{"id":6876,"date":"2024-07-19T10:48:11","date_gmt":"2024-07-19T08:48:11","guid":{"rendered":"https:\/\/quivid.de\/?p=6876"},"modified":"2025-04-29T15:53:50","modified_gmt":"2025-04-29T13:53:50","slug":"underscape","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/underscape\/6876\/","title":{"rendered":"Underscape"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":6887,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[129,138],"district":[184],"access":[194],"accessibility":[131],"space":[145],"year":[248],"gender":[137],"class_list":["post-6876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-installation","category-skulptur-plastik","district-thalkirchen-obersendling-forstenried-fuerstenried-solln","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-innenraum","year-248","gender-w"],"link_en":"https:\/\/quivid.de\/en\/\/en\/underscape\/6876","acf":{"werk_qv_id":"","werk_artist":[{"werk_artist_name":"Creimer","werk_artist_surname":"Georgia","werk_artist_gender":""}],"werk_artists":[{"ID":6874,"post_author":"10","post_date":"2024-07-10 09:51:09","post_date_gmt":"2024-07-10 07:51:09","post_content":"1964 in S\u00e3o Paulo, Brasilien geboren und aufgewachsen, ist Georgia Creimer kurz nach ihrem Kunststudium und ihrer ersten Einzelausstellung in S\u00e3o Paulo 1986 nach Wien gekommen, wo sie seitdem lebt und arbeitet. Ihr Ouvre erstreckt sich von Zeichnung, Malerei, Foto, Film und Skulptur bis zur raumgreifenden Installation.\r\n\r\nEinzel- und Gruppenausstellungen (Auswahl bis 2024)\r\n\r\n2024\r\nR\u00e4ume \u00f6ffnen! Die Sammlungen, Museum der Moderne, Salzburg\r\n2022\r\n\u201eUntitled (for Leopoldina)\u201c, Installation im Porzellanmuseum Augarten im Rahmen der Ausstellung \u201eLEOPOLDINA. Furchtlos nach Rio\u201c , Wien (Einzelpr\u00e4sentation)\r\n2019\r\n\u201eDer Diskrete Charm des Monstr\u00f6sen\u201c, Galerie Rauminhalt, Wien (Einzelausstellung)\r\n\u201eDiscreet Austrian Secrets\u201c, The Galaxy Museum of Contemporary Art, Chongqing, China (artist in residence)\r\n2017\r\n\u201egeorgia creimer incorporado\u201c, Atelierhaus der Akademie der bildenden K\u00fcnste Wien (ehemaliges Semperdepot) im Rahmen von \u201ewir zeigen\u201c, 2017 (Einzelausstellung)\r\n2016\r\n\u201eLiquid:Morph\u201c, mit Thomas Reinhold, Art Room W\u00fcrth, B\u00f6heimkirchen\r\n2015\r\n\u201eder schwierige raum\u201c, mit Ernst Caramelle, Isa Melsheimer, Christiane Reiter, Heimo Zobernig, Siggi Hofer, Michael Kienzer, Olaf Nicolai, Kunsthaus M\u00fcrz\r\n2014\r\n\u201eBrut\u201c, tempor\u00e4re Installation, Kunstraum Weikendorf, Weikendorf\r\n\u201eAll these signs ... Overwriting the subject\u201c, mit Iris Andraschek, GalerieRaum mit Licht, Wien\r\n2013\r\n\u201eFlowers & Mushrooms\u201c, Museum der Moderne, Salzburg\r\n2007\r\n\u201eSimultan - zwei Sammlungen \u00f6sterreichischer Fotografie\u201c, Fotomuseum Winterthur, Schweiz\r\n2002\r\n\u201eNaturezas\u201c, Galerie Brito Cimino, S\u00e3o Paulo, Brasilien\r\n1995\r\n\u201eGeorgia Creimer\u201c, Galeria Luisa Strina, S\u00e3o Paulo, Brasilien\r\n1994\r\n\u201eEspelhos e