{"id":7362,"date":"2024-12-02T15:10:23","date_gmt":"2024-12-02T14:10:23","guid":{"rendered":"https:\/\/quivid.de\/?p=7362"},"modified":"2025-04-29T15:51:20","modified_gmt":"2025-04-29T13:51:20","slug":"ein-hase-fliegt","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/ein-hase-fliegt\/7362\/","title":{"rendered":"Ein Hase fliegt, einer passt auf"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":7373,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[129,138],"district":[152],"access":[194],"accessibility":[131],"space":[132,145],"year":[248],"gender":[137],"class_list":["post-7362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-installation","category-skulptur-plastik","district-aubing-lochhausen-langwied","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-aussenraum","space-innenraum","year-248","gender-w"],"link_en":"https:\/\/quivid.de\/en\/\/en\/ein-hase-fliegt\/7362","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Veit","werk_artist_surname":"Veronika","werk_artist_gender":"w"}],"werk_artists":[{"ID":1172,"post_author":"1","post_date":"2022-06-28 16:30:23","post_date_gmt":"2022-06-28 14:30:23","post_content":"*1968 in M\u00fcnchen, lebt und arbeitet in M\u00fcnchen\r\n1987\u201389 Studium der Kunstgeschichte an der LMU M\u00fcnchen\r\n1989\u201395 Studium an der Akademie der Bildenden K\u00fcnste, M\u00fcnchen\r\n1994 1. Staatsexamen f\u00fcr Kunsterziehung\r\n1995 Diplom\r\n\r\nPreise und Stipendien (seit 2015)\r\n2019 Prinzregent-Luitpold-Stiftung M\u00fcnchen\r\n2018 zwei:eins \u2013 Der M\u00fcnchner Preis f\u00fcr Kunst\r\n2017 Preis: Kunst im \u00f6ffentlichen Raum Projekt der Stadt M\u00fcnchen\r\n2016 F\u00f6rderpreis f\u00fcr Bildende Kunst der Stadt M\u00fcnchen\r\n\r\nEinzelausstellungen (Auswahl seit 2010)\r\n\r\n2024 \"Wir w\u00fcrden jetzt die Welt retten\", mit Erik G\u00f6ngrich, Maximiliansforum M\u00fcnchen\r\n2023 \"Changing times\", RMIT Melbourne, Australien\r\n\"Stetching the system\", Galerie Boutwell Schabrowsky, M\u00fcnchen\r\n2021 \"Videoprogramm: Veronika Veit\", Haus am Waldsee, Berlin\r\n\"Better times\", Kulturraum Kloh\u00e4u\u00dfchen, M\u00fcnchen\r\n2019 \"connected on nature\", Projektraum Karin Wimmer, M\u00fcnchen\r\n2018 Kunstfilmtage, Kunstverein Rosenheim\r\n2017 \"Im Bunker\", Multimediainstallation, Gasteig M\u00fcnchen\r\n2015 \"Videoworks\", Electropical Festival, Reunion, Frankreich\r\n\"The very moment\", Maximiliansforum, M\u00fcnchen\r\n2014 \"You give me what you want yourself\", Galerie Esther Donatz M\u00fcnchen\r\n2012 \"Wir dachten, es w\u00fcrde immer so bleiben\", Kunstverein Konstanz\r\n2011 \"suspension\", Galerie upstairs berlin, Berlin\r\n2010 \"Kunst und Wirklichkeit\", Skulpturenforum Isernhagen\r\n\r\nGruppenausstellungen (Auswahl seit 2010)\r\n\r\n2023 \"MACRS fps - Videokunst zum Anfassen\", Museum of Contemporary Art of Rio Grande do Sul, Brasilien\r\n\"Die Schwerkraft macht keine Ausnahme\", Neue Galerie Landshut\r\n2022 \"Phantastische Welten, vom Trickfilm zur Computerkunst\", LANDSHUTmuseum, Landshut\r\n\"Kunst digital - oder digitale Kunst?