{"id":6910,"date":"2024-07-12T09:23:57","date_gmt":"2024-07-12T07:23:57","guid":{"rendered":"https:\/\/quivid.de\/?p=6910"},"modified":"2025-04-29T15:54:13","modified_gmt":"2025-04-29T13:54:13","slug":"slang","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/slang\/6910\/","title":{"rendered":"SLANG"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":6915,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[149],"district":[152],"access":[194],"accessibility":[131],"space":[132],"year":[248],"gender":[133],"class_list":["post-6910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wandgestaltung","district-aubing-lochhausen-langwied","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-aussenraum","year-248","gender-m"],"link_en":"https:\/\/quivid.de\/en\/\/en\/slang\/6910","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Schwarzwald","werk_artist_surname":"Christian","werk_artist_gender":"m"}],"werk_artists":[{"ID":6909,"post_author":"10","post_date":"2024-07-10 18:32:42","post_date_gmt":"2024-07-10 16:32:42","post_content":"*1971 in Salzburg, studierte an der Akademie der bildenden K\u00fcnste in Wien und Athen. Seit 2017 Professor an der Akademie der bildenden K\u00fcnste in Wien, lebt und arbeitet in Wien und Berlin.\r\n\r\nChristian Schwarzwald wurde unter anderen mit dem Slavi Soucek Preis, Villa Romana Preis, Goldener F\u00fcgerpreis und dem Senefelder Preis ausgezeichnet. Seine Arbeiten sind in zahlreichen \u00f6ffentlichen und privaten Sammlungen vertreten wie z.B.: Albertina Wien, Museum of Modern Art New York, Museum Liaunig Neuhaus, Belvedere 21 Wien\r\n\r\nEr war in zahlreichen internationalen Ausstellungen vertreten wie z.B: MAK Museum f\u00fcr Angewandte Kunst\/Wien, MUCA Roma\/Mexico City, Museum of Contemporary Art MOCA\/Chengdu, GCA The Galaxy Museum of Contemporary Art\/Chongqing, Kunsthaus N\u00fcrnberg, Ningbo Museum of Art Ningbo, Centre de la gravure, La Louvi\u00e9re, Kunsthaus Potsdam, Belvedere 21 Wien, Museum of Fine Arts\/Sochi, Centro per l`Arte Contemporanea Luigi Pecci\/Prato, Michael Woolworth Editions\/Paris, Galerie Krinzinger\/Wien, Nina Menocal Gallery\/Mexico City, Derek Eller Gallery\/New York, Galerie Ebensperger\/Berlin.\r\n\r\nChristian Schwarzwalds Arbeit verk\u00f6rpert einen weiten Begriff von Grafik: Sie umfasst ebenso die schnelle, einfach gehaltene Skizze und Notiz wie Editionen und Malereien. Seine Arbeiten entwickelt er als Elemente von Ensembles, die in Form von vielteiligen Raumarbeiten und Installationen pr\u00e4sentiert werden. Das Einzelblatt \u2013 als Zeichen \u2013 wird so zur Komponente eines komplexen Zeichensystems. Zeichnung ist die einfachste und direkteste Art der Aufzeichnung. Noch vor jedem auf Konsens beruhenden Zeichensystem beherrschen wir als Kinder die Zeichnung als Ausdrucksmittel. F\u00fcr Christian Schwarzwald bedeutet Zeichnung den Anfang der Beschreibung der Welt schlechthin und erm\u00f6glicht es gerade deswegen, die vielf\u00e4ltigsten Formulierungen in der bildenden Kunst zu entwickeln. Zeichnung h\u00e4lt die Verbindung zu urspr\u00fcnglichen \u201eZeichen\u201c aufrecht, die, ungeachtet ihrer jeweiligen spezifischen Motivation, eine Gemeinschaft voraussetzen, die via uncodierter Aufzeichnung kommuniziert. Zeichnung und Grafik sind mittels dieser Direktheit in der Lage, eine Verbindung mit anderen Formen der K\u00fcnste, Musik, Architektur, Literatur, aber auch Philosophie aufrechtzuerhalten und zu nutzen. Die Zeichnung ist f\u00fcr Christian Schwarzwald ein Kreuzungspunkt, an dem sich verschiedenste Str\u00f6mungen der bildenden Kunst treffen \u2013 ihre Besonderheit und St\u00e4rke liegt gerade darin, diese Verbindungen aktiv zu halten.","post_title":"Christian Schwarzwald","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"christian-schwarzwald","to_ping":"","pinged":"","post_modified":"2024-07-10 18:32:42","post_modified_gmt":"2024-07-10 16:32:42","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6909","menu_order":21,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Aubing-Lochhausen-Langwied","werk_location_address":"Haus f\u00fcr Kinder, Korbmacherweg 20, 81249 M\u00fcnchen","werk_location_longitude":"48.1754691530347","werk_location_latitude":"11.4170644116918","werk_material":"Acrylfarbe auf Beton, 3,5 x 40 m","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":false,"werk_map":false,"werk_parts":"","werk_institution":"","werk_architect":"Christoph Maas Architekturb\u00fcro GmbH, M\u00fcnchen","werk_architect_landscape":"mk.landschaft, M\u00fcnchen","werk_photograph":"Henning Koepke","werk_author":"Barbara Horvath","werk_txt_long_en":"

