{"id":7393,"date":"2024-12-09T10:29:26","date_gmt":"2024-12-09T09:29:26","guid":{"rendered":"https:\/\/quivid.de\/?p=7393"},"modified":"2025-04-29T15:50:38","modified_gmt":"2025-04-29T13:50:38","slug":"blobs-tilia-carpinus-betula-quercus-prunus","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/blobs-tilia-carpinus-betula-quercus-prunus\/7393\/","title":{"rendered":"Blobs (Tilia, Carpinus, Betula, Quercus, Prunus)"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":7430,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[134],"district":[166],"access":[193],"accessibility":[131],"space":[132],"year":[248],"gender":[133],"class_list":["post-7393","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fassadengestaltung","district-ramersdorf-perlach","access-oeffentlich-zugaenglich","accessibility-barrierefrei-zugaenglich","space-aussenraum","year-248","gender-m"],"link_en":"https:\/\/quivid.de\/en\/\/en\/blobs-tilia-carpinus-betula-quercus-prunus\/7393","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Hipp","werk_artist_surname":"Benedikt","werk_artist_gender":"m"}],"werk_artists":[{"ID":7391,"post_author":"10","post_date":"2024-12-02 17:12:44","post_date_gmt":"2024-12-02 16:12:44","post_content":"Von 2000 bis 2007 studierte Benedikt Hipp, geboren 1977 in M\u00fcnchen, an den Akademien der Bildenden K\u00fcnste in N\u00fcrnberg, M\u00fcnchen und Bologna. Ab 2015 lebte er zwischen Amsterdam und M\u00fcnchen, seit 2019 in Finning. In seinen Gem\u00e4lden, Keramiken und raumgreifenden Installationen ist der K\u00f6rper ein zentrales Thema. Er hinterfragt dabei Konzepte von Individualit\u00e4t und Identit\u00e4t, sowie die Ver\u00e4nderung und Bedeutung des K\u00f6rpers, als Ort kultischen, gesellschaftlichen und architektonischen Handelns.\r\n\r\nSeine Arbeiten waren in zahlreichen nationalen und internationalen Gruppen- und Einzelausstellungen zu sehen wie z.B. im Haus der Kunst M\u00fcnchen, in den Staatlichen Kunstsammlungen Dresden, im Palazzo delle Esposizioni Rom, in der Schirn Kunsthalle in Frankfurt, im CAPC Museum f\u00fcr zeitgen\u00f6ssische Kunst von Bordeaux, im Wilhelm-Hack-Museum in Ludwigshafen, im Kunstpalais Erlangen, im Kunstverein Hannover oder dem Zeppelin Museum in Friedrichshafen.\r\n\r\n2014 erhielt er das USA Stipendium des Freistaates Bayern und war 2020\/2021 Rompreistr\u00e4ger und Stipendiat der Deutschen Akademie Villa Massimo in Rom. Dort realisierte er unter anderem Projekte, die sich der Steigerung der Biodiversit\u00e4t im Park der Villa Massimo widmeten, sowie zu Ver\u00e4nderungen und Anpassungen im Areal an die neuen klimatischen Bedingungen f\u00fchrten.\r\n\r\nZUR WEBSEITE DES K\u00dcNSTLERS<\/a>","post_title":"Benedikt Hipp","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"benedikt-hipp","to_ping":"","pinged":"","post_modified":"2026-01-03 22:59:33","post_modified_gmt":"2026-01-03 21:59:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7391","menu_order":15,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Ramersdorf-Perlach","werk_location_address":"Haus f\u00fcr Kinder, Quiddestra\u00dfe 1, 81735 M\u00fcnchen","werk_location_longitude":"48.1088907438452","werk_location_latitude":"11.6485440106253","werk_material":"L\u00e4rche, Schichtplatte, Farbe, circa 40 m x 9 m x 0,2 m","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":true,"werk_map":false,"werk_parts":"","werk_institution":"","werk_architect":"LMJD Dennerle Motzet Architekten, M\u00fcnchen","werk_architect_landscape":"B\u00fcro Freiraum Berger Fuchs Landschaftsarchitekten, Freising","werk_photograph":"Henning Koepke","werk_author":"Julienne Lorz","werk_txt_long_en":"

