more like a digital composition. In the next step, the artist rasterized this motif and translated it onto large-format 100 \u00d7 100 cm glass panels. These modules were printed with ceramic enamel and then thermoformed, creating an irregular surface. Installed on a system of wire ropes in the high school’s new atrium, the result is a floating, fragmented, and dynamic image that reflects and refracts sunlight, influenced by the angle of incidence and the individual perspective of the viewer. As an entity, this cloud is nearly impossible to grasp. Farf\u00e1n\u2019s work is interdisciplinary, situated at the juncture of art and science. She explores the way digital logics alter our perception of the physical and questions the relationship between the dimensions of real and digital space. Her approach is exploratory, often experimental, but never merely affirmative. This is also true of this work. The new atrium in the Karlsgymnasium is characterized by a modern, linear architectural language marked by strong axes and transparent surfaces that create create a sense of functional clarity. While the image of the cloud on glass incorporates some of these elements, it simultaneously subverts their logic. The installation overwrites the strict grid of the architecture with its own digital grid.<\/p>\n

Farf\u00e1n describes this approach as working with \u201canalog analogies.\u201d This refers to the transference of digital modes of thought into physical processes, as a play and reflection of digital and analog aspects. In the form of a fragmented cloud, these different perspectives merge. A cloud is a scientific phenomenon; the motif used is a digitally composed ideal image. In turn, it is physically integrated into the architecture on image carriers. The fact that the work cannot be fully perceived and is inherently unstable reinforces these ambivalences. From the ground floor, only fragments are visible; from the second floor, the overall form becomes somewhat clearer, but never definitively apparent. This cloud, like its ephemeral meteorological model, defies absolute comprehension. This approach is particularly relevant in a school where science and art are spatially intertwined. The installation does not offer a simple projection surface but instead questions the reliability of visual information. How are digital models translated into real space, and what happens when these processes run in the opposite direction? The work does not remain in a purely critical-analytical stance. Rather, this cloud also conveys poetic thoughts on transience and the preservation of beauty. A subtle humor resonates in the title: Who has \u201cclouded\u201d whom here, and why was this cloud uploaded to this particular atrium?<\/p>\n","werk_img":[{"ID":8127,"id":8127,"title":"quivid-kunst-am-bau-vanessa farfan-gecloud-muenchen-2025-06","filename":"quivid-kunst-am-bau-vanessa-farfan-gecloud-muenchen-2025-06.jpg","filesize":639454,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-vanessa-farfan-gecloud-muenchen-2025-06.jpg","link":"https:\/\/quivid.de\/en\/gecloud\/8104\/quivid-kunst-am-bau-vanessa-farfan-gecloud-muenchen-2025-06-2-2\/","alt":"","author":"12","description":"","caption":"","name":"quivid-kunst-am-bau-vanessa-farfan-gecloud-muenchen-2025-06-2-2","status":"inherit","uploaded_to":8104,"date":"2026-04-20 15:17:11","modified":"2026-04-20 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Solide und fragil zugleich, schwebend und doch fest im Raum fixiert. Im Lichthof des neuen Anbaus des Karlsgymnasiums am Pasinger Stadtpark hat die in Mexiko-Stadt geborene und in Berlin lebende K\u00fcnstlerin Vanessa Farf\u00e1n ein vielschichtiges skulpturales Objekt installiert, in dem das nat\u00fcrliche Licht als Arbeitsmittel genutzt wird. Die Installation geCloud entzieht sich einer eindeutigen Lesbarkeit, l\u00e4sst sich aber zwischen den Polen analog und digital, nat\u00fcrlich und k\u00fcnstlich verorten. <\/p>\n

Dabei bewegt sich die Arbeit entlang der Schnittstellen unterschiedlicher materieller, medialer und inhaltlicher Themenkomplexe und lotet deren immanente Ambivalenzen aus. F\u00fcr die Installation f\u00fchrte Vanessa Farf\u00e1n zun\u00e4chst ein fotografisches Bild einer Kumuluswolke digital aus mehreren Fotografien zusammen. Das Motiv ist so manipuliert, dass es weniger als fotografisches Dokument gelten kann, denn als digitale Komposition. Im n\u00e4chsten Schritt rasterte die K\u00fcnstlerin dieses Motiv und \u00fcbersetzte es auf gro\u00dfformatige 100-\u00d7-100-Zentimeter-Glasplatten. Diese Module wurden dabei mit Keramik-Emaille bedruckt und anschlie\u00dfend thermogeformt, wodurch eine unregelm\u00e4\u00dfige Oberfl\u00e4che entstand. An einem System aus Drahtseilen im neuen Lichthof des Karlsgymnasiums installiert, entsteht so ein schwebendes, fragmentiertes Bild, das in sich dynamisch ist: Es reflektiert und bricht das Sonnenlicht, beeinflusst durch den Einfallswinkel und die individuelle Perspektive der Betrachtenden. Als Ganzes ist diese Wolke kaum zu fassen.<\/p>\n