Fantasy, invention and imagination can create utterly novel things. The visualization of an idea begins with a line. Christian Schwarzwald explores the complexity of perception in networks of lines, dots, circles and color fields. With \u201cSLANG,\u201d an extensive wall painting created especially for the Haus f\u00fcr Kinder on Korbmacherweg in Munich, the Berlin and Vienna-based artist draws on a potentially ambiguous pun. Slang, the unconventional or ironic use of real or made up words not easily recognized by all facets of society, can ensure cohesion within a subculture or community. It is a jargon used not only by graffiti and street art artists; this kind of complex secret code can also be found on the playground.<\/p>\n

\u201cSLANG\u201d invites children (and adults) to immerse themselves in a web, in an interplay of colors and shapes: over wobbly bridges into a lookout tower, from balancing acts to a slide bar on to the next tower; along a wooden ramp, grasping the climbing net, and finally sliding downhill, escaping the immersive cosmos of play. The hand of the homo ludens (Latin for \u201cplaying man\u201d) is able to construct\u2014in jest, in solemnity, in freedom and in pleasure\u2014a multitude of future, but largely fictitious life forms and worlds.<\/p>\n

An airbrush gun extends from Schwarzwald\u2019s hand; it is connected to an imaginary world that stems from the artist\u2019s memory. The network of lines, the overlapping areas of drawings and colors are applied directly onto the 40-meter-long concrete wall. The colors blend into one another like those of a rainbow. The delicate arrangements of floating traces captured on the concrete wall open up a three-dimensional \u2018realm of signs\u2019 for the jungle gym in front of it.<\/p>\n

Drawing is an illusionary act: it creates and conjures, dazzles and transforms that which previously only existed virtually. Schwarzwald\u2019s colorful chimeras depict a utopian idea. Composed of various visual elements, they create an illusion of reality. The human being, the child, can recognize in them trees, geological layers, animals, mythical creatures, monsters, vegetative forms of nature, the sea, clouds, a familiar face or a ghostly apparition. The variations and interpretations are endless. Each time anew, through the skillful use of shading, perspective and details, the artist\u2019s vast mural creates a three-dimensional effect. The depiction is confusing and chaotic and simultaneously hypnotic.<\/p>\n

Christian Schwarzwald\u2019s approach questions what it means to \u00a0create order: How is the world ordered? Is our understanding of the universe invented in language, and how does a child begin to describe the world? The child grows up without knowing any order. Everything is the world to him or her. A line, a stroke can represent this or that, potentially containing everything. A child\u2019s view of the world is indecisive, unfiltered and characterized by a primal anarchy. Gradually, children learn to differentiate, to see the world and, eventually, to divide things into right and wrong. It brings order to the disorder of thoughts.<\/p>\n

According to Aleida Assmann, humans make their environment accessible not only using tools, but also through signs. \u00a0A person is not just a homo faber (a doer), but also a homo interpres (an interpreter) and thus able to \u201cnot only perceive and accept phenomena in the world, but also recognize them as signs and react to them with attempts at interpretation.\u201d[1] Schwarzwald\u2019s \u201cwall of signs and lines\u201d opens up a grandiose scope for interpretation, enabling the child (the human being) not only to see and process the world, but also to understand it. To recognize more in the drawing as well as in the things themselves than what is given at first glance can be seen as a \u201cbasic [human] anthropological disposition.\u201d[2]<\/p>\n