\", StadtHaus Galerie Sonthofen\r\n2021 \"Sympatric Areas\", artQ13, Rom, Italien\r\n\"VIDEODOX \u2013 Biennale f\u00fcr Videokunst\", M\u00fcnchen\r\n\"F\u00fcnf SeenFilmfestival- Was ist wahr?\", Starnberg\r\n2020 \"Licht 02\", Kunstverein Pfaffenhofen\r\n2019 \"Prinzip Hoffnung, Teil III\", Maximiliansforum M\u00fcnchen\r\n\"invited by \/\/ part one\", Galerie Robert Drees, Hannover\r\n\"The big sleep\", 4. Biennale des KV, Haus der Kunst M\u00fcnchen\r\n2018 \"Kunst_Film_Tage\", Kunstverein Rosenheim\r\n\"Von Ottobrunn lernen\", Kloh\u00e4uschen Biennale, M\u00fcnchen\r\n\"Superoptimize me\", Rathausgalerie Landshut\r\n2017 Serendipity, Galerie Schmalfu\u00df, Berlin\r\n\"Mind the gap\", Wurlitzer Pied a Terre Collection, Berlin\r\n2016 \"No place like home\", Sammlung Goetz, Haus der Kunst M\u00fcnchen\r\n\"The haunted house\", Rathausgalerie M\u00fcnchen\r\n2015 \"Codes\", Haus der Kunst M\u00fcnchen\r\n\"Nachspeise gibt es sowieso nicht f\u00fcr alle\", Neue Galerie Landshut\r\n2014 \"Eins und eins\", Galerie Esther Donatz, M\u00fcnchen\r\n\"M\u00e4chtigeingemacht\", Bettina van Haaren, Veronika Veit, Kunstverein Essenheim\r\n\"Between sculpture and print\", Verein f\u00fcr Originalradierung M\u00fcnchen\r\n2013 \"No Place like Home\", Wilhelm Hack Museum Ludwigshafen, im Rahmen des 5th Fotofestival Mannheim_Ludwigshafen_Heidelberg, Ludwigshafen\r\n\"Boys n\u00b4girls \u2013 immer wieder anders\", Staatliche Kunsthalle Karlsruhe\r\n\"I would prefer not to\", Galerie Esther Donatz M\u00fcnchen\r\n2012 Bodies unlimited, Palais d\u2018I\u00e9na, Paris\r\n\"Under the constant threat\", Museum of Contemporary Art of Rio Grande do Sul, Brasilien\r\n2011 \"2D\/3D\", Galerie Caroline Smulders, Paris\r\n2010 \"1910 Figur 2010\", Georg Kolbe Museum, Berlin\r\n\"Mythos Kindheit\", Kunstverein Ludwigshafen\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Veronika Veit","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"veit-veronika","to_ping":"","pinged":"","post_modified":"2024-10-30 14:02:25","post_modified_gmt":"2024-10-30 13:02:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/veit-veronika\/","menu_order":206,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Aubing-Lochhausen-Langwied","werk_location_address":"Haus f\u00fcr Kinder, Annemarie-Renger-Stra\u00dfe 33, 81248 M\u00fcnchen","werk_location_longitude":"48.1442614135687","werk_location_latitude":"11.4042958711075","werk_material":"Au\u00dfenbereich: Pflanzenelemente auf Alu Dibond, Hasenskulptur in blau pulverlackierter Bronze; Innenbereich: Pflanzenelemente aus farbig bedrucktem und lackiertem Multiplex, schwebender Hase aus laminiertem Styrodur
\r\n","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":true,"werk_map":false,"werk_parts":"mehrteilig","werk_institution":"","werk_architect":"Ott Architekten, Augsburg ","werk_architect_landscape":"Studio B Landschaftsarchitektur, M\u00fcnchen","werk_photograph":"Peter Schinzler","werk_author":"Julia Stellmann","werk_txt_long_en":"