Although the daycare center in Quiddestrasse is brand new, a few giant creatures have already taken up residence on its fa\u00e7ade. Five, to be precise, large “Blobs” of various colors gaze curiously at their surrounding \u2013 all but one, that is, who looks rather sleepy…Their names are Tilia, Carpinus, Betula, Quercus and Prunus. These creatures form the daily welcoming committee for the children and their parents, while also being the center\u2019s guardians and mascot. No one can get past them without their taking notice.<\/p>\n

In a harmonious interplay with the architecture, artist Benedikt Hipp (*1977, Munich) employs his “Blobs” to cover the entire width of the daycare center\u2019s wooden fa\u00e7ade. Five individual, large-format, biomorphic shapes made of wooden slats with cartoon-like eyes are lined up next to each other along the building\u2019s facade. Individually colored \u2013 olive green, light blue, purple, dark blue and burgundy \u2013 they keep watch as a hybrid of image and sculpture, mutating into a background and image carrier.<\/p>\n

Hipp\u2019s execution and design of the “Blobs (Tilia, Carpinus, Betula, Quercus, Prunus)” is evident in the work\u2019s title. These names are derived from the Latin names of five trees that populate the daycare site: Tilia intermedia = Dutch lime; Carpinus betulus = hornbeam; Betula pendula = birch; Quercus robur = oak; and Prunus avium = bird cherry. The artist used the seeds of these trees as his inspiration, abstracting and stylizing them into individualists by giving each unique characteristics.<\/p>\n

In a figurative sense, Hipp demonstrates how each tree has its own history, a history that can be read from the way it has grown, as well as from its leaves and bark. In their diversity, the individual trees are in constant communication with each other and the other organisms and creatures around them. The botanist Stefano Mancuso speaks of the \u201cintelligence of plants\u201d and how together they form a functioning ecosystem. In analogy to society, the trees represent individual people who live together in symbiosis and solidarity with one another through community. Hipp describes this as an \u201cemergent system,\u201d by which he means that different, singular elements interact and constantly change to potentially create something new.<\/p>\n

Furthermore, by using the tree seed as his inspiration, Hipp clearly underpins the core function of a daycare center: to provide children with a fertile and safe environment where they can be inspired, learn, grow and thrive. The children are also the main users of the building and, as such, the reason for Hipp\u2019s decision to animate the Blobs through the graphic, humorous language of the cartoon. Children should feel addressed and be able to identify with their building.<\/p>\n

The components of this art in architecture project \u2013 the language of forms and materials, their correlations and interaction with nature \u2013 are intrinsic to Hipp\u2019s artistic practice. For example, the artist explores human figures that merge into the amorphous in his technically adept paintings on wood and his archaic-looking ceramics. Hipp places both elements \u2013 the painted figure and the clay object \u2013 in an often stage-like, spatial relationship, whereby the support and display element are of equal value. Individual body parts, including hand, feet or even eyes, are recurring motifs in his work, and a result of Hipp\u2019s interest in votive offerings, their rituals and the underlying belief systems. More recently Hipp has increasingly focused on plants and the cycles of nature. Decisive for this development was Hipp\u2019s time at the Villa Massimo in Rome, where he worked with the natural resources on site and brought art into connection with ecology and (bio-) diversity \u2013 an exploration out of which this art in architecture project was conceived and later further developed and realized.<\/p>\n

