{"id":7121,"date":"2024-09-17T13:49:20","date_gmt":"2024-09-17T11:49:20","guid":{"rendered":"https:\/\/quivid.de\/?p=7121"},"modified":"2025-04-29T15:53:06","modified_gmt":"2025-04-29T13:53:06","slug":"extraeck","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/extraeck\/7121\/","title":{"rendered":"Extraeck"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":7122,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[134,138],"district":[166],"access":[193],"accessibility":[131],"space":[132],"year":[248],"gender":[142],"class_list":["post-7121","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fassadengestaltung","category-skulptur-plastik","district-ramersdorf-perlach","access-oeffentlich-zugaenglich","accessibility-barrierefrei-zugaenglich","space-aussenraum","year-248","gender-m-m"],"link_en":"https:\/\/quivid.de\/en\/\/en\/extraeck\/7121","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"L+S (Lutz-Rainer M\u00fcller und Stian \u00c5dlandsvik)","werk_artist_surname":"","werk_artist_gender":""}],"werk_artists":[{"ID":7120,"post_author":"10","post_date":"2024-09-16 15:08:17","post_date_gmt":"2024-09-16 13:08:17","post_content":"Das deutsch-norwegische Ku\u0308nstlerduo L+S (Lutz-Rainer Mu\u0308ller & Stian \u00c5dlandsvik) realisiert seit 2006 gemeinsam ortsbezogene Projekte, die sich meist im \u00f6ffentlichen Raum ereignen. Die \u00e4sthetische Arbeit von L+S ist stets sowohl prozesshaft als auch dialogisch angelegt und wird oftmals mit einer objekthaften Fixierung scheinbar beendet. Die von dem Duo installierten Objekte oder eingeleiteten Situationen setzen jedoch Prozesse der Interaktion und des Dialoges fort, die in anderer Form das k\u00fcnstlerische Geschehen schon w\u00e4hrend ihrer Konzeption und Produktion bestimmt haben. L+S arbeiten seit 2006 zusammen. Sie studierten beide an der Staatlichen Kunstakademie in Oslo. A\u030adlandsvik studierte au\u00dferdem an der HFBK in Hamburg. Mu\u0308ller studierte zudem an der Kunsthochschule in Bergen und hat einen Abschluss von der Muthesius Kunsthochschule in Kiel.\r\n\r\nLUTZ-RAINER M\u00dcLLER\r\n*1977 in Neustaft in Ostholstein\r\n1999 \u2013 2005 Muthesis Kunsthochschule, Kiel\r\n2003 Kunsthochschule in Bergen (NO) (Austausch)\r\n2004 \u2013 2006 Nationale Akademie der K\u00fcnste, Oslo\r\n\r\nProjekte im \u00f6ffentlichen Raum (Auswahl ab 2018)\r\n2022 Folkevagte | Skulpturengruppe | Rathausplatz Bergen (NO)\r\n2020 Inverted Bridge | Skulpturengruppe | St. Olav Pilgerpfad | Lillehammer (NO)\r\n2020 Austb\u00f8 secondary school | Stavanger (NO)\r\n2020 \u00d8sters | Heimdal High School | Heimdal (NO)\r\n2019 Columnae | Skulptur | Edward Griegs Behandlungszentrum | Kolbotn (NO)\r\n2019 Bonding Border | Skulptur Polarsirkelen weiterf\u00fchrende Schule | Mo i Rana (NO)\r\n2019 Column stagg | Skulptur | Greifswald Universit\u00e4tsklinik | Greifswald\r\n2018 Locker um Abizeugnismythoswelt | Installation | Tolkewitz Oberschule Gymnasium | Dresden\r\n\r\nSTIAN \u00c5DLANDSVIK\r\n*1981 in Bergen (NO)\r\n2003 \u2013 2006 Nationale Akademie der K\u00fcnste, Oslo\r\n2005 Hochschule f\u00fcr bildende K\u00fcnste, Hamburg (Prof. Eran Schaerf) (Austausch)\r\n2001 \u2013 2003 Rogaland Schule f\u00fcr Kunst, Stavanger\r\n\r\nAusstellungen (Auswahl)\r\n2010 \u201eStill life\u201c | MOT international | London\r\n2010 \u201eYou only tell me you love me when you\u2019re drunk\u201c | Hordaland Kunstverein | Bergen\r\n2010 \u201eStill life with hyena\u201c | Lotus and cave | W17 | Kunstnernes hus | Oslo | Norwegen\r\n2008 \u201eIf it won\u2019t fly, try using it as a reducing machine\u201c | Ausstellung an mehreren Orten gleichzeitig: Galerie HfbK, Elektrohaus, Trottoir and St.Pauli Kunstverein, Hamburg\r\n\r\nResidenzstipendien (Auswahl ab 2010)\r\n2018 URRA, Buenos