{"id":7893,"date":"2025-12-22T12:55:26","date_gmt":"2025-12-22T11:55:26","guid":{"rendered":"https:\/\/quivid.de\/?p=7893"},"modified":"2026-02-04T10:40:23","modified_gmt":"2026-02-04T09:40:23","slug":"test-pattern","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/test-pattern\/7893\/","title":{"rendered":"Test Pattern"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":12,"featured_media":7905,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[149],"district":[166],"access":[193],"accessibility":[131],"space":[145],"year":[250],"gender":[133],"class_list":["post-7893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wandgestaltung","district-ramersdorf-perlach","access-oeffentlich-zugaenglich","accessibility-barrierefrei-zugaenglich","space-innenraum","year-250","gender-m"],"link_en":"https:\/\/quivid.de\/en\/\/en\/test-pattern\/7893","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Tokarski","werk_artist_surname":"Wawrzyniec","werk_artist_gender":"m"}],"werk_artists":[{"ID":7892,"post_author":"12","post_date":"2025-12-22 12:05:13","post_date_gmt":"2025-12-22 11:05:13","post_content":"Wawrzyniec Tokarski (*1968 in Danzig, Polen) lebt und arbeitet in Berlin. Er studierte an den Kunstakademien in Danzig, Stuttgart und Karlsruhe. In seiner k\u00fcnstlerischen Praxis verbindet er Malerei mit medienbasierten Ans\u00e4tzen. Im Mittelpunkt stehen gesellschaftliche und politische Fragestellungen der Gegenwart, die er durch das Zusammenspiel von Text und Bild reflektiert. Tokarski wurde mehrfach ausgezeichnet, u. a. mit dem ars viva-Preis des Kulturkreises der Deutschen Wirtschaft sowie Stipendien des Berliner Senats, des Kunstfonds und der Deutschen Akademie Rom Casa Baldi. Seine Arbeiten sind in internationalen Ausstellungen und Sammlungen vertreten.","post_title":"Wawrzyniec Tokarski","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"wawrzyniec-tokarski","to_ping":"","pinged":"","post_modified":"2026-02-04 10:29:40","post_modified_gmt":"2026-02-04 09:29:40","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7892","menu_order":7,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Ramersdorf-Perlach ","werk_location_address":"St\u00e4dtisches Berufliches Schulzentrum f\u00fcr Farbe und Gestaltung, Carl-Wery-Str. 41, 81739 M\u00fcnchen","werk_location_longitude":"48.0863551349912","werk_location_latitude":"11.6467298145071","werk_material":"2K-HS-Lack, IP-Folie, Bierlasur und Gold auf poliertem Edelstahl, Wandbereich 1: 2077 \u00d7 745 cm, Wandbereich 2: 583 \u00d7 780 cm
\r\n","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":true,"werk_map":true,"werk_parts":"mehrteilig","werk_institution":"","werk_architect":"V-Architekten, K\u00f6ln","werk_architect_landscape":"Latz + Partner LandschaftsArchitektur Stadtplanung, Kranzberg","werk_photograph":"Peter Schinzler","werk_author":"Bernhart Schwenk","werk_txt_long_en":"

“Test Pattern” is the title of two colorful murals located in different areas of the vocational school center in Carl-Wery-Strasse: in the atrium above the break hall and on the second floor opposite a staircase. The artwork experiments with color combinations and \u2018ornaments\u2019 reminiscent of graphic tools used for aligning or adjusting scales, reference and calibration patterns. “Test Pattern” thus deliberately refers to criteria and techniques that are familiar and typical utensils used in the Vocational School Center for Color and Design. The title could also recall the electronically generated \u201ctest pattern\u201d of the early television era, which was used to calibrate color properties and adjust image display. Before the introduction of 24-hour television programming, such a test card was broadcast on public television for a few minutes after \u201csignal off\u201d until the individual broadcaster groups were switched off until being switched back on again in the morning. Until the late 1980s, the nightly test card on the otherwise TV screen marked by static represented a fascinating void of almost meditative quality.<\/p>\n