With “Blobs (Tilia, Carpinus, Betula, Quercus, Prunus)”, Hipp transfers his artistic explorations to a different stage, that of the architecture of an urban facility with a discerning public. This art in architecture project has the potential to set a striking, engaging and playful urban accent for the surrounding public space on the busy Quiddestra\u00dfe.<\/p>\n","werk_img":[{"ID":7422,"id":7422,"title":"quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01","filename":"quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-scaled.jpg","filesize":506614,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-scaled.jpg","link":"https:\/\/quivid.de\/en\/blobs-tilia-carpinus-betula-quercus-prunus\/7393\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-2-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-2-2","status":"inherit","uploaded_to":7393,"date":"2024-12-11 08:56:00","modified":"2024-12-11 08:56:26","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1154,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-200x90.jpg","thumbnail-width":200,"thumbnail-height":90,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-1280x577.jpg","medium-width":1280,"medium-height":577,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-768x346.jpg","medium_large-width":768,"medium_large-height":346,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-2560x1154.jpg","large-width":2560,"large-height":1154,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-1536x692.jpg","1536x1536-width":1536,"1536x1536-height":692,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-2048x923.jpg","2048x2048-width":2048,"2048x2048-height":923,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-1920x865.jpg","_2560-width":1920,"_2560-height":865,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-1920x865.jpg","_1920-width":1920,"_1920-height":865,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-1280x577.jpg","_1280-width":1280,"_1280-height":577,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-1024x461.jpg","_1024-width":1024,"_1024-height":461,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-01-1-768x346.jpg","_768-width":768,"_768-height":346}},{"ID":7420,"id":7420,"title":"quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02","filename":"quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1.jpg","filesize":1996300,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1.jpg","link":"https:\/\/quivid.de\/en\/blobs-tilia-carpinus-betula-quercus-prunus\/7393\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-2-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-2-2","status":"inherit","uploaded_to":7393,"date":"2024-12-11 08:55:48","modified":"2024-12-11 08:55:48","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2477,"height":1651,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-1280x853.jpg","medium-width":1280,"medium-height":853,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1.jpg","large-width":2477,"large-height":1651,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-1920x1280.jpg","_2560-width":1920,"_2560-height":1280,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-1920x1280.jpg","_1920-width":1920,"_1920-height":1280,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-1280x853.jpg","_1280-width":1280,"_1280-height":853,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-benedikt-hipp-blobs-kunst-am-bau-2024-02-1-768x512.jpg","_768-width":768,"_768-height":512}}],"werk_txt_long":"

Die Kindertagesst\u00e4tte in der Quiddestra\u00dfe ist zwar ganz neu, aber auf der Fassade haben sich schon ein paar riesige Gestalten eingenistet. F\u00fcnf, um genau zu sein. F\u00fcnf gro\u00dfe, unterschiedlich farbene \u201eBlobs\u201c, die mit neugierigen Augen umherblicken \u2013 bis auf einen, der sieht eher verschlafen aus\u2026 Sie hei\u00dfen Tilia, Carpinus, Betula, Quercus und Prunus und bilden gewisserma\u00dfen das t\u00e4gliche Empfangskomitee der Kinder und ihrer Eltern. Aber irgendwie sind sie auch Beh\u00fcter und zugleich Fingerzeig dieses Ortes. An ihnen kommt jedenfalls keiner so schnell vorbei.<\/p>\n

Im harmonischen Zusammenspiel mit der Architektur bespielt der K\u00fcnstler Benedikt Hipp (*1977, M\u00fcnchen) mit seinen \u201eBlobs\u201c die gesamte Breite der h\u00f6lzernen Fassade der Kindertagesst\u00e4tte. F\u00fcnf einzelne, gro\u00dfformatige, aus Holzleisten bestehende, biomorphe Formen, die mit Cartoon-\u00e4hnlichen Augen versehen sind und sich nebeneinander entlang der gesamten H\u00e4userfront aufreihen. Farblich individuell gestaltet \u2013 olivgr\u00fcn, hellblau, lila, dunkelblau und bordeauxrot \u2013 stehen sie als Hybride aus Bild und Skulptur der Fassade vor, die dabei zum Hintergrund und Bildtr\u00e4ger mutiert.<\/p>\n

