{"id":7261,"date":"2024-11-11T08:53:35","date_gmt":"2024-11-11T07:53:35","guid":{"rendered":"https:\/\/quivid.de\/?p=7261"},"modified":"2025-04-29T15:51:57","modified_gmt":"2025-04-29T13:51:57","slug":"schuettloecher","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/schuettloecher\/7261\/","title":{"rendered":"Sch\u00fcttl\u00f6cher (Rockefellerstra\u00dfe)"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":7275,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[138],"district":[153],"access":[194],"accessibility":[131],"space":[132],"year":[248],"gender":[137],"class_list":["post-7261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-skulptur-plastik","district-milbertshofen-am-hart","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-aussenraum","year-248","gender-w"],"link_en":"https:\/\/quivid.de\/en\/\/en\/schuettloecher\/7261","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Loderer","werk_artist_surname":"Angelika","werk_artist_gender":"w"}],"werk_artists":[{"ID":7260,"post_author":"10","post_date":"2024-11-04 15:12:05","post_date_gmt":"2024-11-04 14:12:05","post_content":"*1984 in Feldbach, \u00d6sterreich.\r\n2006\u201311 Studium der Bildhauerei an der Universit\u00e4t f\u00fcr angewandte Kunst Wien mit Studienaufenthalten am Hendrix College,\r\nArkansas (2005\u201306) und am Wimbledon College of Arts, London (2009)\r\nGewinnerin des ersten Dagmar Chobot Skulpturenpreises 2016 und des Kardinal K\u00f6nig Kunstpreises 2019\r\n\r\nEinzelausstellungen (Auswahl): Sophie Tappeiner, Wien; Belvedere 21, Wien (2024); Contemporary Fine Arts, Berlin (2023); Sophie Tappeiner, Wien (2022); Grazer Kunstverein (2018); Secession, Wien (2017); Salzburger Kunstverein (2016); Dortmunder Kunstverein (2015); Akademie Graz (2013).\r\n\r\nGruppenausstellungen (Auswahl): Maison Europ\u00e9enne de la Photographie, Paris; Lentos Museum, Linz; Albertina, Wien; Thaddaeus Ropac, Paris; Albertina Modern, Wien (2024); Kunsthalle Bratislava (2023); Kunstraum Dornbirn, Museum der Moderne Salzburg (2022); New Museum, New York, MAK \u2013 Museum f\u00fcr angewandte Kunst, Wien, Kunsthaus Graz (2021); Belvedere 21, Wien (2019); El Quinto Piso, Mexico City (2017).\r\n\r\nWerke in den Sammlungen von (Auswahl): \u00d6sterreichische Galerie Belvedere, Wien; Albertina, Wien; MAK \u2013 Museum f\u00fcr angewandte Kunst, Wien; Museum der Moderne Salzburg; Lentos Kunstmuseum Linz; Kunsthaus Bregenz; Universalmuseum Joanneum, Graz.","post_title":"Angelika Loderer","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"angelika-loderer","to_ping":"","pinged":"","post_modified":"2024-11-04 15:12:59","post_modified_gmt":"2024-11-04 14:12:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7260","menu_order":14,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Milbertshofen-Am Hart","werk_location_address":"Grund- und Mittelschule an der Rockefellerstra\u00dfe 11, 80937 M\u00fcnchen","werk_location_longitude":"48.2068315753493","werk_location_latitude":"11.5781223830627","werk_material":"Sch\u00fcttloch 1 (Rockefellerstra\u00dfe): Bronze, geb\u00fcrstet, 150 l x 143 h x 120 t cm \/ Sch\u00fcttloch 2 (Rockefellerstra\u00dfe): Bronze, geb\u00fcrstet, 228 l x 100 h x 120 t cm \/ Sch\u00fcttloch 3 (Rockefellerstra\u00dfe): Bronze, geb\u00fcrstet, 210 l x 130 h x 105 t cm","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":true,"werk_map":false,"werk_parts":"mehrteilig","werk_institution":"Grund- und Mittelschule an der Rockefellerstra\u00dfe","werk_architect":"Krug Grossmann Architekten, M\u00fcnchen","werk_architect_landscape":"Hackl Hofmann Landschaftsarchitekten, Eichst\u00e4tt","werk_photograph":"Studio Olaf Becker & Ulrich Gebert","werk_author":"Ursula Pokorny","werk_txt_long_en":"