Upon closer inspection of the two murals comprising “Test Pattern”, it becomes apparent that the arrangement of the colored areas defies predictable logic. Some outlines bend unexpectedly, and lines and surfaces warp and distort. It is almost as if the components of a strict set of rules have taken on a life of their own, reuniting in an idiosyncratic manner. “Test Pattern” highlights the fruitful systems errors, exciting disruptions and creative deviations that, paradoxically, are what make standard tables or grids possible in the first place\u2014thus exposing the tense relationship between the tendency toward standardization and lawful logic on the one hand, and the need for experimentation and creative freedom on the other.<\/p>\n

Such a comprehensive understanding of design can also be applied to everyday school life. Beyond functionality, efficiency and goal orientation, there are also transitional and intermediate phases, idle periods and breaks that are equally important as the teaching periods, says artist Wawrzyniec Tokarski, the creator of “Test Pattern”. After all, striking a balance between opposing forces, as well as enduring contradictions and conflicts, is essential for creating a strong community that is equipped to develop constructively. School, as “Test Pattern” conveys, is more than just a place where the tools for creative professions are provided. The ability to analyze complex situations, assess differences or initially incompatible ideas as well as develop one\u2019s own values can also significantly contribute to shaping a successful (professional) life.<\/p>\n","werk_img":[{"ID":7904,"id":7904,"title":"quivid-wawrzyniec-tokarski-TEST PATTERN-kunst-am-bau-2025-04","filename":"quivid-wawrzyniec-tokarski-test-pattern-kunst-am-bau-2025-04.jpg","filesize":190888,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-wawrzyniec-tokarski-test-pattern-kunst-am-bau-2025-04.jpg","link":"https:\/\/quivid.de\/en\/test-pattern\/7893\/quivid-wawrzyniec-tokarski-test-pattern-kunst-am-bau-2025-04-2\/","alt":"","author":"12","description":"","caption":"Baureferat-Mu\u0308nchner Farbe Schulen-TEST PATTERN- fotografiert am 24.11.2025. 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Test Pattern (\u201eTestbild\u201c) ist der Titel der beiden farbigen Wandbilder an unterschiedlichen Orten des Schulzentrums in der Carl-Wery-Stra\u00dfe: im Lichthof \u00fcber der Pausenhalle und im zweiten Obergeschoss gegen\u00fcber einer Treppe. Das Kunstwerk spielt mit Farbkombinationen und Ornamenten, erinnert an grafische Tools zur Ausrichtung oder Anpassung von Ma\u00dfst\u00e4ben, an Referenz- und Kalibrierungsmuster. “Test Pattern” bezieht sich also ganz bewusst auf Kriterien und Techniken, die am St\u00e4dtischen Beruflichen Schulzentrum f\u00fcr Farbe und Gestaltung bekannt und \u00fcblich sind. Aufgrund des Titels k\u00f6nnte man auch an das elektronisch generierte, sogenannte \u201aTestbild\u2018 des fr\u00fchen Fernseh-Zeitalters denken, das zum Tarieren von Farbeigenschaften und zum Justieren der Bilddarstellung verwendet wurde. Vor der Einf\u00fchrung der 24-Stunden-Fernsehprogramme wurde ein solches Testbild im \u00f6ffentlichen Fernsehen nach \u201aSendeschluss\u2018 einige Minuten lang ausgestrahlt, bis die einzelnen Senderketten abgeschaltet und am Morgen wieder aufgeschaltet wurden. Bis Ende der 1980er Jahre stellte das n\u00e4chtliche Testbild auf dem sonst bewegten Bildschirm eine faszinierende Leerstelle von fast meditativer Qualit\u00e4t dar.<\/p>\n

Bei genauerer Betrachtung der beiden Wandbilder von “Test Pattern” f\u00e4llt auf, dass sich die Anordnung der Farbfl\u00e4chen einer berechenbaren Logik widersetzt. Manche Umrisse biegen unerwartet ab, Linien und Fl\u00e4chen verziehen und verzerren sich. Fast scheint es, als h\u00e4tten sich die Bestandteile eines strengen Regelwerks verselbstst\u00e4ndigt, um auf eigenwillige Weise neu zusammenzufinden. “Test Pattern” l\u00e4sst die fruchtbaren Fehler, die aufregenden St\u00f6rungen und kreativen Abweichungen von einem System deutlich werden, die wiederum Normtabellen oder Raster paradoxerweise erst bedingen \u2013 und macht so die spannungsvolle Beziehung sp\u00fcrbar zwischen dem Hang zu Normierung und gesetzm\u00e4\u00dfiger Logik auf der einen Seite und der Notwendigkeit von Experiment und gestalterischer Freiheit auf der anderen.<\/p>\n