Vanessa Farf\u00e1n bewegt sich interdisziplin\u00e4r an den Schnittstellen von Kunst und Wissenschaft. Dabei untersucht sie, wie digitale Logiken unsere Wahrnehmung des Physischen ver\u00e4ndern und stellt die Beziehung zwischen den Dimensionen des realen und des digitalen Raums infrage. Ihr Ansatz ist forschend, oft experimentell, aber nie lediglich affirmativ. Das gilt auch f\u00fcr diese Arbeit. Der neue Lichthof im Karlsgymnasium ist von einer modernen, konsequent linearen Architektursprache gepr\u00e4gt: starke Achsen und transparente Fl\u00e4chen erzeugen das Gef\u00fchl einer funktionalen Klarheit. Das Bild der Wolke auf Glas nimmt zwar einige dieser Elemente auf, unterl\u00e4uft aber zugleich deren Logik: Die Installation \u00fcberschreibt das strenge Raster der Architektur mit einem eigenen, digitalen Raster.
\nBesonders deutlich wird dies in der Schichtung der insgesamt f\u00fcnf Glasebenen. Das Druckmuster der Wolke auf den Platten wurde entlang dieser f\u00fcnf Plattenlagen, die an jeweils einem Stahltr\u00e4ger h\u00e4ngen, schrittweise gedreht, beginnend mit einem Winkel von 45\u00b0 in der Mitte bis zu einem Winkel von 25\u00b0 in den Plattenlagen, die den W\u00e4nden des Geb\u00e4udes am n\u00e4chsten liegen. Diese graduelle Verschiebung erzeugt einen Moir\u00e9- Effekt, der sich je nach Blickwinkel aufl\u00f6st, verst\u00e4rkt oder in neue Muster kippt. Diese Interferenzen verunsichern die Wahrnehmung, das scheinbar stabile Bild wirkt fragil, Ordnung und Zufall greifen ineinander. Das Ergebnis ist ein analog erzeugter \u201eGlitch\u201c, eine kontrollierte St\u00f6rung, die an digitale Kompressionsfehler erinnert und zugleich unmissverst\u00e4ndlich materiell bleibt. <\/p>\n

Farf\u00e1n beschreibt diese Vorgehensweise als Arbeit mit \u201eanalogen Analogien\u201c. Gemeint ist ein \u00dcbertragen digitaler Denkweisen in physische Prozesse, als Spiel und Spiegelung digitaler wie analoger Aspekte. In Gestalt der fragmentierten Wolke vermengen sich diese unterschiedlichen Perspektiven: Eine Wolke ist ein naturwissenschaftliches Ph\u00e4nomen, das genutzte Motiv ein digital komponiertes Idealbild, das wiederum ganz real auf Bildtr\u00e4gern in die Architektur eingef\u00fcgt ist. Dass man das Werk nicht vollst\u00e4ndig erblicken kann und es in sich selbst instabil ist, verst\u00e4rkt diese Ambivalenzen. Vom Erdgeschoss aus sieht man nur Fragmente, aus dem zweiten Stock erschlie\u00dft sich die Gesamtform etwas klarer, aber nie endg\u00fcltig. Auch diese Wolke entzieht sich, wie ihr ephemeres meteorologisches Vorbild, jedem kompletten Erfassen.<\/p>\n

Gerade in einer Schule, in der die Naturwissenschaften und die Kunst r\u00e4umlich eng verzahnt sind, ist dieser Ansatz \u00e4u\u00dferst relevant. Die Installation bietet keine einfache Projektionsfl\u00e4che, sondern stellt die Zuverl\u00e4ssigkeit visueller Informationen infrage. Wie werden digitale Modelle in den realen Raum \u00fcbersetzt und was passiert, wenn diese Prozesse in die andere Richtung ablaufen? Die Arbeit verharrt dabei aber nicht in einer rein kritisch analytischen Haltung. Vielmehr transportiert diese Wolke auch poetische Gedanken zu Verg\u00e4nglichkeit und der Bewahrung des Sch\u00f6nen. Im Titel schwingt aber auch ein zarter Humor mit: Wer hat hier wem etwas \u201egeCloud\u201c und warum wurde diese Wolke gerade in diesen Lichthof hochgeladen?<\/p>\n","werk_txt_context":"","werk_collections":[{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Vanessa Farf\u00e1n","werk_sort_data_category":"Installation,Unkategorisiert","werk_sort_data_district":"Pasing-Obermenzing","werk_sort_data_year":"2025","werk_sort_data_access":"auf Anfrage zug\u00e4nglich"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-vanessa-farfan-gecloud-muenchen-2025-05.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-vanessa-farfan-gecloud-muenchen-2025-05-768x1152.jpg","artists":[{"name":"Vanessa Farf\u00e1n","url":"https:\/\/quivid.de\/en\/artist\/vanessa-farfan\/"}],"tax_category":"Installation, Unkategorisiert","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Pasing-Obermenzing","tax_year":2025,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=8104"}],"version-history":[{"count":9,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8104\/revisions"}],"predecessor-version":[{"id":8134,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8104\/revisions\/8134"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8129"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8125"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8123"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8121"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8117"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8127"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/8098"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8124"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=8104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=8104"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=8104"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=8104"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=8104"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=8104"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=8104"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=8104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}