{"id":7302,"date":"2024-11-12T10:31:33","date_gmt":"2024-11-12T09:31:33","guid":{"rendered":"https:\/\/quivid.de\/?p=7302"},"modified":"2025-04-29T15:51:40","modified_gmt":"2025-04-29T13:51:40","slug":"amoebe","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/amoebe\/7302\/","title":{"rendered":"Am\u00f6be"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":7310,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[129,138],"district":[143],"access":[194],"accessibility":[131],"space":[145],"year":[248],"gender":[137],"class_list":["post-7302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-installation","category-skulptur-plastik","district-bogenhausen","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-innenraum","year-248","gender-w"],"link_en":"https:\/\/quivid.de\/en\/\/en\/amoebe\/7302","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Oberkofler","werk_artist_surname":"Gabriela","werk_artist_gender":"w"}],"werk_artists":[{"ID":7301,"post_author":"10","post_date":"2024-11-11 09:31:55","post_date_gmt":"2024-11-11 08:31:55","post_content":"Gabriela Oberkofler, 1975 in Bozen geboren, besch\u00e4ftigt sich in ihren zeichnerischen, installativen und performativen Arbeiten mit der Entstehung und dem Verlust von Natur- und Kulturr\u00e4umen. Dabei liegt ihr Hauptinteresse in den Verhaltensweisen von Pflanzen, welche in parasit\u00e4ren und symbiotischen Lebensgemeinschaften leben. Sie sucht nach Schnittstellen im Verh\u00e4ltnis zwischen Pflanze und Gesellschaft. Die K\u00fcnstlerin hat an der Staatlichen Akademie der Bildenden K\u00fcnste Stuttgart von 2002 bis 2009 bei den Professoren Werner Pokorny, Micha Ullmann, Markus Umbach und Rainer Ganahl studiert. Ihre sehr umfangreichen Projekte sind in vielen Einzel- und Gruppenausstellungen im In- und Ausland zu sehen, au\u00dferdem war sie von 2009 bis 2020 mit zahlreichen internationalen Aufenthaltsstipendien unterwegs. Im Herbst 2022 er\u00f6ffnete Gabriela Oberkofler den Taberhof in Flaas (S\u00fcdtirol) als Institut f\u00fcr alternative Landwirtschaft, zeitgen\u00f6ssische Kunst und Leben in der Peripherie.\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Gabriela Oberkofler","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"gabriela-oberkofler","to_ping":"","pinged":"","post_modified":"2024-11-11 09:32:42","post_modified_gmt":"2024-11-11 08:32:42","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7301","menu_order":13,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Bogenhausen","werk_location_address":" Wilhelm-Hausenstein-Gymnasium, Fideliostra\u00dfe 141-145, 81927 M\u00fcnchen","werk_location_longitude":"48.1643801898522","werk_location_latitude":"11.6417755735558","werk_material":"Lindenholz geschnitzt, insgesamt 45 Quadratmeter, 74 \u00c4ste mit diversen geschnitzten Objekten","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":false,"werk_map":false,"werk_parts":"","werk_institution":"Wilhelm-Hausenstein-Gymnasium","werk_architect":"HASCHER JEHLE Architektur, Berlin & K\u00f6hler Architekten + Beratende Ingenieure, Gauting","werk_architect_landscape":"ver.de landschaftsarchitekten, M\u00fcnchen","werk_photograph":"Studio Olaf Becker","werk_author":"Dr. Eva-Marina Froitzheim","werk_txt_long_en":"

Gabriela Oberkofler\u2019s earth art installation, “Am\u00f6be” (Amoeba), is nestled in an elliptical ceiling recess through which light streams into the entrance hall of the Wilhelm-Hausenstein-Gymnasium. Widely ramified branches hang upside down, filling the entire space. Carved natural elements\u2014flora, including flowers and pine cones as well animals like birds, pig heads and snails\u2014are grafted onto the tips of the sturdier branches, fusing with them to form a single unit.<\/p>\n

For acoustic reasons, the surrounding wall of the dome-like ceiling opening is perforated with holes of various sizes. The irregular structure complements Oberkofler\u2019s installation, which resembles an abstract interplay of lines. This phenomenon can only be discovered by those who attentively and curiously allow their gaze to glide over the walls that swing in and out up to the ceiling. The natural forms of the branches, the artistically designed sculptural structures and the architecture\u2014as an expression of human creativity and technical skills\u2014enter a dialog that occurs solely via the viewer\u2019s individual perception and movement.<\/p>\n