A blue rabbit waits outside the door, guarding the covered entrance area of the Haus f\u00fcr Kinder in Munich, Freiham. With its long spoon-like ears erect, its attentive gaze is directed at the new arrivals. The blueish bronze rabbit sits ready to greet the youngsters, serving as both a reliable protector and a gentle friend. Could it also be that it grants the tots access to another, fantastic world? This novel realm seems to permeate out of the building, sprawling across the boundaries of the enclosed space and taking over the gray of everyday life. Flowers spring up in unusual places, as if born of a vivid imagination, emblazoned on the wood-paneled exterior wall. Dandelions and blowballs entwine with green foliage abutting mundane building details such as letterboxes and doorbell signs. They are reflected in the adjacent glass pane and seem to double in size in view of the opaque border.<\/p>\n

The floral elements continue inside, where shoots appear in front of the staircase. The colorful hustle and bustle is evident even through the glass pane, and the narrative outside most likely originates from the interior. Visitors must almost feel like Alice, the young girl who crawled down the rabbit hole and unintentionally fell into Wonderland. Frogs, mice, birds and caterpillars are just a few of the creatures hiding in the plants along the stairwells. These beings seem to engage in mimicry within the yellow, green and blue flowers, leaves and stems. Yet, one animal \u2013 a second blue rabbit \u2013 has ventured out of hiding and risen up and is now hovering in the space above the dense thicket of plants. Smaller than the sentinel figure outside, this rabbit inspects its immediate surroundings with childlike curiosity and a raised gaze. The gallery at its small feet is reminiscent of the floating leaf of a water lily, which has grown too high and protrudes into the air from the sea of plants, supplying the imaginary root system while simultaneously cutting off all connections. Perhaps the little bunny flew so high because its dreams were so big?<\/p>\n

The organic design language of its seemingly suspended protrusion is repeated in the functional seating, which can be used as a monolithic resting place or combined as set pieces. Spread across the waiting area in different sizes, children, parents and care givers can take a seat on the stools. While the children settle in, the adults wait just as the big rabbit does for the little one. Once seated on the curved, sculptural stools, however, the waiting adults may begin to daydream, a bit like bees, which take breaks when collecting nectar, sometimes even falling asleep in flower crowns. The green background is reminiscent of a meadow unfolding beneath the feet of both the children and parents. Meanwhile, the plant tendrils on colorful printed and lacquered multiplex frame those waiting. They seem to take root in their minds and grow out into the world from there.<\/p>\n

The artist Veronika Veit is familiar with expansive installations. She is adept at bringing together different individual elements in her well-composed arrangements and allows the audience to become part of her narrative cosmos. Initially focused on the mundane objects of everyday life, for some time now the human being, which previously was only implied, has become the protagonist at the center of her work. This is also the case in the installation in the Haus f\u00fcr Kinder, which both warmly welcomes the children and encourages them to dream. The depictions of animals and plants seem to be sourced from children\u2019s books but are actually based on the children\u2019s real environment and are inspired by the flora and fauna of the neighboring Aubinger Lohe. In this way, the ordinary becomes not only remarkable, but extraordinary.<\/p>\n

Veit has also explored the theme of waiting in earlier works, for example, by grouping human figures in places of transition. The audience is always the explicit focus of her installations and is empowered to direct them, preside over them in such a wat as to allow reality and fiction to combine into new narrative strands. In the Haus f\u00fcr Kinder, Veit helps us understand wonder as an intuitive childlike force whose uncontrolled potential must be discovered and preserved. If all the little creatures have such transformative powers, how much can be discovered in each of us? The two blue rabbits form a prologue for the stories that the children themselves will invent.<\/p>\n","werk_img":[{"ID":7372,"id":7372,"title":"quivid-muenchen-veronika-veit-kunst-am-bau-2024-02","filename":"quivid-muenchen-veronika-veit-kunst-am-bau-2024-02-scaled.jpg","filesize":245785,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-veronika-veit-kunst-am-bau-2024-02-scaled.jpg","link":"https:\/\/quivid.de\/en\/ein-hase-fliegt\/7362\/quivid-muenchen-veronika-veit-kunst-am-bau-2024-02-2\/","alt":"","author":"10","description":"","caption":"HFK Annemarie-Renger-Str.33 M\u00fcnchen Freiham. Fotografiert am 29.10.2024. 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Ein blauer Hase wartet vor der T\u00fcr, bewacht den \u00fcberdachten Eingangsbereich des Haus f\u00fcr Kinder in M\u00fcnchen, Freiham. Die langen L\u00f6ffel gespitzt, ruht sein aufmerksamer Blick auf den Ank\u00f6mmlingen. Zur Begr\u00fc\u00dfung sitzt der blaue Bronzehase bereit, ist zugleich verl\u00e4sslicher Besch\u00fctzer und sanftm\u00fctiger Freund. Gew\u00e4hrt er Einlass in eine andere, weil fantastische Welt? Letztere scheint aus dem Geb\u00e4ude nach drau\u00dfen zu dringen, \u00fcber die Grenzen des geschlossenen Raums zu wuchern und das Grau des Alltags zu vereinnahmen. Wie aus leuchtender Fantasie geborene Gedanken sprie\u00dfen Blumen an ungew\u00f6hnlicher Stelle, prangen auf der holzvert\u00e4felten Au\u00dfenwand. Denn L\u00f6wenzahn und Pusteblumen ranken samt gr\u00fcnem Blattwerk neben profanen Baudetails wie Briefkasten und Klingelschildern. Sie spiegeln sich in der angrenzenden Glasscheibe, scheinen sich angesichts der blickdurchl\u00e4ssigen Grenze noch zu verdoppeln.<\/p>\n

