{"id":7058,"date":"2024-08-26T15:02:43","date_gmt":"2024-08-26T13:02:43","guid":{"rendered":"https:\/\/quivid.de\/?p=7058"},"modified":"2025-04-29T15:53:24","modified_gmt":"2025-04-29T13:53:24","slug":"meerblick","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/meerblick\/7058\/","title":{"rendered":"Meerblick"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":7064,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[247,129],"district":[165],"access":[194],"accessibility":[131],"space":[132],"year":[248],"gender":[133],"class_list":["post-7058","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fotografie","category-installation","district-schwabing-freimann","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-aussenraum","year-248","gender-m"],"link_en":"https:\/\/quivid.de\/en\/\/en\/meerblick\/7058","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Etter","werk_artist_surname":"Jon","werk_artist_gender":"m"}],"werk_artists":[{"ID":7057,"post_author":"10","post_date":"2024-08-26 14:04:17","post_date_gmt":"2024-08-26 12:04:17","post_content":"*1972 in Winterthur; lebt und arbeitet in Z\u00fcrich seit 2003\r\n\r\n1996-1999\u00a0 Ausbildung zum Fotografen an der Staatlichen Fachakademie f\u00fcr Fotodesign, M\u00fcnchen\r\n2004\u00a0 Berliner Kulturstipendium der Thurgauer Wirtschaft\r\n\r\nEinzelausstellungen\r\n2005\u00a0 Galerie Marianne Grob, Berlin\r\n2005\u00a0 Kunstmuseum des Kantons Thurgau, Kartause Ittingen, Warth\r\n\r\nGruppenausstellungen (Auswahl)\r\n2015\u00a0 Catch of the Year, Dienstgeb\u00e4ude, Z\u00fcrich\r\n2012\u00a0 Heimspiel, Kunstmuseum, St. Gallen\r\n2010\u00a0 Salon XV, Monat der Fotografie, Wien\r\n2009\u00a0 Heimspiel, Kunstmuseum, St. Gallen\r\n2009\u00a0 Singenkunst 2009, St\u00e4dtisches Kunstmuseum, Singen (Htwl.)\r\n2008\u00a0 Parallele Stadt, Galerie Sch\u00f6nenberger, Kirchberg\/St. Gallen\r\n2008\u00a0 TakeAway III, GalleriaStudio44, Genova\r\n2005\u00a0 Deutschlandbilder, Museum Wiesbaden\r\n2005\u00a0 Swiss Art Award, Basel\r\n2002\u00a0 Swiss Art Award, Basel\r\n2001\u00a0 Visionen in der Architektur, Europ\u00e4ischer Architekturfotografiepreis, Bundeskunsthalle, Bonn\r\n2000\u00a0 Swiss Art Award, Basel\r\n\r\nZUR WEBSEITE DES K\u00dcNSTLERS<\/a>","post_title":"Jon Etter","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jon-etter","to_ping":"","pinged":"","post_modified":"2024-08-26 14:04:42","post_modified_gmt":"2024-08-26 12:04:42","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7057","menu_order":19,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Schwabing-Freimann","werk_location_address":"Kindergarten Haimhauserstra\u00dfe 17, 80802 M\u00fcnchen","werk_location_longitude":"48.1624386480988","werk_location_latitude":"11.5908898497298","werk_material":"Fotografie, Inkjet Druck, Schichtstoffplatte, drei Bildtafeln zu je 125 cm X 187 cm ","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":false,"werk_map":false,"werk_parts":"","werk_institution":"","werk_architect":"Braun Architekten, M\u00fcnchen","werk_architect_landscape":"Clemens Fauth Landschaftsarchitekten, Stadtplaner, Ingenieure, Berg","werk_photograph":"Florian Holzherr","werk_author":"Katrin Bauer","werk_txt_long_en":"

The vast, glittering blue stretches from a wooded sea coast to the distant horizon. A gentle breeze tickles the face. Below us, the sound of the ocean waves; above, screeching seagulls, circling gleefully in the open sky. The air smells of salt and adventure.<\/p>\n

\u201cWhere would we end up if we just started walking straight ahead from here?\u201d Photographer Jon Etter asked himself this very question when he began designing his art in public space project for the new playground and open space in the context of the renovation of the municipal daycare center located at Haimhauser Strasse 17 in Altschwabing. Etter\u2019s photo installation \u201cMeerblick\u201d takes us on a conceptual journey to the so-called \u201cland\u2019s end\u201d i.e., the outermost point of a country that extends into the sea. Consisting of three large-format, virtually seamless landscape photographs, the picture panels \u2014 mounted on a fence \u2014 become carriers of possible stories. They depict a panoramic view of the scenic and rugged Wolin National Park, located not far from the German-Polish border.<\/p>\n

