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\u201eKunst am Bau\u201c an einer Schule: tut sich da nicht ein kognitiver Widerspruch auf, den es auszudeuten gilt, erw\u00e4gt man den inneren Gegensatz im Wesen von Kunst und Schule sinngem\u00e4\u00df? Ist die Schule nicht Ort wissenschaftlicher Eindeutigkeit, pr\u00e4formierter Lehrinhalte, musterhafter Schemata? Umgekehrt steht es mit der Kunst. Sie kommt in jedem Werk neu daher, frei, einzigartig, vorbildlos. Da sie konstitutiv ganz auf Eigenem gr\u00fcndet, verweigert sie sich Normen und Verschulung.<\/p>\n

Medium jeder Kommunikation ist Sprache. Die der Worte bedient sich affirmativ fester Begriffe; ihre Verschriftlichung arbeitet mit fixen Typen, den Lettern. Vermittlungsort ihrer Regelhaftigkeit ist die Schule. Neben der Wortsprache leben aber auch die Sprachengeschwister von z. B. Musik, Gesten, Bildern. Deren Ausdrucksgehalt ist immer vieldeutig und bestimmungsoffen. Denn was objektive Zahlen und Begriffe versagen, fordern umgekehrt die Bilder ein: die subjektiv-pers\u00f6nliche Antwort auf das enthaltene Fragezeichen nach dem Gemeinten.<\/p>\n

Vor dem geistigen Hintergrund dieser komplexen Dialektik gestaltet Benjamin Bergmann sein Werk f\u00fcr die Realschule in der Reutbergerstra\u00dfe. In deren Treppenhaus platziert er in monumentalen Ausma\u00dfen gelbfarbenen leuchtenden Lettern. Es sind f\u00fcr die Lernenden zun\u00e4chst die Typen ihres schulischen Alltags, jedoch erh\u00f6ht zu \u00dcberlebensgr\u00f6\u00dfe, wobei ihr leuchtendes Gelb wie auch die humanistischen Antiqua-Versalien Beachtung herausfordern. So zu wertiger Bedeutung erhoben, stehen sie zun\u00e4chst jede f\u00fcr sich, solit\u00e4r erhaben \u00fcber wortbedingte Dienstbarkeit. Sie bestehen eigenm\u00e4chtig, autonom als selbst\u00e4ndige Gestalten: als sinnleeres Buchstabenzeichen nichtssagend wie auch, als Symbol aufgefasst, vielsagend. Als symbolsprachliche Figuren in freiformaler Abstraktheit bewirken sie im fragenden Gegen\u00fcber assoziative Gedankenverbindungen an Literatur, Dichtung, r\u00f6mische Majuskelinschriften \u2013 es gibt keine Grenzen f\u00fcr gedankliche R\u00fcckstrahlungen, von denen keine falsch sein kann, weil alle im Zwiegespr\u00e4ch zwischen Kunstwerk und rezipierendem Verstehen richtig sind \u2013 unersch\u00f6pflicher M\u00f6glichkeitsraum f\u00fcr Fantasie und Bildungsinhalte.<\/p>\n

Nach ihrem hintergr\u00fcndigen Sondersinn werden Betrachtende jetzt suchen. Der angeregte Wissensdrang pr\u00fcft, wie aus dem Segmentellen ein Erlebniszusammenhang herzustellen, die Inseln zum Kontinent zu verbinden seien. Sie entschleiern das Geheimnis, dass Buchstaben im Schriftkontext etwas bedeuten, was nicht sie selbst sind. Standen sie einzeln f\u00fcr ein Phonem, finden sie als Kettenglieder mentale Erg\u00e4nzung jenseits ihrer abstrakten Erscheinung. Ihr \u00e4sthetisches Bild verbindet sich mit inhaltlicher Mission \u2013 hier mit einem Appell, der wie jedes Kunstwerk jenseits reiner Anschaulichkeit auf eine neue Botschaft zielt. Sie zu entschl\u00fcsseln bedeutet bewusstes Erleben.<\/p>\n