Im Innern setzen sich die floralen Elemente fort, schlagen Triebe an der Stirnseite des Treppenhauses. Durch die Glasscheibe l\u00e4sst sich das bunte Treiben bereits ersp\u00e4hen. Das Narrativ im Freien entspringt wohl urw\u00fcchsig im Innenraum. Fast f\u00fchlt man sich wie Alice, die in den Kaninchenbau gekrochen ist und absichtslos ins Wunderland hinunterfiel. Frosch, Maus, Vogel oder Raupe sind nur ein paar der Tiere, die sich vielgestaltig in den Treppenhaus-Gew\u00e4chsen verborgen halten. Sie scheinen Mimikry innerhalb der gelben, gr\u00fcnen und blauen Bl\u00fcten, Bl\u00e4tter und St\u00e4ngel zu betreiben. Ein Tier aber \u2013 ein zweiter blauer Hase \u2013 hat sich aus der Deckung gewagt, ist emporgestiegen und schwebt nun in der Luft \u00fcber dem undurchdringlichen Pflanzendickicht. Er ist kleiner als die W\u00e4chterfigur drau\u00dfen, inspiziert mit kindlicher Neugier und erhobenem Blick seine unmittelbare Umgebung. Die zu seinen F\u00fc\u00dfen befindliche Empore erinnert dabei an das Schwimmblatt einer Seerose, welches zu hoch gewachsen aus dem Pflanzenmeer in die Luft ragt, das gedankliche Wurzelwerk mit Sauerstoff versorgt und doch alle Verbindungen gekappt hat. Ist der kleine Hase so hoch geflogen, weil er so gro\u00df getr\u00e4umt hat?<\/p>\n

Die organische Formensprache seines vermeintlich in der Schwebe befindlichen Vorsprungs wiederholt sich bei den funktionalen Sitzm\u00f6beln. Sie lassen sich als monolithischer Ruhepol nutzen oder k\u00f6nnen als Versatzst\u00fccke wechselseitig kombiniert werden. In verschiedenen Gr\u00f6\u00dfen \u00fcber den Wartebereich verteilt, d\u00fcrfen nicht nur die Kinder, sondern auch die Eltern auf den Hockern Platz nehmen. W\u00e4hrend die Kinder sich eingew\u00f6hnen, warten die Erwachsenen wie der gro\u00dfe auf den kleinen Hasen. Auf den skulptural geschwungenen Hockern geraten die Wartenden jedoch selbst ein wenig ins Tr\u00e4umen. \u00c4hnlich wie Bienen, die vom Sammeln des Nektars pausieren und zuweilen ersch\u00f6pft in Blumenkronen einschlafen. Der gr\u00fcne Grund assoziiert entsprechend eine Wiese, die sich unter den F\u00fc\u00dfen der Kinder und Eltern entfaltet. W\u00e4hrenddessen rahmen die Pflanzenranken auf farbig bedrucktem und lackiertem Multiplex die Wartenden, scheinen in ihren K\u00f6pfen zu wurzeln und von dort aus hinaus in die Welt zu wachsen.<\/p>\n