Within the context of an art in public space project, Austrian artist Angelika Loderer has designed three new sculptures for the inner courtyard of the primary and secondary school on Rockefellerstrasse. The bronze sculptures, which are part of “the Sch\u00fcttl\u00f6cher” (\u2018debris holes\u2019) series, recall the \u2018towns\u2019\u2014vast underground burrows\u2014of North American prairie dogs. The works explore the coexistence of humans and other living creatures, both above and below ground.<\/p>\n

For “Sch\u00fcttl\u00f6cher”, the artist makes casts of abandoned underground burrows, or dwellings, using a classic sculpture technique that is also used in industry to render the organic structures of the burrows tangible. By recreating the hollow pathways in bronze, the artist reverses their physical state: \u00a0as a positive impression, they are solid and rigid. “Sch\u00fcttl\u00f6cher” represent fragments of a parallel underworld hidden from human view. In the school\u2019s courtyard, however, these subterranean burrows protrude from tree clusters as material objects.<\/p>\n

To better understand the behavior of prairie dogs and their colonies, Loderer works closely with biologists. The animals live communally in networks of branched tunnels deep underground forming entire towns often covering vast areas. Because of how the animals dig, the tunnels are closely adapted to their bodies and form shells around them, almost as if they were a seal. The spaces refer to both the presence and absence of the living creatures. This fragile moment is captured in cast fragments. The results of the technical process, however, cannot be fully controlled. In the shift from negative to positive, surface details are lost, especially when the organic material \u00a0in question is earth. Thus, each cast of\u00a0 the burrows is slightly different and requires an engagement with the original object, the body and its environment, often from an unusual perspective.<\/p>\n

At a time when the man-made climate crisis is leading to massive social conflicts, it is necessary to examine one\u2019s own attitude towards the earth. Our ideas and expectations of its usage often differ fundamentally. Depending on whether we view the earth from an ecological, economic, political or cultural perspective, viewpoints can be completely contradictory. With her works, Loderer draws attention to the space between these perspectives, to a space where it is clear that our actions are not to be understood in isolation from one another, but in exchange with one another.<\/p>\n","werk_img":[{"ID":7276,"id":7276,"title":"quivid-muenchen-angelika-loderer-sch\u00fcttloch-kunst-am-bau-2024-07","filename":"quivid-muenchen-angelika-loderer-schuettloch-kunst-am-bau-2024-07.jpg","filesize":3266066,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-angelika-loderer-schuettloch-kunst-am-bau-2024-07.jpg","link":"https:\/\/quivid.de\/en\/schuettloecher\/7261\/quivid-muenchen-angelika-loderer-schuettloch-kunst-am-bau-2024-07-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-angelika-loderer-schuettloch-kunst-am-bau-2024-07-2","status":"inherit","uploaded_to":7261,"date":"2024-11-04 14:49:17","modified":"2024-11-11 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Die \u00f6sterreichische K\u00fcnstlerin Angelika Loderer hat als Kunst am Bau-Projekt drei neue Skulpturen f\u00fcr den Innenhof der Grund- und Mittelschule an der Rockefellerstra\u00dfe entworfen. Die Skulpturen aus Bronze geh\u00f6ren der Serie \u201eSch\u00fcttl\u00f6cher\u201c an und empfinden die H\u00f6hleng\u00e4nge von nordamerikanischen Pr\u00e4riehunden nach. Sie thematisieren das Miteinander von Menschen und anderen Lebewesen, \u00fcber und unter der Erde.<\/p>\n

F\u00fcr die \u201eSch\u00fcttl\u00f6cher\u201c gie\u00dft die K\u00fcnstlerin verlassene H\u00f6hlen von Tieren unter der Erde aus. Das Gussverfahren ist eine klassische Technik der Bildhauerei und findet zur Vervielf\u00e4ltigung von Objekten auch in der Industrie Anwendung. Loderer macht \u00fcber den Guss die organischen Gebilde der H\u00f6hleng\u00e4nge erfahrbar. Sie formt die hohlen G\u00e4nge mit Bronze nach und kehrt damit ihren physischen Zustand um, denn als Positivabdruck sind sie fest und starr. Die \u201eSch\u00fcttl\u00f6cher\u201c stellen Fragmente einer Parallelwelt unter der Erde dar, die uns Menschen verborgen bleibt. Im Innenhof der Grund- und Mittelschule ragen diese unterirdischen G\u00e4nge jedoch kopf\u00fcber aus den Bauminseln und sind f\u00fcr die Sch\u00fcler:innen fassbar.<\/p>\n