Aires | Argentinien\r\n2013 Flacc | Genk | Belgien\r\n2010 W17 | Oslo | Norwegen\r\n2010 Air Bergen | Bergen | Norwegen\r\n\r\nF\u00f6rderungen\r\n2012 Stiftung Kunstfond, Bonn | Projektf\u00f6rderung\r\n2010 Internationale F\u00f6rderung | OCA (Office for Contemporary Art Norway)\r\n2010 Projektf\u00f6rderung | KORO | Norwegen\r\n2010 Projektf\u00f6rderung | Bergen Kommune\r\n2010 Projektf\u00f6rderung | Vederlagsfondet\r\n2010 Staatliche F\u00f6rderung\r\n2008 International support, OCA (Office for Contemporary Art Norway)\r\n\r\nSammlungen\r\nBergen Art Museum\r\nAstrup Fearnley Museum | Oslo\r\nSammlung der Sparkassenstiftung\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLER<\/a>","post_title":"L+S (Lutz-Rainer M\u00fcller und Stian \u00c5dlandsvik)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ls","to_ping":"","pinged":"","post_modified":"2025-02-21 10:59:14","post_modified_gmt":"2025-02-21 09:59:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7120","menu_order":20,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Ramersdorf-Perlach","werk_location_address":"Betriebshof Stra\u00dfenunterhalt Mitte und Parkraummanagement, G\u00f6rzer Stra\u00dfe 38, 81669 M\u00fcnchen","werk_location_longitude":"48.1097835622315","werk_location_latitude":"11.6072581019432","werk_material":"Aluminium, Unterkonstruktion: Stahl, verzinkt
\r\nSkulptur an Fassadenecke in 11 m H\u00f6he, Ma\u00dfe Skulptur: 410 x 257 x 236 cm","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":true,"werk_map":false,"werk_parts":"","werk_institution":"Betriebshof Stra\u00dfenunterhalt Mitte und Parkraummanagement","werk_architect":"Claudia Schreiber Architektur und Stadtplanung, M\u00fcnchen","werk_architect_landscape":" Wankner und Fischer Landschaftsarchitekten und Stadtplaner, Eching ","werk_photograph":"Peter Neusser","werk_author":"Quirin Brunnmeier","werk_txt_long_en":"

The colossal sculpture, located on fa\u00e7ade of the south-eastern corner of the new depot building on G\u00f6rzer Stra\u00dfe in Munich, resembles an abstract galleon. Visible from both G\u00f6rzer Stra\u00dfe and Chiemgaustra\u00dfe, the sculpture protrudes from the upper edge of the fa\u00e7ade like a beacon amid the urban surroundings. The robust yet delicate aluminum construction is clearly directed outwards. The sculpture “Extraeck” (extra corner) is the work of artist duo L+S (Lutz-Rainer M\u00fcller and Stian \u00c5dlandsvik). With its organic metal forms, which contrast with the depot\u2019s clear geometric structures of the windowless wooden fa\u00e7ade, it resembles a foreign object, akin to an oversized piece of chewing gum which has become stuck to the building. The imprints of hands and fingers adorning it are clearly visible on the metallic surfaces.<\/p>\n

A main design element, the gestural hand movements are incorporated into the production process. The sculpture constitutes a crude, handmade clay form, which was attached to an architectural model on a scale of 1:25. The model was scanned three-dimensionally using modern imaging techniques and the digital form was scaled to the size of the depot building. This electronic version served as the basis for the creation of the sculpture consisting of individual aluminum elements, which were then installed on the building\u2019s fa\u00e7ade. The sculpture unites two materials, whose distinct properties are mutually dependent with regard to their shape and surface properties. Heavy, coarse clay was transformed into shimmering light metal. This reversal of materiality and form is also a reference to road maintenance, where infrastructure is manually maintained, for instance when pot holes are repaired using various coarse materials. The light metal car rims roll on the planes created in this way.<\/p>\n