Die K\u00fcnstlerin Veronika Veit<\/a> kennt sich aus mit raumgreifenden Installationen, f\u00fchrt unterschiedliche Einzelteile in ihren wohl komponierten Arrangements zusammen, l\u00e4sst das Publikum Teil ihres narrativen Kosmos werden. Zun\u00e4chst auf profane Dinge des allt\u00e4glichen Lebens fokussiert, r\u00fcckt seit einiger Zeit der zuvor nur implizierte Mensch als Protagonist ins Zentrum ihres Werkschaffens. So auch innerhalb der Installation im Haus f\u00fcr Kinder, welche die Kinder zugleich warmherzig begr\u00fc\u00dft sowie zum Tr\u00e4umen ermutigt. Die Tier- und Pflanzendarstellungen scheinen dabei Kinderb\u00fcchern entsprungen zu sein, kn\u00fcpfen aber tats\u00e4chlich an das reale Umfeld der Kinder an, sind sie doch an Flora und Fauna der angrenzenden Aubinger Lohe angelehnt. Auf diese Weise wird das Gew\u00f6hnliche nicht nur bemerkenswert, sondern au\u00dfergew\u00f6hnlich.<\/p>\n

Das Thema des Wartezustands hat Veit zudem bereits in fr\u00fcheren Arbeiten aufgegriffen, indem sie beispielsweise menschliche Figuren an Orten des \u00dcbergangs gruppierte. Das Publikum steht immerzu explizit im Fokus ihrer Installationen, wird erm\u00e4chtigt, selbst Regie zu f\u00fchren, sodass sich Realit\u00e4t und Fiktion zu neu gesponnenen Erz\u00e4hlstr\u00e4ngen f\u00fcgen. Im Haus f\u00fcr Kinder l\u00e4sst uns Veit das Staunen als intuitive kindliche Kraft begreifen, deren unkontrolliertes Potenzial es zu entdecken und zu bewahren gilt. Wenn schon all den kleinen Lebewesen solch Verwandlungskraft innewohnt, wie viel findet sich blo\u00df in einem selbst wieder? Denn die beiden blauen Hasen bilden allein den Prolog f\u00fcr die Geschichten, welche die Kinder selbst ersinnen.<\/p>\n","werk_txt_context":"

Das QUIVID-Kunstwerk \u201eEin Hase fliegt, einer passt auf\u201c der K\u00fcnstlerin Veronika Veit entstand f\u00fcr den Neubau des Haus f\u00fcr Kinder mit vier Krippen- und vier Kindergartengruppen in der Annemarie-Renger-Stra\u00dfe im 22. Stadtbezirk Aubing-Lochhausen-Langwied. Positioniert im Eingangsbereich des offenen Spielflurs, tr\u00e4gt es ma\u00dfgeblich zu dessen Charakter als zentraler Ort f\u00fcr Austausch und Begegnung bei. Die K\u00fcnstlerin wurde 2021 von einer durch die Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum erstellten Vorschlagsliste f\u00fcr das Projekt ausgew\u00e4hlt und eingeladen, ein ortsspezifisches Kunstwerk f\u00fcr das Bauprojekt zu realisieren.<\/p>\n","werk_collections":[{"ID":7696,"post_author":"5","post_date":"2025-02-17 18:57:42","post_date_gmt":"2025-02-17 17:57:42","post_content":"","post_title":"QUIVID-Review #2","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quivid-review-2","to_ping":"","pinged":"","post_modified":"2025-04-29 15:58:58","post_modified_gmt":"2025-04-29 13:58:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=collection&p=7696","menu_order":11,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":1,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Veronika Veit","werk_sort_data_district":"Aubing-Lochhausen-Langwied","werk_sort_data_year":"2024","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_category":"Installation,Skulptur \/ Plastik"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-veronika-veit-kunst-am-bau-2024-03-1280x1920.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-veronika-veit-kunst-am-bau-2024-03-768x1152.jpg","artists":[{"name":"Veronika Veit","url":"https:\/\/quivid.de\/en\/artist\/veit-veronika\/"}],"tax_category":"Installation, Skulptur \/ Plastik","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Aubing-Lochhausen-Langwied","tax_year":2024,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=7362"}],"version-history":[{"count":12,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7362\/revisions"}],"predecessor-version":[{"id":7734,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7362\/revisions\/7734"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7368"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7364"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7378"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7376"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7374"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7370"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7372"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1172"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7373"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=7362"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7362"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7362"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=7362"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=7362"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=7362"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=7362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}