Um das Verhalten der Pr\u00e4riehunde und ihre Bauten besser zu verstehen, steht Loderer in engem Austausch mit Biolog:innen. Die Tiere leben gemeinschaftlich in weit verzweigten G\u00e4ngen tief unter der Erde, die \u00fcber gro\u00dfe Fl\u00e4chen ganze St\u00e4dte bilden. Durch das Graben sind die H\u00f6hleng\u00e4nge eng an ihre K\u00f6rper angepasst und bilden H\u00fcllen um sie, fast als w\u00e4ren sie ein Abdruck. Die R\u00e4ume verweisen sowohl auf die An- als auch auf die Abwesenheit der Lebewesen. In Gussfragmenten wird dieser fragile Moment festgehalten.<\/p>\n

Das Resultat des technischen Prozesses kann jedoch nicht vollends kontrolliert werden. Im Wechsel von Negativ zu Positiv gehen Details der Oberfl\u00e4che verloren, insbesondere wenn es sich um ein raues, organisches Material wie Erde handelt. Jeder Guss der Sch\u00fcttl\u00f6cher ist dadurch etwas anders und verlangt eine Auseinandersetzung mit dem urspr\u00fcnglichen Objekt, dem K\u00f6rper und seiner Umgebung, oft aus einer ungew\u00f6hnlichen Perspektive.<\/p>\n

In einer Zeit, in der die von Menschen verursachte Klimakrise zu massiven gesellschaftlichen Konflikten f\u00fchrt, ist es notwendig, sich mit der eigenen Haltung der Erde gegen\u00fcber zu befassen. Unsere Vorstellungen und Erwartungen an die Nutzung des Bodens unterscheiden sich oft grundlegend. Je nachdem, ob wir die Erde aus einer \u00f6kologischen, \u00f6konomischen, politischen oder kulturellen Perspektive betrachten, k\u00f6nnen sie sogar komplett kontr\u00e4r zueinanderstehen. Mit den \u201eSch\u00fcttl\u00f6chern\u201c weist Loderer auf den Raum zwischen diesen Sichtweisen hin \u2013 dort, wo klar ist, dass es unser Handeln nicht isoliert voneinander, sondern im Austausch miteinander zu begreifen gilt.<\/p>\n","werk_txt_context":"

Die in Wien lebende K\u00fcnstlerin Angelika Loderer wurde eingeladen, einen k\u00fcnstlerischen Entwurf im Rahmen eines Kunst am Bau-Wettbewerbs f\u00fcr den Ersatzneubau der 4-z\u00fcgigen Grundschule und 5-z\u00fcgigen Mittelschule mit Dreifachsporthalle in der Rockefellerstra\u00dfe im 11. Stadtbezirk Milbertshofen-Am Hart zu entwickeln. Ihr Entwurf \u201eSch\u00fcttl\u00f6cher\u201c wurde 2019 von der Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum zur Realisierung empfohlen. Die Fertigstellung und Inbetriebnahme des Schulgeb\u00e4udes erfolgte im September 2021. Die Fertigstellung der Dreifachsporthalle samt Freisportfl\u00e4chen erfolgte zum Jahresende 2023. Die Sporthalle wird seit Januar 2024 genutzt. Das Gesamtprojekt ist Bestandteil der Schulbauoffensive.<\/p>\n","werk_collections":[{"ID":7696,"post_author":"5","post_date":"2025-02-17 18:57:42","post_date_gmt":"2025-02-17 17:57:42","post_content":"","post_title":"QUIVID-Review #2","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quivid-review-2","to_ping":"","pinged":"","post_modified":"2025-04-29 15:58:58","post_modified_gmt":"2025-04-29 13:58:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=collection&p=7696","menu_order":12,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Angelika Loderer","werk_sort_data_category":"Skulptur \/ Plastik","werk_sort_data_district":"Milbertshofen-Am Hart","werk_sort_data_year":"2024","werk_sort_data_access":"auf Anfrage zug\u00e4nglich"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-angelika-loderer-schuettloch-kunst-am-bau-2024-07-1280x1707.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-angelika-loderer-schuettloch-kunst-am-bau-2024-07-768x1024.jpg","artists":[{"name":"Angelika Loderer","url":"https:\/\/quivid.de\/en\/artist\/angelika-loderer\/"}],"tax_category":"Skulptur \/ Plastik","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Milbertshofen-Am Hart","tax_year":2024,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=7261"}],"version-history":[{"count":9,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7261\/revisions"}],"predecessor-version":[{"id":7736,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7261\/revisions\/7736"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7265"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7267"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7271"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7269"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7273"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7276"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7275"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=7261"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7261"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7261"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=7261"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=7261"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=7261"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=7261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}