Two- and three-dimensionality, mass, surface, material, volume and context are the basic parameters of all sculptural objects. With “Extraeck”, Lutz-Rainer M\u00fcller and Stian \u00c5dlandsvik playfully experiment with these basic conditions. They swap material and combine an original, gestural design with high-tech processes. By dramatically altering the dimensions, they dissolve the original form, thereby creating new contextual references, which foster diverse assessments of the details. The artist duo also employ the existing depot building on G\u00f6rzer Stra\u00dfe as a presentation platform, where the building serves as the \u2018pedestal\u2019 or base of their sculptural intervention. The building and the sculpture are mutually dependent; without the building, the sculpture would literally have no support.<\/p>\n","werk_img":[{"ID":7133,"id":7133,"title":"quivid-muenchen-l-und-s-extraeck-kunst-am-bau-2024-06","filename":"quivid-muenchen-l-und-s-extraeck-kunst-am-bau-2024-06.jpg","filesize":343828,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-l-und-s-extraeck-kunst-am-bau-2024-06.jpg","link":"https:\/\/quivid.de\/en\/extraeck\/7121\/quivid-muenchen-l-und-s-extraeck-kunst-am-bau-2024-06-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-l-und-s-extraeck-kunst-am-bau-2024-06-2","status":"inherit","uploaded_to":7121,"date":"2024-09-16 13:18:38","modified":"2024-09-16 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Wie eine abstrakte Galionsfigur wirkt die massive Skulptur, die an der s\u00fcd\u00f6stlichen Ecke der Fassade des neuen Betriebshofs in der G\u00f6rzer Stra\u00dfe angebracht ist. Sowohl von der G\u00f6rzer Stra\u00dfe als auch von der Chiemgaustra\u00dfe aus sichtbar, sticht das Objekt \u00fcber die obere Kante der Fassade heraus und \u00fcberstrahlt die urbane Umgebung. Die Aluminiumkonstruktion ist klar nach au\u00dfen gerichtet, wirkt robust und dennoch filigran. Die Skulptur \u201eExtraeck\u201c des K\u00fcnstlerduos L+S<\/a> (Lutz-Rainer M\u00fcller und Stian \u00c5dlandsvik) hebt sich von der sie tragenden Architektur ab, die organischen Formen aus Metall stehen im Kontrast zu den klaren geometrischen Strukturen der fensterlosen Holzfassade. Wie bei einem \u00fcberdimensionierten Kaugummi, der an das Geb\u00e4ude geklebt wurde, kann man an den metallischen Oberfl\u00e4chen deutlich die Abdr\u00fccke von H\u00e4nden und Fingern erkennen.<\/p>\n

Diese Spuren einer gestischen Handbewegung bleiben als gestalterisches Element deutlich erhalten und sind im Produktionsprozess angelegt. Die Skulptur bildet eine grobe, von Hand gefertigte Form aus Tonerde ab, die an einem Architekturmodell im Ma\u00dfstab 1:25 angebracht wurde. Das Modell wurde mit modernen Bildtechniken dreidimensional gescannt und die digitale Form auf die Gr\u00f6\u00dfe der Architektur skaliert. Diese elektronische Version war die Grundlage f\u00fcr die Umsetzung der Skulptur in einzelne Segmente aus Aluminium, die schlie\u00dflich zusammengesetzt an der Fassade angebracht wurden. In diesem Objekt treffen zwei Materialien aufeinander, deren unterschiedliche Eigenschaften sich in Gestalt ihrer Formgebung und Oberfl\u00e4che gegenseitig bedingen. Schwere, grobe Erde wird pr\u00e4zise in schimmerndes Leichtmetall transferiert. Diese Umkehrung von Materialit\u00e4t und Form ist auch ein Verweis auf den T\u00e4tigkeitsbereich des Stra\u00dfenunterhalts, wo die Infrastruktur unter anderem durch das Stopfen von Stra\u00dfenl\u00f6chern mit verschiedenen groben Materialien in Stand gehalten wird. Auf den so geschaffenen Ebenen rollen die Autofelgen aus Leichtmetall.<\/p>\n