Hipps Formfindung f\u00fcr \u201eBlobs (Tilia, Carpinus, Betula, Quercus, Prunus)\u201c ist im Titel der Arbeit begr\u00fcndet. Vervollst\u00e4ndigt sind diese Namensgebungen tats\u00e4chlich durch die lateinischen Bezeichnungen von f\u00fcnf B\u00e4umen, die den Baumbestand vor Ort bilden: Tilia intermedia = holl\u00e4ndische Linde; Carpinus betulus = Hainbuche; Betula pendula = Birke; Quercus robur = Eiche; und Prunus avium = Vogelkirsche. Der K\u00fcnstler hat sich die Samen dieser B\u00e4ume zum Vorbild genommen, sie abstrahiert und \u00fcber ihre individuellen Charakteristiken zu Individualisten stilisiert. Hipp weist im \u00fcbertragenen Sinne darauf hin, wie jeder Baum seine ganz eigene Geschichte hat, die \u00fcber die gewachsene Form, seinen Bl\u00e4tterbestand und seine Rinde abzulesen ist. In ihrer Vielfalt sind die einzelnen B\u00e4ume st\u00e4ndig miteinander sowie mit anderen Organismen und Lebewesen in Kommunikation \u2013 der Pflanzenforscher Stefano Mancuso spricht von der \u201eIntelligenz der Pflanzen\u201c \u2013 und bilden im Verbund ein funktionierendes \u00d6kosystem. In Analogie zur Gesellschaft gesehen, stehen die B\u00e4ume f\u00fcr individuelle Menschen, die \u00fcber Gemeinschaft in Symbiose solidarisch zusammenleben. Hipp bezeichnet dies als ein \u201eemergentes System\u201c, womit gemeint ist, dass verschiedene, singul\u00e4re Elemente im Zusammenspiel und in st\u00e4ndiger Ver\u00e4nderung potenziell Neues schaffen.<\/p>\n

Dar\u00fcber hinaus untermauert dieser Ausgangspunkt des Baumsamens deutlich den Kern einer Kindertagesst\u00e4tte: Kindern einen fruchtbaren wie sicheren Ort zu bieten, an dem sie inspiriert werden, lernen, wachsen und gedeihen k\u00f6nnen. Es sind auch die Hauptnutzer:innen des Geb\u00e4udes, die Kinder, die im Zentrum von Hipps Entscheidung stehen, nicht im Abstrakten zu verharren, sondern die Formen \u00fcber die grafische, humorvolle Sprache des Cartoons zu animieren. Kinder sollen sich angesprochen f\u00fchlen und sich mit ihrem Haus identifizieren k\u00f6nnen.<\/p>\n

Die enthaltenen Komponenten des Kunst am Bau-Projekts \u2013 Formen- und Materialsprache, deren Korrelationen sowie der Aspekt der Natur \u2013 sind generell in Hipps k\u00fcnstlerischer Praxis wiederzufinden. So verhandelt der K\u00fcnstler menschliche, ins Amorphe \u00fcbergehende Figuren in seinen technisch versierten Malereien auf Holz sowie seinen archaisch anmutenden Keramiken. Hipp setzt beide \u2013 gemalte Figur und t\u00f6nernes Objekt \u2013 in oftmals b\u00fchnenartige, r\u00e4umliche Relation, wobei der Tr\u00e4ger oder das Displayelement gleichwertig sind. Einzelne K\u00f6rperteile wie eine Hand, ein Fu\u00df oder auch Augen sind Motive in seinem Werk, die stetig wiederkehren. Dies ist auf des K\u00fcnstlers Interesse an Votivgaben, deren Rituale sowie den zugrunde liegenden Glaubenssystemen zur\u00fcckzuf\u00fchren. Und nicht zuletzt setzt sich Hipp verst\u00e4rkt in den letzten Jahren mit Pflanzen und den Zyklen der Natur auseinander. Sein Aufenthalt in der Villa Massimo in Rom war dabei ma\u00dfgeblich. Dort arbeitete er mit den nat\u00fcrlichen Ressourcen vor Ort und brachte Kunst in Verbindung mit \u00d6kologie und (Bio-) Diversit\u00e4t \u2013 eine Auseinandersetzung, aus der heraus das Kunst am Bau-Werk seinerzeit konzipiert und in seiner Realisierung weiterentwickelt wurde.<\/p>\n

