{"id":8031,"date":"2026-03-23T15:26:27","date_gmt":"2026-03-23T14:26:27","guid":{"rendered":"https:\/\/quivid.de\/?p=8031"},"modified":"2026-04-10T13:29:50","modified_gmt":"2026-04-10T11:29:50","slug":"wetterschau","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/wetterschau\/8031\/","title":{"rendered":"WETTERSCHAU"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":12,"featured_media":8041,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[134],"district":[165],"access":[193],"accessibility":[131],"space":[132],"year":[250],"gender":[133,137],"class_list":["post-8031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fassadengestaltung","district-schwabing-freimann","access-oeffentlich-zugaenglich","accessibility-barrierefrei-zugaenglich","space-aussenraum","year-250","gender-m","gender-w"],"link_en":"https:\/\/quivid.de\/en\/\/en\/wetterschau\/8031","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Stiftung Freizeit","werk_artist_surname":"","werk_artist_gender":""}],"werk_artists":[{"ID":8030,"post_author":"12","post_date":"2026-03-23 13:44:42","post_date_gmt":"2026-03-23 12:44:42","post_content":"Stiftung Freizeit wurde 2011 von In\u00e9s Aubert, Markus Bl\u00f6sl und Ruben Jodar in Berlin gegr\u00fcndet. Sie stiften andere an, sich freie Zeit f\u00fcr kulturelles Engagement f\u00fcr ihre Stadt zu nehmen. Ihr Feld reicht von Projekten im \u00f6ffentlichen Raum bis hin zur Ausstellungs-gestaltung. Seit 2012 findet ihre Installation Cucina Pubblica<\/em> beim Symposium zur Baukulturvermittlung im Rahmen der Architekturbiennale in Venedig statt. 2017 gewann die Biographie der Stadt<\/em> in W\u00f6rgl den F\u00f6rderpreis der Sektion f\u00fcr Kunst und Kultur. 2018 erhielt die Entschleunigungsspur<\/em> in M\u00fcnchen den Missionspreis \u201eAndere Zeiten\u201c. Ausstellungsgestaltungen wurden u. a. f\u00fcr das Architektur Museum in M\u00fcnchen, das Bauhaus Museum in Weimar und das Br\u00fccke Museum in Berlin realisiert.\r\n\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLER:INNEN<\/a>","post_title":"Stiftung Freizeit","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"stiftung-freizeit","to_ping":"","pinged":"","post_modified":"2026-04-10 13:22:48","post_modified_gmt":"2026-04-10 11:22:48","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=8030","menu_order":3,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Schwabing-Freimann","werk_location_address":"Kinderkrippe im Josef-Wirth-Weg 11, 80939 M\u00fcnchen","werk_location_longitude":"48.2000172981834","werk_location_latitude":"11.6233359392116","werk_material":"Verzinkter Stahl, pulverbeschichtetes Lochblech, Antriebsriemen","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":true,"werk_map":true,"werk_parts":"","werk_institution":"","werk_architect":"N-V-O Nuyken von Oefele Architekten und Stadtplaner, M\u00fcnchen","werk_architect_landscape":"BL9 Landschaftsarchitekten, M\u00fcnchen","werk_photograph":"Henning Koepke","werk_author":"Judith Csiki","werk_txt_long_en":"

With WETTERSCHAU (WEATHER SHOW), the Stiftung Freizeit has realized an art in architecture project at the newly constructed daycare center on Josef-Wirth-Weg, translating the building\u2019s guiding principles \u2014 sustainability, energy efficiency, and pedagogical openness \u2014 into a succinct visual language. The work expands the facility\u2019s architectural and social space.<\/p>\n

A sequence of five pictograms \u2014 sun, wind, clouds, rain, and snow \u2014 unfolds on the wooden facade. Made of colored, powder-coated perforated sheet metal and designed in a minimalist, child-friendly style, the elements are mounted on a rail system that can be moved vertically using hand cranks. The rails are divided into two levels. The lower level contains a reservoir of possible weather patterns, from which the actual weather is drawn by cranking the corresponding symbols upwards. There \u2013 above a horizon line \u2013 is a large arrow labeled WETTERSCHAU.<\/p>\n

The artwork thus invites children to engage in impromptu discussions about their environment in multiple ways. The horizon line can be used to address and visualize phenomena such as sunrise and sunset, as well as scalability, for example, in relation to wind strength, which increases upwards. Furthermore, multiple symbols can overlap. The daily observation of the weather thus becomes an act of conscious observation and perception using all senses and engaging in a performative action that, as a community-building ritual, can structure situations of transition: children, parents, and caregivers create a changing composition that renders the moment visible and gives rise to a feeling of simultaneity, gradual differences, and change.<\/p>\n

