{"id":7226,"date":"2024-10-30T10:54:52","date_gmt":"2024-10-30T09:54:52","guid":{"rendered":"https:\/\/quivid.de\/?p=7226"},"modified":"2025-04-29T15:52:10","modified_gmt":"2025-04-29T13:52:10","slug":"schon-gehoert","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/schon-gehoert\/7226\/","title":{"rendered":"Schon geh\u00f6rt?"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":7234,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[129],"district":[146],"access":[194],"accessibility":[131],"space":[145],"year":[248],"gender":[137],"class_list":["post-7226","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-installation","district-allach-untermenzing","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-innenraum","year-248","gender-w"],"link_en":"https:\/\/quivid.de\/en\/\/en\/schon-gehoert\/7226","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Hampe","werk_artist_surname":"Jette","werk_artist_gender":"w"}],"werk_artists":[{"ID":7237,"post_author":"10","post_date":"2024-10-30 10:52:16","post_date_gmt":"2024-10-30 09:52:16","post_content":"Jette Hampe studierte Germanistik, Romanistik und Philosophie an der Ludwig-Maximilians-Universit\u00e4t sowie Bildhauerei an der Akademie der Bildenden K\u00fcnste in M\u00fcnchen und erhielt u.a. das Paris-Stipendium des Freistaates Bayern. Sie lebt in M\u00fcnchen und arbeitet in den Bereichen Installation und Fotografie. Ihr Ansatz beruht auf der Aneignung von Vorg\u00e4ngen in der Natur oder von Denkprozessen. Das \u00fcber lange Zeitr\u00e4ume Beobachtete, Aufgenommene und Gesammelte wird in k\u00fcnstlerisches Material transformiert, gebunden und als Installation im architektonischen Raum konkretisiert. Ihre Rauminstallationen wurden bisher in zahlreichen Ausstellungen in Deutschland und Frankreich gezeigt.\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Jette Hampe","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jette-hampe","to_ping":"","pinged":"","post_modified":"2024-10-30 10:52:16","post_modified_gmt":"2024-10-30 09:52:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7237","menu_order":17,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Allach-Untermenzing","werk_location_address":"Haus f\u00fcr Kinder, Theodor-Fischer-Stra\u00dfe 61, 80999 M\u00fcnchen","werk_location_longitude":"48.1832141265984","werk_location_latitude":"11.4502254338852","werk_material":"Rauminstallation in der Eingangshalle mit 93 Objekten aus Lindenholz, Stahlseilen und Stahlhaken, 1200 x 500 x 400 cm","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":false,"werk_map":false,"werk_parts":"","werk_institution":"Haus f\u00fcr Kinder, Theodor-Fischer-Stra\u00dfe","werk_architect":"Architekturwerkstatt Vallentin, M\u00fcnchen","werk_architect_landscape":"gr\u00fcnfabrik Landschaftsarchitekten Reingruber, B\u00fccking, Kirchdorf an der Amper","werk_photograph":"Florian Holzherr","werk_author":"Jenny Mues","werk_txt_long_en":"

The daycare center\u2019s design is characterized by a large entrance hall that\u2014as a central staircase\u2014connects all the rooms on the ground and upper floor. The foyer acts as a daily meeting place for parents, children and educators. In the morning the children are welcomed here, and it is from here that they go to their playrooms, returning in the afternoon to be picked up. In the space above the hall, about one hundred carved wooden forms are suspended and connected via fine steel cables. In its horizontal and vertical lines of movement and communication, Jette Hampe\u2019s delicate installation captures the children\u2019s daily life in the daycare center.<\/p>\n

When a child looks up, a sensory experience occurs and perception processes are stimulated. Something from the outside appears to have entered the daycare center through the roof. What do the long ropes mean? Are they part of a path between the objects? Do they unify these elements and propel conversation forward like sound waves? Things are linked, perhaps even communicated. What kind of creatures are these quasi animals and plants that are situated between musical instruments and vessels? Without being an actual language, they pose questions. Are the amorphous objects cocoons, small dwellings or nests for invisible creatures, or are they relics from another era? What sounds, music and language is being imparted, passed down here? Is this all just a game? Could you penetrate the holes with a stick or your pinky finger; could you look inside and explore what is hidden there? Are the holes perhaps ears?<\/p>\n