The branches in the work come from trees in a near-by park that were felled to make way for the high school\u2019s construction. While the project was in its early stage, a serious exchange with the surrounding residents about the integration of the school building into this natural space took place. Foregoing any judgements, Oberkofler positioned the theme of removing nature to create living and educational spaces for the next generation at the center of her concept for the high school.<\/p>\n

With her installation, the artist combines an aspect of reconciliation. By incorporating the branches of the felled trees in her work, she extends their existence, albeit in a different state: in this case as a work of art. This approach underlines Oberkofler\u2019s respect for the trees, which she understands as living beings that\u2014as part of a transformation process\u2014also includes people. Trees represent growth, the exchange of gases and oxygen. They are suppliers of raw materials, as well as bearers of their own beauty.<\/p>\n

Oberkofler\u2019s works are an expression of her exploration pf the relationship between humans and nature. The artist highlights the special properties of nature, as well as its use by humans. In this art in public space project, the redesigned branches assert themselves as art objects in the midst of the social interaction of a growing generation that will help shape the future of our society.<\/p>\n","werk_img":[{"ID":7305,"id":7305,"title":"GYM Fidelio Bauzustand 12.09.24 \/ Baureferat M\u00fcnchen \/ \u00a9 Studio Olaf Becker","filename":"quivid-muenchen-gabriela-oberkofler-kunst-am-bau-2024-01-scaled.jpg","filesize":927289,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-gabriela-oberkofler-kunst-am-bau-2024-01-scaled.jpg","link":"https:\/\/quivid.de\/en\/amoebe\/7302\/gym-fidelio-bauzustand-12-09-24-baureferat-muenchen-studio-olaf-becker-2\/","alt":"","author":"10","description":"","caption":"GYM Fidelio Bauzustand 12.09.24 \/ Baureferat M\u00fcnchen \/ \u00a9 Studio Olaf Becker","name":"gym-fidelio-bauzustand-12-09-24-baureferat-muenchen-studio-olaf-becker-2","status":"inherit","uploaded_to":7302,"date":"2024-11-11 10:22:59","modified":"2024-11-11 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In einer ellipsenf\u00f6rmigen Aussparung in der Decke, durch welche Licht in die Eingangshalle des Wilhelm-Hausenstein-Gymnasiums hineinstr\u00f6mt, befindet sich das Naturarrangement Am\u00f6be von Gabriela Oberkofler<\/a>. Kopf\u00fcber h\u00e4ngende, weitverzweigte Astgebilde f\u00fcllen den gesamten Luftraum aus. Auf die Spitzen der kr\u00e4ftigeren \u00c4ste sind geschnitzte Naturteile aufgepfropft, die mit den \u00c4sten zu einer Einheit verschmelzen: Pflanzenteile, wie Bl\u00fcten oder Zapfen und Tiere, wie zum Beispiel V\u00f6gel, Schweinsk\u00f6pfe oder Schnecken.<\/p>\n

Die umlaufende Wand der kuppelartigen Decken\u00f6ffnung ist aus akustischen Gr\u00fcnden mit L\u00f6chern unterschiedlicher Gr\u00f6\u00dfe versehen. Die unregelm\u00e4\u00dfige Struktur erg\u00e4nzt sich mit der als abstraktes Linienspiel wahrgenommenen Installation Oberkoflers. Diese entdeckt nur, wer sich aufmerksam und neugierig umsieht und seinen Blick \u00fcber die ein- und ausschwingenden W\u00e4nde bis zur Decke gleiten l\u00e4sst. Die nat\u00fcrlichen Formen der \u00c4ste, die k\u00fcnstlerisch gestalteten skulpturalen Gebilde, die Architektur als Ausdruck menschlicher Kreativit\u00e4t und technischer F\u00e4higkeiten stehen in einem Dialog, der erst durch die individuelle Wahrnehmung und Bewegung des Betrachtenden in Beziehung zueinander gesetzt wird.<\/p>\n

Die von der K\u00fcnstlerin verwendeten \u00c4ste stammen von gef\u00e4llten B\u00e4umen aus dem Bereich des Parks, der f\u00fcr den Bau des Gymnasiums weichen musste. Im Vorfeld des Bauprojektes gab es einen intensiven Austausch mit den umliegenden Bewohner:innen \u00fcber die Integration des Schulgeb\u00e4udes in diesem Naturraum. Das Thema der Beseitigung von Natur zur Schaffung von Lebens- und Studienraum f\u00fcr die n\u00e4chste Generation hat Oberkofler in das Zentrum ihrer Konzeption f\u00fcr das Gymnasium ger\u00fcckt, ohne dabei eine Wertung vorzunehmen.<\/p>\n