A playground with a view of the sea? Why not! Notably since the Romantic period of painting, the so-called \u201cvista mare\u201d has been a traditional motif among artists, serving as a way to reflect inner emotional worlds and to depict themes such as departure, harmony or the exploration of new challenges. Precisely because the sea is able to reflect the complexity of human experiences in such a comprehensive manner, Etter\u2019s art also acts here as a stimulus for playful contemplation and activity.<\/p>\n

For this, the Swiss artist converted the fence, which functioned as a physical threshold, into a foundation for his site-specific project, thereby transforming his photographic installation into a connecting element that not only eases the boundary between outside and inside but also takes its audience on a journey of discovery to the borders of Europe. Both figuratively and literally, Etter purposely plays with visual fractures: \u201cDisruptions and duplications are certainly desirable, as they create slight irritations and draw the eye to details,\u201d remarks the artist describing his work.<\/p>\n

To circumvent the limitations created by the fence, Etter deliberately established a link to the dynamics of the playground\u2019s adjacent jungle gym. Thus, the children\u2019s perspective is never placed in front of his art; rather, they are always an integral part of it. The photographic panorama not only cuts a metaphorical time frame into the public space; it also encourages children to see things from afar, especially when they are able to look at the work of art whilst playing on the neighbouring climbing tower. By exploring the boundaries of the documentary in terms of perspective, Etter expands the self-contained courtyard into a stage on which contradictions interact, thereby creating a tipping point that inspires the imagination and development of every child.<\/p>\n","werk_img":[{"ID":7067,"id":7067,"title":"quivid-muenchen-jon-etter-meerblick-kunst-am-bau-2024-04","filename":"quivid-muenchen-jon-etter-meerblick-kunst-am-bau-2024-04.jpg","filesize":992600,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-jon-etter-meerblick-kunst-am-bau-2024-04.jpg","link":"https:\/\/quivid.de\/en\/meerblick\/7058\/quivid-muenchen-jon-etter-meerblick-kunst-am-bau-2024-04-2\/","alt":"Das Bild zeigt das Kunstwerk mit dem Namen \u201eMeerblick\u201c von Jon Etter mit spielenden Kindern. Das Kunstwerk besteht aus drei Fotos, die einen Strand mit B\u00e4umen und das Meer zeigen. Das Kunstwerk ist in einer Kindertagesst\u00e4tte in Schwabing in M\u00fcnchen auf dem Spielgel\u00e4nde. 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Von einer bewaldeten Meeresk\u00fcste bis hin zum Horizont erstreckt sich das weite, glitzernde Blau. Ein sanfter Wind kitzelt das Gesicht. Unter uns, das Rauschen der Meereswellen. Dar\u00fcber, kreischende M\u00f6wen, fr\u00f6hlich in der Luft umherkreisend. Es riecht nach Salz und Abenteuer.<\/p>\n

\u201eWo w\u00fcrden wir ankommen, wenn wir von hier aus einfach geradeaus loslaufen w\u00fcrden?\u201c Eben diese Frage stellte sich auch der Fotograf Jon Etter, als er damit begann, sein Kunst-am-Bau-Projekt f\u00fcr den neuen Spiel- und Freiraum im Zuge der Generalinstandsetzung der st\u00e4dtischen Kindertagesst\u00e4tte an der Haimhauser Stra\u00dfe 17 in Altschwabing zu konzipieren. Etters Fotoinstallation \u201eMeerblick\u201c (2024) nimmt uns mit auf eine Gedankenreise, bis zum sogenannten \u201eland\u2019s end\u201c \u2013 dem \u00e4u\u00dfersten Punkt eines Landes, der bis ins Meer ragt. Bestehend aus drei gro\u00dfformatigen, nahezu nahtlos verlaufenden Landschaftsfotografien werden die an einem Zaun montierten Bildtafeln zu Tr\u00e4gern m\u00f6glicher Geschichten. Denn sie zeigen eine Panoramaansicht des malerisch-rau anmutenden Nationalparks Wolin, situiert unweit der deutsch-polnischen Grenze.<\/p>\n