[1] Aleida Assmann, \u201cIm Dickicht der Zeichen\u201d, Berlin, 2015, p. 31
\n[2] Ibid, p. 33<\/p>\n","werk_img":[{"ID":6916,"id":6916,"title":"quivid-muenchen-christian-schwarzwald-slang-kunst-am-bau-2024-01","filename":"quivid-muenchen-christian-schwarzwald-slang-kunst-am-bau-2024-01.jpg","filesize":682947,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-christian-schwarzwald-slang-kunst-am-bau-2024-01.jpg","link":"https:\/\/quivid.de\/en\/slang\/6910\/quivid-muenchen-christian-schwarzwald-slang-kunst-am-bau-2024-01-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-christian-schwarzwald-slang-kunst-am-bau-2024-01-2","status":"inherit","uploaded_to":6910,"date":"2024-07-10 16:41:30","modified":"2024-07-24 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Die Fantasie, die Erfindung und die Imagination k\u00f6nnen etwas hervorbringen, was es noch nicht gibt. Einen Gedanken sichtbar zu machen, beginnt mit der Linie. In einem Netz von Linien, Punkten, Kreisen und Farbfl\u00e4chen erkundet Christian Schwarzwald die Komplexit\u00e4t von Wahrnehmung. Der in Wien und Berlin lebende K\u00fcnstler greift mit \u201eSLANG\u201c, einer eigens f\u00fcr das Haus f\u00fcr Kinder im Korbmacherweg in M\u00fcnchen entstandenen gro\u00dfformatigen Wandzeichnung, auf ein Wortspiel zur\u00fcck, das mehrdeutig gelesen werden kann. Ein \u201eSlang\u201c \u2013 eine saloppe, zum Teil fehlerhafte und zuweilen offenherzige Umgangssprache \u2013 kann f\u00fcr den Zusammenhalt innerhalb einer Subkultur oder Gemeinschaft sorgen. Es ist eine Szenesprache, deren sich nicht nur Graffiti- und Street-Art-K\u00fcnstler:innen bedienen \u2013 diese Art von mehrdimensionalem Geheimcode findet sich auch auf einem Spielplatz.<\/p>\n

\u201eSLANG\u201c ist eine Einladung an Kinder (und Erwachsene), einzutauchen in ein Geflecht, in ein Farben- und Formenspiel: \u00fcber wacklige Br\u00fccken in ein Turmh\u00e4uschen mit Ausguck, von Balancier-Akten zur Rutschstange weiter zum n\u00e4chsten Turm, entlang der h\u00f6lzernen Rampe, sich am Kletternetz festhaltend, endlich bergab gerutscht, dem immersiven Spielkosmos entkommen. Die Hand des Homo ludens<\/em> (ein Spielender) vermag im Spiel, im Ernst, in der Freiheit und im Vergn\u00fcgen alle m\u00f6glichen zuk\u00fcnftigen, meist aber fiktiven Lebensformen oder Welten zu konstruieren.<\/p>\n

Eine Airbrush-Pistole verl\u00e4ngert Christian Schwarzwalds Hand; sie ist verbunden mit einer Vorstellungswelt, die aus dem Ged\u00e4chtnis des K\u00fcnstlers kommt. Das Liniengeflecht, die \u00fcberlappenden Zeichen- und Farbfl\u00e4chen sind direkt auf die 40 Meter lange Betonwand aufgetragen. Die Farben gehen ineinander \u00fcber, wie jene des Regenbogens. Die fragilen Anordnungen von schwebenden Spuren, die auf der Betonwand festgehalten sind, er\u00f6ffnen einen dreidimensionalen \u201eRaum der Zeichen\u201c f\u00fcr das davor gelagerte Kletterger\u00fcst.<\/p>\n

Zeichnen ist ein illusionistischer Akt: Es bringt hervor, es gaukelt, schwindelt und verwandelt, was davor nur virtuell existiert hat. Seine farbigen Chim\u00e4ren zeigen eine utopische Idee. Zusammengesetzt aus verschiedenen visuellen Elementen, erzeugen sie eine Illusion von Realit\u00e4t. Der Mensch, das Kind vermag darin B\u00e4ume, geologische Schichten, Tiere, Fabelwesen, Monster, vegetative Formen der Natur, das Meer, die Wolken, ein vertrautes Gesicht oder eine gespensterhafte Erscheinung erkennen. Die Spiel- und Lesarten sind unendlich. Jedes Mal aufs Neue und durch die geschickte Verwendung von Schattierungen, von Perspektive und Details erzeugt Christian Schwarzwalds gro\u00dffl\u00e4chige Wandzeichnung eine dreidimensionale Wirkung. Die Darstellung ist verwirrend und ungeordnet und \u00fcbt zugleich eine hypnotische Faszination aus.<\/p>\n