Zweidimensionalit\u00e4t und Dreidimensionalit\u00e4t, Masse, Oberfl\u00e4che, Material, Volumen und Kontext sind die Grundparameter aller skulpturalen Objekte. In ihrer Arbeit \u201eExtraeck\u201c spielen Lutz-Rainer M\u00fcller und Stian \u00c5dlandsvik mit diesen Grundbedingungen. Sie wechseln das Material und verbinden eine urspr\u00fcngliche, gestische Formgebung mit Prozessen aus der Hochtechnologie. Durch die dramatische Ver\u00e4nderung der Dimension l\u00f6sen sie die urspr\u00fcngliche Form auf, schaffen neue inhaltliche Bez\u00fcge und erm\u00f6glichen eine andere Wahrnehmung der Details. Zudem nutzen die beiden K\u00fcnstler die bestehende Architektur des Betriebshofs in der G\u00f6rzer Stra\u00dfe als Ort der Pr\u00e4sentation, das Geb\u00e4ude dient als Sockel f\u00fcr ihre skulpturale Intervention. Geb\u00e4ude und Skulptur bedingen sich gegenseitig, ohne das Geb\u00e4ude h\u00e4tte die Skulptur buchst\u00e4blich keinen Halt.<\/p>\n","werk_txt_context":"

Das K\u00fcnstlerduo L+S wurden zur Teilnahme an einem Kunst-am-Bau-Wettbewerb f\u00fcr den Neubau eines Betriebshofes f\u00fcr den Stra\u00dfenunterhalt und das Parkraummanagement in der G\u00f6rzer Stra\u00dfe im 16. Stadtbezirk Ramersdorf-Perlach eingeladen. Ihr k\u00fcnstlerisches Konzept \u201eExtraeck\u201c an der Fassade der s\u00fcd\u00f6stlichen Geb\u00e4udeecke wurde 2021 von der Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum zur Realisierung empfohlen.<\/p>\n","werk_collections":[{"ID":7696,"post_author":"5","post_date":"2025-02-17 18:57:42","post_date_gmt":"2025-02-17 17:57:42","post_content":"","post_title":"QUIVID-Review #2","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quivid-review-2","to_ping":"","pinged":"","post_modified":"2025-04-29 15:58:58","post_modified_gmt":"2025-04-29 13:58:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=collection&p=7696","menu_order":11,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":1,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"L+S (Lutz-Rainer M\u00fcller und Stian \u00c5dlandsvik)","werk_sort_data_category":"Fassadengestaltung,Skulptur \/ Plastik","werk_sort_data_district":"Ramersdorf-Perlach","werk_sort_data_year":"2024","werk_sort_data_access":"\u00f6ffentlich zug\u00e4nglich"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-l-und-s-extraeck-kunst-am-bau-2024-01.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-l-und-s-extraeck-kunst-am-bau-2024-01-768x1152.jpg","artists":[{"name":" L+S (Lutz-Rainer M\u00fcller und Stian \u00c5dlandsvik)","url":"https:\/\/quivid.de\/en\/artist\/ls\/"}],"tax_category":"Fassadengestaltung, Skulptur \/ Plastik","tax_access":"\u00f6ffentlich zug\u00e4nglich","tax_district":"Ramersdorf-Perlach","tax_year":2024,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=7121"}],"version-history":[{"count":14,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7121\/revisions"}],"predecessor-version":[{"id":7740,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7121\/revisions\/7740"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7136"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7129"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7125"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7123"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7127"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7133"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7120"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7122"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=7121"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7121"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7121"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=7121"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=7121"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=7121"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=7121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}