Mit ihrer Installation verbindet sie einen Aspekt der Vers\u00f6hnung. Indem sie die \u00c4ste der gef\u00e4llten B\u00e4ume einsetzt, verl\u00e4ngert sie gleichsam deren Existenz in einem anderen Zustand \u2013 im vorliegenden Fall als Kunstwerk. Dieses Vorgehen unterstreicht ihren Respekt gegen\u00fcber den f\u00fcr sie als Lebewesen empfundenen B\u00e4umen. Sie begreift diese als Teil eines Transformationsprozesses, der auch den Menschen einschlie\u00dft. B\u00e4ume stehen f\u00fcr Wachstum, Austausch von Gasen und Sauerstoff. Sie sind Lieferanten von Rohstoffen, aber auch Tr\u00e4ger einer eigenen Sch\u00f6nheit.<\/p>\n

Gabriela Oberkoflers Werke sind Ausdruck ihrer \u00dcberlegungen, die um das Verh\u00e4ltnis des Menschen zur Natur kreisen. Die K\u00fcnstlerin beleuchtet zum einen die besonderen Eigenschaften der Natur, aber auch deren Nutzbarmachung durch den Menschen. In diesem Kunst am Bau-Projekt behaupten sich die umgestalteten Astgebilde als Kunstobjekte inmitten eines sozialen Miteinanders einer heranwachsenden Generation, welche die Zukunft unserer Gesellschaft mitgestalten wird.<\/p>\n","werk_txt_context":"

Die \u00e4u\u00dfere Gestaltung des Neubaus des Wilhelm-Hausenstein-Gymnasiums in Bogenhausen nimmt die Formen und Materialien des umgebenden Klimaparks auf und verzahnt sich harmonisch mit den angrenzenden Frei- und Gr\u00fcnfl\u00e4chen. Es gibt vier organisch geformte Bauteile, die drei Lernh\u00e4user liegen auf einem verbindenden Sockel auf, in dem die gemeinschaftlichen Funktionen Aula, Mensa und die Sporthalle untergebracht sind. Die Nutzungen sind sternf\u00f6rmig um den zentralen Eingangs- und Aulabereich angeordnet, in dessen Mitte sich die “Am\u00f6be” befindet. Das Kunstwerk \u201eAm\u00f6be\u201c von Gabriela Oberkofler wurde im Rahmen eines Kunst am Bau-Wettbewerbs f\u00fcr den Neubau des Wilhelm-Hausenstein-Gymnasiums von der Kunstkommission zur Realisierung empfohlen. Die Fertigstellung des 6-z\u00fcgigen Schulgeb\u00e4udes mit Dreifachsporthalle erfolgte im Sommer 2024, der Schulbetrieb wurde zum Schuljahresbeginn 2024\/25 aufgenommen. Das Gesamtprojekt ist Bestandteil der Schulbauoffensive.<\/p>\n","werk_collections":[{"ID":7696,"post_author":"5","post_date":"2025-02-17 18:57:42","post_date_gmt":"2025-02-17 17:57:42","post_content":"","post_title":"QUIVID-Review #2","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quivid-review-2","to_ping":"","pinged":"","post_modified":"2025-04-29 15:58:58","post_modified_gmt":"2025-04-29 13:58:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=collection&p=7696","menu_order":12,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Gabriela Oberkofler","werk_sort_data_category":"Installation,Skulptur \/ Plastik","werk_sort_data_district":"Bogenhausen","werk_sort_data_year":"2024","werk_sort_data_access":"auf Anfrage zug\u00e4nglich"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-gabriela-oberkofler-kunst-am-bau-2024-04-1280x853.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-gabriela-oberkofler-kunst-am-bau-2024-04-768x512.jpg","artists":[{"name":"Gabriela Oberkofler","url":"https:\/\/quivid.de\/en\/artist\/gabriela-oberkofler\/"}],"tax_category":"Installation, Skulptur \/ Plastik","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Bogenhausen","tax_year":2024,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=7302"}],"version-history":[{"count":9,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7302\/revisions"}],"predecessor-version":[{"id":7735,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7302\/revisions\/7735"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7315"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7313"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7311"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7317"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7307"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7309"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7305"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7310"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=7302"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7302"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7302"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=7302"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=7302"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=7302"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=7302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}