Die Botschaft zeigt, wie in harmonische Ordnungen eingebundene Systeme, hier sinnbildlich f\u00fcr Schule, nur Bedeutung bekommen, wo sie als freie M\u00f6glichkeiten innerhalb eines umfassenden Ganzen Geltung erlangen; wie sich aus enger technischer Regel (Schule) freie geistige Regung (Leben) entfaltet. Die Kunst \u00fcberbr\u00fcckt beide Welten. Das verborgen enthaltene Textzitat, buchstabengenau entschl\u00fcsselt, erfordert jedoch eine eigene Interpretation. Deren intendiertes Sinnfeld signalisiert jedoch weithin sichtbar der goldgelbleuchtende Dachaufsatz einer Blume auf der Dachtraufe des Geb\u00e4udes: Blumen stehen bildsprachlich seit der Romantik f\u00fcr das Reich des Ideellen. Die Schule ist der allen gemeinsame Ort zur Entwicklung von Intellekt und Vernunft, den Voraussetzungen f\u00fcr eine bl\u00fchende demokratische Gesellschaft. Den geistigen Freiraum dieses magischen Reiches zu betreten, ruft die Bl\u00fcte die Lernenden auf. <\/p>\n","werk_txt_context":"

Benjamin Bergmann<\/a> wurde im Rahmen eines Kunst-am-Bau-Wettbewerbs eingeladen, einen k\u00fcnstlerischen Entwurf f\u00fcr den Neubau einer Realschule mit zwei Lernhausclustern sowie eines Hauses f\u00fcr Kinder an der Reutbergerstra\u00dfe im 16. Stadtbezirk Sendling zu entwickeln. Seine zwei ortsspezifischen Installationen “Magic Mary” und “All Together Now” wurden von der Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum 2022 zur Realisierung empfohlen. W\u00e4hrend die Installation “Magic Mary” an der Au\u00dfenfassade \u00fcber der Dachzone der Maria-Probst-Realschule zu schweben scheint, durchdringt die leuchtend gelbe Wandgestaltung “All Together Now” das Beton-Treppenhaus der Schule vom Keller- bis zum Dachgeschoss. Format, Proportionen und Ausrichtung der einzelnen Buchstaben ergeben sich unmittelbar aus der Architektur des Treppenhauses sowie aus dessen r\u00e4umlichen Dimensionen und Schr\u00e4gen. In ihrer abstrahierten Form begleitet die Schrift die vertikale Bewegung der Nutzer:innen und wird damit Teil der t\u00e4glichen dynamischen Wege durch das Geb\u00e4ude. Der Neubau der Schule wurde im September 2025 fertiggestellt und in Betrieb genommen. Das Gesamtprojekt ist Teil der Schulbauoffensive.<\/p>\n","werk_collections":[{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Benjamin Bergmann","werk_sort_data_district":"Sendling","werk_sort_data_access":"\u00f6ffentlich zug\u00e4nglich","werk_sort_data_category":"Skulptur \/ Plastik,Wandgestaltung","werk_sort_data_year":"2025"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benjamin-bergmann-magic-mary-kunst-am-bau-2025-4.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benjamin-bergmann-magic-mary-kunst-am-bau-2025-4-768x1024.jpg","artists":[{"name":"Benjamin Bergmann","url":"https:\/\/quivid.de\/en\/artist\/benjamin-bergmann\/"}],"tax_category":"Skulptur \/ Plastik, Wandgestaltung","tax_access":"\u00f6ffentlich zug\u00e4nglich","tax_district":"Sendling","tax_year":2025,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=7939"}],"version-history":[{"count":6,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7939\/revisions"}],"predecessor-version":[{"id":7962,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7939\/revisions\/7962"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7942"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7944"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7946"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7948"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7952"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7950"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7938"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7953"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=7939"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7939"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7939"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=7939"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=7939"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=7939"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=7939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}