Through its structure, the artwork WETTERSCHAU encompasses several communicative dimensions. The clear symbols allow children to express impressions without speaking; non-verbal communication is a fundamental form of dialogue, one that is highly significant in early childhood education. The prominent placement of the symbols also addresses the neighborhood, thus embedding the daycare center within a larger social context. This is
\nreinforced by reading the second part of the title as an imperative: \u201cSCHAU\u201d (\u201cLook!\u201d). There are probably few verbs used more frequently in early childhood development \u2014 by children as well as all adult caregivers \u2014 than the request to look, that is, to perceive something that has been deemed significant. Feelings of belonging and efficacy arise from
\nthis, provided it is not dismissed as irrelevant by the other person. Finally, communication with older children can be expanded to include symbolic representations of emotional states, as expressed in idioms such as \u201ca face like three days of rainy weather\u201d or \u201ca ray of sunshine,\u201d and \u201cbeing blown away.\u201d<\/p>\n

WETTERSCHAU exists at the intersection of concrete art, constructive semiotics, and approaches social sculpture. Its reduced formal language draws on minimalist systems of order, but it is translated here into an everyday and participatory context. The work thus exemplifies a contemporary understanding of art in architecture: not merely decorative embellishment, but an open, sensually perceptible system that encourages use. With WETTERSCHAU, Stiftung Freizeit creates a space for experience where climate, perception, and symbolic forms of communication are equally present. The project combines spontaneous playfulness with conceptual depth, creating an interface between childlike curiosity and adult reflection.<\/p>\n","werk_img":[{"ID":8040,"id":8040,"title":"quivid-kunst-am-bau-stiftung freizeit-wetterschau-muenchen-2025-03","filename":"quivid-kunst-am-bau-stiftung-freizeit-wetterschau-muenchen-2025-03.jpg","filesize":1381065,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-stiftung-freizeit-wetterschau-muenchen-2025-03.jpg","link":"https:\/\/quivid.de\/en\/wetterschau\/8031\/quivid-kunst-am-bau-stiftung-freizeit-wetterschau-muenchen-2025-03-2\/","alt":"","author":"12","description":"","caption":"","name":"quivid-kunst-am-bau-stiftung-freizeit-wetterschau-muenchen-2025-03-2","status":"inherit","uploaded_to":8031,"date":"2026-03-23 13:34:46","modified":"2026-03-23 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Mit WETTERSCHAU realisierte die Stiftung Freizeit an der neu errichteten Kinderkrippe am Josef-Wirth-Weg ein Kunst am Bau-Projekt, das die Leitideen des Geb\u00e4udes \u2013 Nachhaltigkeit, Energieeffizienz und p\u00e4dagogische Offenheit \u2013 in eine pr\u00e4gnante visuelle Sprache \u00fcberf\u00fchrt. Die Arbeit erweitert sowohl den architektonischen als auch den sozialen Raum der Einrichtung.<\/p>\n

Auf der Holzfassade entfaltet sich eine Sequenz von f\u00fcnf Piktogrammen \u2013 Sonne, Wind, Wolken, Regen und Schnee. Gefertigt aus farbig pulverbeschichtetem Lochblech und in reduzierter, kindgerechter Formensprache gehalten, sind sie auf einem Schienensystem montiert und lassen sich mithilfe von Handkurbeln vertikal verschieben. Die Schienen sind in zwei Ebenen unterteilt, wobei sich unten das Reservoir aus m\u00f6glichen Wetterkonstellationen befindet, aus dem sich das tats\u00e4chliche Wetter speist, indem die entsprechenden Symbole nach oben gekurbelt werden. Dort \u2013 oberhalb einer Horizontlinie \u2013 befindet sich ein gro\u00dfer Pfeil mit der Aufschrift WETTERSCHAU.<\/p>\n

Das Werk l\u00e4dt also auf vielf\u00e4ltige Weise dazu ein, mit den Kindern in eine erste Kommunikation \u00fcber das, was uns umgibt, einzusteigen. Dabei k\u00f6nnen anhand der Horizontlinie Ph\u00e4nomene wie Sonnenauf- und -untergang angesprochen und ins Bild gesetzt werden, aber auch Skalierbarkeit etwa in Bezug auf die St\u00e4rke des Windes, die nach oben hin zunimmt. Au\u00dferdem ist das \u00dcberlappen mehrerer Symbole m\u00f6glich. Das t\u00e4gliche Beobachten des Wetters wird so zu einem Akt des bewussten Sehens und Wahrnehmens mit allen Sinnen und zu einer performativen Handlung, die als gemeinschaftsstiftendes Ritual Situationen des \u00dcbergangs strukturieren kann: Kinder, Eltern und Betreuungspersonen gestalten eine wechselnde Komposition, die den Moment sichtbar macht und ein Gef\u00fchl f\u00fcr Gleichzeitigkeit, graduelle Unterschiede und Wandlung entstehen l\u00e4sst.<\/p>\n