Ein solch \u00fcbergreifendes Verst\u00e4ndnis von Gestaltung l\u00e4sst sich auch auf den Alltag der Schule \u00fcbertragen. Dort gibt es jenseits von Funktionalit\u00e4t, Effizienz und Zielorientierung auch \u00dcbergangs- und Zwischenphasen, Leerlauf und Pausen, die genauso wichtig sind wie der Unterricht, sagt der K\u00fcnstler Wawrzyniec Tokarski, der “Test Pattern” entworfen hat. In diesem Sinne geht es ihm um ein harmonisches Gleichgewicht zwischen sinnvoller Systematik und freier Kreativit\u00e4t, zwischen Unabh\u00e4ngigkeit und Gemeinschaft, Freiheit und R\u00fccksicht. Denn die Balance zwischen den Polen ist, ebenso wie das Aushalten von Gegens\u00e4tzen und Widerspr\u00fcchen, die wesentliche Voraussetzung f\u00fcr eine starke Gemeinschaft, die bereit ist, sich konstruktiv weiterzuentwickeln. Die Schule, so k\u00f6nnte “Test Pattern” vermitteln, ist mehr als nur ein Ort, an dem die Werkzeuge f\u00fcr Gestaltungsberufe bereitgestellt werden. Auch die F\u00e4higkeit, komplexe Situationen zu analysieren, Unterschiedliches oder zun\u00e4chst Unvereinbares abzuw\u00e4gen und eigene Werte zu entwickeln, kann ma\u00dfgeblich zur Gestaltung eines gelingenden (Berufs-)Lebens beitragen.<\/p>\n","werk_txt_context":"

Das Kunstwerk “Test Pattern” von Wawrzyniec Tokarski wurde im Rahmen eines Kunst-am-Bau-Wettbewerbs f\u00fcr den Neubau des St\u00e4dtischen Beruflichen Schulzentrums f\u00fcr Farbe und Gestaltung von der Kunstkommission zur Realisierung empfohlen. Eine hochformatige Wandarbeit des zweiteiligen Werkes bespielt den zentralen Lichthof des Geb\u00e4udes. Es erstreckt sich \u00fcber alle Stockwerke und er\u00f6ffnet von allen Geschossen aus unterschiedliche Perspektiven und Wahrnehmungen. Eine zweite querformatige Arbeit befindet sich im zweiten Obergeschoss des Geb\u00e4udes. Der Neubau des St\u00e4dtischen Beruflichen Schulzentrums, bestehend aus Mensa, Unterrichts- und Verwaltungsr\u00e4umen, Aula, Ausstellungsfl\u00e4che sowie einer Zweifachsporthalle, wurde im Sommer 2025 fertiggestellt. Die Kunstwerke wurden in Zusammenarbeit mit den Sch\u00fcler:innen des Schulzzentrums ausgef\u00fchrt und machen den gestalterischen Prozess selbst zum Bestandteil des Geb\u00e4udes. Architektur und Kunst greifen hier ineinander und schaffen einen Lernort, an dem Gestaltung r\u00e4umlich erfahrbar wird.<\/p>\n","werk_collections":[{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Wawrzyniec Tokarski","werk_sort_data_category":"Wandgestaltung","werk_sort_data_district":"Ramersdorf-Perlach","werk_sort_data_year":"2025","werk_sort_data_access":"\u00f6ffentlich zug\u00e4nglich"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-wawrzyniec-tokarski-test-pattern-kunst-am-bau-2025-06.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-wawrzyniec-tokarski-test-pattern-kunst-am-bau-2025-06-768x1151.jpg","artists":[{"name":"Wawrzyniec Tokarski","url":"https:\/\/quivid.de\/en\/artist\/wawrzyniec-tokarski\/"}],"tax_category":"Wandgestaltung","tax_access":"\u00f6ffentlich zug\u00e4nglich","tax_district":"Ramersdorf-Perlach","tax_year":2025,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=7893"}],"version-history":[{"count":11,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7893\/revisions"}],"predecessor-version":[{"id":8025,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7893\/revisions\/8025"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7908"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7910"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7900"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7902"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7991"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7904"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7892"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7905"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=7893"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7893"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7893"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=7893"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=7893"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=7893"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=7893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}