Ein Spielplatz mit Blick aufs Meer? Warum nicht! Insbesondere seit der romantischen Malerei versteht sich der sogenannte \u201evista mare\u201c als ein traditionsreiches Bildmotiv f\u00fcr K\u00fcnstler:innen. Nicht nur um innere Gef\u00fchlswelten wiederzugeben, sondern auch um Themen wie Aufbruch, Harmonie oder die Erforschung neuer Herausforderungen darzustellen. Gerade weil das Meer die Vielschichtigkeit menschlicher Erfahrungen so komplex widerzuspiegeln vermag, agiert Etters Kunstwerk an diesem Standort auch als Impulsgeber f\u00fcr das spielerische Denken und Handeln.<\/p>\n

Den Zaun als physische Schwelle wandelte der Schweizer K\u00fcnstler daf\u00fcr kurzerhand zum Sockel f\u00fcr sein Vorhaben um \u2013 und transformiert seine Fotoinstallation damit zu einem verbindenden Element, das sowohl den Grenzverlauf zwischen Au\u00dfen und Innen aufweicht, wie auch die Rezipient:innen auf eine Entdeckungsreise an die Grenzen Europas mitnimmt. Bildlich wie r\u00e4umlich spielt Etter dabei bewusst mit visuellen Bruchstellen: \u201eBr\u00fcche und Doppelungen sind durchaus w\u00fcnschenswert, da sie kleine Irritationen erzeugen und den Blick auf Details lenken\u201c, so die Worte des K\u00fcnstlers zu seinen Fotografien.<\/p>\n

Um die Begrenzung durch den Zaun zu umgehen, kn\u00fcpft Etter bewusst an die Dynamiken des angrenzenden Kletterturmes auf dem Spielplatz an. Die Perspektive der Kinder wird damit nie vor, sondern immer auch in seine Kunst platziert. Das fotografische Panorama schneidet damit nicht nur ein metaphorisches Zeitfenster in den \u00f6ffentlichen Raum, sondern f\u00f6rdert auch den Weitblick der Kinder \u2013 vor allem, wenn diese auf dem danebenliegenden Kletterturm spielen und auf das Kunstwerk blicken. Indem er die Grenzen des Dokumentarischen perspektivisch auslotet, erweitert Etter den in sich begrenzten Innenhof zu einer B\u00fchne, auf der Widerspr\u00fcchliches aufeinandertreffen darf. Ein Kippmoment, der die Imagination und Entwicklung eines jeden Kindes f\u00f6rdert.<\/p>\n","werk_txt_context":"

Das QUIVID-Kunstwerk \u201eMeerblick\u201c des in Z\u00fcrich lebenden Fotografen Jon Etter entstand f\u00fcr den Kindergarten in der Haimhauserstra\u00dfe 17 im 12. Stadtbezirk Schwabing-Freimann im Rahmen der Generalsanierung und Erweiterung des Geb\u00e4udes. Bei dem Bauvorhaben handelt es sich um ein Projekt der Ausbauoffensive Kindertagesst\u00e4tten. Der K\u00fcnstler wurde von einer durch die Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum erstellten Vorschlagsliste f\u00fcr das Projekt ausgew\u00e4hlt und eingeladen, einen Entwurf speziell f\u00fcr den Schwabinger Kindergarten zu entwickeln und zu realisieren.<\/p>\n","werk_collections":[{"ID":7696,"post_author":"5","post_date":"2025-02-17 18:57:42","post_date_gmt":"2025-02-17 17:57:42","post_content":"","post_title":"QUIVID-Review #2","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quivid-review-2","to_ping":"","pinged":"","post_modified":"2025-04-29 15:58:58","post_modified_gmt":"2025-04-29 13:58:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=collection&p=7696","menu_order":12,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Jon Etter","werk_sort_data_district":"Schwabing-Freimann","werk_sort_data_year":"2024","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_category":"Fotografie,Installation"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-jon-etter-meerblick-kunst-am-bau-2024-06.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-jon-etter-meerblick-kunst-am-bau-2024-06.jpg","artists":[{"name":"Jon Etter","url":"https:\/\/quivid.de\/en\/artist\/jon-etter\/"}],"tax_category":"Fotografie, Installation","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Schwabing-Freimann","tax_year":2024,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=7058"}],"version-history":[{"count":14,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7058\/revisions"}],"predecessor-version":[{"id":7741,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7058\/revisions\/7741"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7063"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7079"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7075"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7073"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7069"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7067"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7057"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7064"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=7058"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7058"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7058"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=7058"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=7058"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=7058"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=7058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}