Durch seine Struktur beinhaltet das Werk WETTERSCHAU mehrere kommunikative Dimensionen. Die klaren Symbole erm\u00f6glichen Kindern, Eindr\u00fccke nonverbal auszudr\u00fccken \u2013 eine grundlegende Form des Dialogs, die in fr\u00fchp\u00e4dagogischen Kontexten hohe Bedeutung besitzt. Die weithin sichtbare Anbringung der Symbole adressiert zudem die Nachbarschaft und bettet so die Krippe in ein gr\u00f6\u00dferes soziales Gef\u00fcge ein. Verst\u00e4rkt wird dies durch die Lesart des zweiten Wortteils im Titel als Imperativ: \u201eSchau!\u201c. Es gibt wohl nur wenige Verben, die in der fr\u00fchkindlichen Entwicklung h\u00e4ufiger benutzt werden \u2013 von Kindern sowie s\u00e4mtlichen erwachsenen Bezugspersonen \u2013 als die Aufforderung zu schauen, also etwas wahrzunehmen, das als bedeutsam empfunden wurde. Gef\u00fchle der Zugeh\u00f6rigkeit und Wirksamkeit entstehen dadurch, sofern es vom anderen nicht als irrelevant weggewischt wird. Schlussendlich l\u00e4sst sich die Kommunikation mit den \u00e4lteren Kindern erweitern hin zur symbolischen Darstellung von Gef\u00fchlszust\u00e4nden, wie sie sich auch in Redewendungen wie etwa \u201eein Gesicht wie drei Tage Regenwetter\u201c oder \u201eein Sonnenschein\u201c und \u201edurch den Wind sein\u201c ausdr\u00fccken.<\/p>\n

WETTERSCHAU bewegt sich zwischen konkreter Kunst, konstruktiver Zeichen\u00e4sthetik und Ans\u00e4tzen der sozialen Plastik. Die reduzierte Formensprache kn\u00fcpft an minimalistische Ordnungssysteme an, wird hier jedoch in einen alltagsbezogenen und partizipativen Kontext \u00fcberf\u00fchrt. Damit steht das Werk exemplarisch f\u00fcr ein zeitgen\u00f6ssisches Verst\u00e4ndnis von Kunst am Bau: kein dekoratives Beiwerk, sondern ein offenes, sinnlich erfahrbares System, das zur Nutzung aktiviert. Mit WETTERSCHAU schafft die Stiftung Freizeit einen Erfahrungsraum, in dem Klima, Wahrnehmung und symbolische Kommunikationsformen gleicherma\u00dfen pr\u00e4sent werden. Das Projekt verbindet spielerische Leichtigkeit mit konzeptueller Tiefe und bildet eine Schnittstelle zwischen kindlicher Neugier und erwachsener Reflexion.<\/p>\n","werk_txt_context":"

Das QUIVID-Werk \u201eWETTERSCHAU\u201c der Stiftung Freizeit wurde im Zuge des Neubaus einer Kinderkrippe mit drei Gruppen am Josef-Wirth-Weg 11 im 12. Stadtbezirk Schwabing-Freimann realisiert. Das interaktive Kunstwerk wurde an der Au\u00dfenfassade des zweist\u00f6ckigen Bauwerks in Massivholzbauweise angebracht. Es fungiert sowohl als bespielbares Objekt im Alltag der Krippe als auch als identit\u00e4tsstiftendes Signet, das in die umliegende Nachbarschaft ausstrahlt. Das K\u00fcnstler:innenkollektiv Stiftung Freizeit wurde im Jahr 2022 auf Grundlage einer von der Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum erarbeiteten Vorschlagsliste ausgew\u00e4hlt und eingeladen, ein ortsspezifisches Kunstwerk f\u00fcr dieses Bauvorhaben zu entwickeln und umzusetzen.<\/p>\n","werk_collections":[{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Stiftung Freizeit","werk_sort_data_category":"Fassadengestaltung","werk_sort_data_district":"Schwabing-Freimann","werk_sort_data_year":"2025","werk_sort_data_access":"\u00f6ffentlich zug\u00e4nglich"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-stiftung-freizeit-wetterschau-muenchen-2025-04-1280x1920.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-kunst-am-bau-stiftung-freizeit-wetterschau-muenchen-2025-04-768x1152.jpg","artists":[{"name":" Stiftung Freizeit","url":"https:\/\/quivid.de\/en\/artist\/stiftung-freizeit\/"}],"tax_category":"Fassadengestaltung","tax_access":"\u00f6ffentlich zug\u00e4nglich","tax_district":"Schwabing-Freimann","tax_year":2025,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=8031"}],"version-history":[{"count":9,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8031\/revisions"}],"predecessor-version":[{"id":8056,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/8031\/revisions\/8056"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8038"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8036"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8042"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8040"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/8030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/8041"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=8031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=8031"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=8031"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=8031"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=8031"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=8031"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=8031"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=8031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}