Christian Schwarzwalds Denken stellt das zu Ordnende infrage: Wie ist die Welt geordnet? Wird in der Sprache unser Verst\u00e4ndnis vom Universum erfunden? Wie f\u00e4ngt das Kind an, die Welt zu beschreiben? Das Kind w\u00e4chst auf, ohne eine Ordnung zu kennen. Alles ist ihm Welt. Eine Linie, ein Strich kann dieses oder jenes darstellen, potenziell ist darin alles enthalten. Seine Sicht auf die Welt ist unentschlossen, ungefiltert und von einer urspr\u00fcnglichen Anarchie gepr\u00e4gt. Allm\u00e4hlich lernt es zu unterscheiden, lernt die Welt zu sehen, in richtig und falsch einzuteilen. Es bringt Ordnung in die Unordnung der Gedanken.<\/p>\n

Aleida Assmann zufolge erschlie\u00dft sich der Mensch seine Umwelt nicht allein mittels Werkzeuge, sondern auch durch Zeichen. Der Mensch ist nicht blo\u00df Homo faber<\/em> (ein T\u00e4tiger), sondern auch Homo interpres<\/em> (ein Deutender) und dadurch in der Lage, \u201eErscheinungen der Welt nicht nur wahr- und hinzunehmen, sondern auch als zeichenhaft zu erkennen und auf sie mit Deutungsversuchen zu reagieren\u201c.[1] Christian Schwarzwalds \u201eWand der Zeichen und Linien\u201c \u00f6ffnet grandiose Deutungsspielr\u00e4ume, die das Kind (den Menschen) dazu bef\u00e4higen, die Welt nicht nur zu sehen und zu bearbeiten, sondern auch zu verstehen. Sowohl in der Zeichnung als auch in den Dingen selbst mehr zu erkennen als das, was auf den ersten Blick gegeben ist, l\u00e4sst sich als eine \u201eanthropologische Grunddisposition\u201c[2] des Menschen betrachten.<\/p>\n

[1] Aleida Assmann, \u201eIm Dickicht der Zeichen\u201c, Berlin 2015, S. 31.
\n[2] Ebd., S. 33.<\/p>\n","werk_txt_context":"

Das QUIVID-Kunstwerk \u201eSLANG\u201c des in Wien und Berlin lebenden K\u00fcnstlers Christian Schwarzwald entstand f\u00fcr den Neubau des Haus f\u00fcr Kinder im Korbmacherweg 20 im Stadtbezirk 22 Aubing-Lochhausen-Langwied. Bei dem Bauvorhaben handelt es sich um ein Projekt der Ausbauoffensive Kindertagesst\u00e4tten. Der K\u00fcnstler wurde von einer Vorschlagsliste der Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum f\u00fcr das Projekt ausgew\u00e4hlt und eingeladen, einen Entwurf f\u00fcr das Geb\u00e4ude zu entwickeln und zu realisieren.<\/p>\n","werk_collections":[{"ID":7696,"post_author":"5","post_date":"2025-02-17 18:57:42","post_date_gmt":"2025-02-17 17:57:42","post_content":"","post_title":"QUIVID-Review #2","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quivid-review-2","to_ping":"","pinged":"","post_modified":"2025-04-29 15:58:58","post_modified_gmt":"2025-04-29 13:58:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=collection&p=7696","menu_order":12,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Christian Schwarzwald","werk_sort_data_district":"Aubing-Lochhausen-Langwied","werk_sort_data_year":"2024","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_category":"Wandgestaltung"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-christian-schwarzwald-slang-kunst-am-bau-2024-01-1280x854.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-christian-schwarzwald-slang-kunst-am-bau-2024-01-768x512.jpg","artists":[{"name":"Christian Schwarzwald","url":"https:\/\/quivid.de\/en\/artist\/christian-schwarzwald\/"}],"tax_category":"Wandgestaltung","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Aubing-Lochhausen-Langwied","tax_year":2024,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=6910"}],"version-history":[{"count":16,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6910\/revisions"}],"predecessor-version":[{"id":7744,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6910\/revisions\/7744"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6918"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6914"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6924"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6920"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6922"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6916"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6915"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=6910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=6910"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=6910"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=6910"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=6910"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=6910"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=6910"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=6910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}