The ropes are so tight that a message, a signal, a sound can be fictitiously passed on in all directions, to every corner. Jette Hampe\u2019s installation \u201cSchon geh\u00f6rt?\u201d creates a completely open environment that encourages viewers to talk and exchange ideas. The work is based on a fundamental idea: all of us are a part of nature, and nature is worth protecting. Nature has been understood as a process of becoming and growing since the natural philosophy of antiquity, but also as an eternal emergence and passing away. Everything is connected to everything else; everything communicates with everything else. Like a network, everything is interwoven with everything and everything falls apart when a part is taken from the whole.<\/p>\n

Like every child who takes his or her first steps into a larger community in the daycare center, each of the carved wooden bodies can be perceived specifically in its own way and uniqueness. The artist created the organic-looking forms in ceramic and instructed five wood carvers to execute them in linden wood based on the originals. The ductus of the chisel is more or less visible depending on the way the specific form is made. The transfer of the originals as replicas (and not as copies), the use of natural materials and the final implementation of the installation by the artist are essential design elements, because this is where Jette Hampe\u2019s sculptural approach in the studio, workshop and room is expressed as a direct, creative and content-related engagement of art with the new building.<\/p>\n","werk_img":[{"ID":7231,"id":7231,"title":"quivid-muenchen-jette-hampe-schon-geh\u00f6rt-kunst-am-bau-2024-02","filename":"quivid-muenchen-jette-hampe-schon-gehoert-kunst-am-bau-2024-02.jpeg","filesize":2736188,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-jette-hampe-schon-gehoert-kunst-am-bau-2024-02.jpeg","link":"https:\/\/quivid.de\/en\/schon-gehoert\/7226\/quivid-muenchen-jette-hampe-schon-gehoert-kunst-am-bau-2024-02-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-jette-hampe-schon-gehoert-kunst-am-bau-2024-02-2","status":"inherit","uploaded_to":7226,"date":"2024-10-24 12:27:22","modified":"2024-10-24 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Pr\u00e4gend fu\u0308r die Architektur der Kindertagesst\u00e4tte ist die gro\u00dfe Eingangshalle, welche als zentrales Treppenhaus alle R\u00e4ume in Erdgeschoss und Obergeschoss miteinander verbindet. Der vorgelagerte Eingangsbereich ist t\u00e4glicher Treffpunkt der Eltern, Kinder und Erzieher:innen. Hier werden die Kinder morgens empfangen, str\u00f6men in ihre Spielzimmer und nachmittags zuru\u0308ck, um abgeholt zu werden. Im Luftraum der Halle sind etwa hundert geschnitzte Holzk\u00f6rper u\u0308ber feine Stahlseile raumgreifend verspannt und verbunden. Jette Hampes filigrane Rauminstallation nimmt den Alltag und das Leben der Kinder in der Tagesst\u00e4tte in ihren horizontalen und vertikalen Bewegungs- und Kommunikationslinien auf.<\/p>\n

Beim Blick des Kindes nach oben entsteht ein sinnliches Erlebnis, Wahrnehmungsprozesse werden angeregt. Etwas von drau\u00dfen scheint durch das Dach in den Innenraum des Kinderhauses gelangt zu sein. Was bedeuten die langen Seile? Sind sie Strecken eines Weges zwischen den Objekten und bringen einen Zusammenhalt? Tragen sie wie Schallwellen ein Gespr\u00e4ch weiter? Etwas wird verkettet, vielleicht kommuniziert. Was sind das fu\u0308r Wesen zwischen Tier und Pflanze, zwischen Musikinstrument und Gef\u00e4\u00df? Ohne konkrete Sprache zu sein, stellen sie Fragen. Sind die amorphen Objekte Kokons, kleine Behausungen oder Nester fu\u0308r unsichtbare Wesen? Oder sind es Relikte aus einer anderen Zeit? Welche T\u00f6ne, welche Musik oder welche Sprache wird hier weitergegeben? Ist es ein Spiel? K\u00f6nnte man mit einem Stock oder dem kleinen Finger in die L\u00f6cher bohren, hineingucken und erforschen was im Innern ist? Oder sind die L\u00f6cher vielleicht Ohren?<\/p>\n