Mit \u201eBlobs (Tilia, Carpinus, Betula, Quercus, Prunus)\u201c \u00fcbertr\u00e4gt Hipp seine k\u00fcnstlerischen Erkundungen auf eine andere B\u00fchne, die der Architektur einer st\u00e4dtischen Einrichtung mit einem anspruchsvollen Publikum. Dabei hat dieses Kunst am Bau-Projekt das Potenzial, auf der vielbefahrenen Quiddestra\u00dfe einen st\u00e4dtebaulich auff\u00e4lligen wie einnehmend spielerischen Akzent f\u00fcr den umgebenden \u00f6ffentlichen Raum zu setzen.<\/p>\n","werk_txt_context":"

Das QUIVID-Kunstwerk \u201eBlobs (Tilia, Carpinus, Betula, Quercus, Prunus)\u201c von Benedikt Hipp entstand f\u00fcr den Neubau des Haus f\u00fcr Kinder in der Quiddestra\u00dfe im Stadtbezirk 16 Ramersdorf-Perlach. Der K\u00fcnstler wurde von einer durch die Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum erstellten Vorschlagsliste f\u00fcr das Projekt ausgew\u00e4hlt und eingeladen, ein ortsspezifisches Kunstwerk f\u00fcr den Neubau zu realisieren. Das Projekt ist Teil der Ausbauoffensive Kindertagesst\u00e4tten. Das Geb\u00e4ude entstand als dreigeschossiger Holzbau mit R\u00e4umen f\u00fcr 136 Krippen-, Kindergarten- und Hortkinder, 2 Therapier\u00e4umen sowie einem erdgescho\u00dfigen Anbau f\u00fcr eine Beratungsstelle des Gesundheitsreferates. Es wurde gro\u00dfer Wert auf Klimaneutralit\u00e4t und \u00d6kologie gelegt: abgesehen von der Bodenplatte wurde kein Beton eingesetzt, es gibt Lehmbauw\u00e4nde im Geb\u00e4ude und auf dem Hauptdach befindet sich eine Photovoltaikanlage. Der Baumbestand wurde weitgehend erhalten, so dass die in der Kunst dargestellten Baumsamen im Garten wieder zu finden sind.<\/p>\n","werk_collections":[{"ID":7696,"post_author":"5","post_date":"2025-02-17 18:57:42","post_date_gmt":"2025-02-17 17:57:42","post_content":"","post_title":"QUIVID-Review #2","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quivid-review-2","to_ping":"","pinged":"","post_modified":"2025-04-29 15:58:58","post_modified_gmt":"2025-04-29 13:58:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=collection&p=7696","menu_order":11,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":1,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Benedikt Hipp","werk_sort_data_category":"Fassadengestaltung","werk_sort_data_district":"Ramersdorf-Perlach","werk_sort_data_year":"2024","werk_sort_data_access":"\u00f6ffentlich zug\u00e4nglich"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quiddestr._03a-2-1280x853.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quiddestr._03a-2-768x512.jpg","artists":[{"name":"Benedikt Hipp","url":"https:\/\/quivid.de\/en\/artist\/benedikt-hipp\/"}],"tax_category":"Fassadengestaltung","tax_access":"\u00f6ffentlich zug\u00e4nglich","tax_district":"Ramersdorf-Perlach","tax_year":2024,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=7393"}],"version-history":[{"count":8,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7393\/revisions"}],"predecessor-version":[{"id":7733,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7393\/revisions\/7733"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7420"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7422"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7430"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=7393"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7393"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7393"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=7393"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=7393"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=7393"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=7393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}