Die Seile sind so verspannt, dass fiktiv eine Nachricht, ein Signal, ein Ton in alle Richtungen, in jede Ecke weitergegeben werden kann. Jette Hampes Rauminstallation \u201eSchon geh\u00f6rt?\u201c schafft eine ganz und gar offene Situation, die die Betrachtenden zum Erz\u00e4hlen und sich Austauschen anregt und die auf einem Grundgedanken basiert: Wir sind Teil der Natur. Die Natur ist sch\u00fctzenswert. Sie wird als Prozess des Werdens und Wachsens verstanden, seit der Naturphilosophie der Antike, aber auch als ein ewiges Entstehen und Vergehen. Alles h\u00e4ngt mit allem zusammen, alles kommuniziert, ist wie ein Netz miteinander verwoben und f\u00e4llt auseinander, wenn ein Teil vom Ganzen genommen wird.<\/p>\n

Wie jedes einzelne Kind, das in der Kindertagesst\u00e4tte seine ersten Schritte in eine gr\u00f6\u00dfere Gemeinschaft tut, kann auch jeder der geschnitzten Holzk\u00f6rper spezifisch in seiner Eigenart und Besonderheit wahrgenommen werden. Die organisch anmutenden Formen hat die K\u00fcnstlerin in Keramik erarbeitet und f\u00fcnf Holzschnitzer:innen mit der Ausf\u00fchrung in Lindenholz nach den Originalen angeleitet. Der Duktus des Stemmeisens ist je nach Machart mehr oder weniger sichtbar. Die \u00dcbertragung der Originale als Nachbildungen (und nicht als Kopien), die Verwendung von nat\u00fcrlichen Werkstoffen und die finale Umsetzung der Installation durch die K\u00fcnstlerin sind wesentlich; denn hierin kommt die bildhauerische Herangehensweise von Jette Hampe in Atelier, Werkstatt und Raum als unmittelbare, gestalterische wie inhaltliche Auseinandersetzung der Kunst mit dem Bau zum Ausdruck.<\/p>\n","werk_txt_context":"

Die Arbeit \u201eSchon geh\u00f6rt?\u201c der K\u00fcnstlerin Jette Hampe entstand f\u00fcr den Neubau des Hauses f\u00fcr Kinder mit dreigruppigem Kindergarten und Krippe in der Theodor-Fischer-Stra\u00dfe im 23. Stadtbezirk Allach-Untermenzing. Bei dem Bauvorhaben handelt es sich um ein Projekt der Ausbauoffensive Kindertagesst\u00e4tten. Die K\u00fcnstlerin wurde von einer Vorschlagsliste der Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum f\u00fcr das Projekt ausgew\u00e4hlt und eingeladen, einen Entwurf f\u00fcr den Neubau zu entwickeln und zu realisieren.<\/p>\n","werk_collections":[{"ID":7696,"post_author":"5","post_date":"2025-02-17 18:57:42","post_date_gmt":"2025-02-17 17:57:42","post_content":"","post_title":"QUIVID-Review #2","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quivid-review-2","to_ping":"","pinged":"","post_modified":"2025-04-29 15:58:58","post_modified_gmt":"2025-04-29 13:58:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=collection&p=7696","menu_order":11,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_district":"Allach-Untermenzing","werk_sort_data_year":"2024","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_category":"Installation","werk_sort_data_artists":"Jette Hampe"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-jette-hampe-schon-gehoert-kunst-am-bau-2024-03-1280x1918.jpeg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-jette-hampe-schon-gehoert-kunst-am-bau-2024-03-768x1151.jpeg","artists":[{"name":"Jette Hampe","url":"https:\/\/quivid.de\/en\/artist\/jette-hampe\/"}],"tax_category":"Installation","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Allach-Untermenzing","tax_year":2024,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=7226"}],"version-history":[{"count":7,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7226\/revisions"}],"predecessor-version":[{"id":7737,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7226\/revisions\/7737"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7229"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7233"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7235"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7231"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7237"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7234"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=7226"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7226"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7226"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=7226"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=7226"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=7226"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=7226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}