Sombras\u201d, Museum of Modern Art (MAM), S\u00e3o Paulo, Brasilien\r\n1992\r\n\u201eGeorgia Creimer\u201c, Museu de Arte Moderna (MAM), S\u00e3o Paulo, Brasilien (Einzelausstellung)\r\n1991\r\n\u201eGeorgia Creimer\u201c, Secession, Wien (Einzelausstellung)\r\n1987\r\n\u201e19. Bienale\u201d, S\u00e3o Paulo, Brasilien\r\n\r\nProjekte im \u00f6ffentlichen Raum (Auswahl bis 2024)\r\n\r\n2021\r\n\u201eO.T. (for Karlsplatz)\u201c, U-Bahn Intervention, Red Carpet Showroom Karlsplatz, U-Bahnstation Karlsplatz, Wien\r\n2019\r\n\u201ePsychogenics V\u201c, Tempor\u00e4re Wandinstallation, Konzilged\u00e4chtniskirche, Wien\r\n2012\r\n\u201eEin Wohnen\u201c, permanente Installation f\u00fcr das 3. Olympische Dorf in Innsbruck\r\n2011\r\n\u201eIntimate Space\u201c, permanente Installation f\u00fcr das 3. Olympische Dorf in Innsbruck\r\n2009\r\n\u201eOn Stones\u201c, permanente Installation f\u00fcr die Universit\u00e4ts- und Landesbibliothek Tirol, Innsbruck\r\n2008\r\n\u201eGeliehene Landschaft\u201d, tempor\u00e4re Installation, Lunz am See\r\n2005\r\n\u201eHands on Tables\u201c, Permanente Installation, Winzer Krems, Krems\r\n1999\r\n\u201eWir sind es, wir sind es wirklich!\u201c, Kunsthof, Z\u00fcrich\r\n\r\nAlle Informationen und Werke der K\u00fcnstlerin finden Sie hier<\/a>.","post_title":"Georgia Creimer","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"georgia-creimer","to_ping":"","pinged":"","post_modified":"2024-07-10 09:53:29","post_modified_gmt":"2024-07-10 07:53:29","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6874","menu_order":26,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Thalkirchen-Obersendling-Forstenried-F\u00fcrstenried-Solln","werk_location_address":"Thomas-Mann-Gymnasium, Gmunder Stra\u00dfe 45, 81379 M\u00fcnchen","werk_location_longitude":"48.0975270523024","werk_location_latitude":"11.5243222072447","werk_material":"In Zusammenarbeit mit Martin Stenger
\r\nK\u00fcnstlerische Gestaltung der unterirdischen Fahrradgarage: 450 Fahrradst\u00e4nder aus 225 raumhohen und teillackierten Edelstahlrohren von 8 cm Durchmesser mit daran montierten Edelstahlringen","werk_technical_data":"","werk_technical_data_en":"","werk_client":"Landeshauptstadt M\u00fcnchen, Baureferat","werk_visibility":false,"werk_map":false,"werk_parts":"","werk_institution":"","werk_architect":"h4a Architekten, M\u00fcnchen","werk_architect_landscape":"realgr\u00fcn Landschaftsarchitekten M\u00fcnchen","werk_photograph":"G\u00fcnter Richard Wett (und Video)","werk_author":"Patricia Grzonka","werk_txt_long_en":"

The underground bicycle garage of the Thomas-Mann-Gymnasium in Munich-Sendling provides space for 450 bicycles. It is accessed via a gently sloping, roughly 40-meter long ramp, which leads down from the outdoor space into a tunnel\u2014also ca. 40 meters long\u2014which then opens onto the 1000 square meter area with the bicycle parking spaces.<\/p>\n

The artistic design for this architectural situation includes the access path (ramp and tunnel) and the garage. The artist Georgia Creimer, in collaboration with the architect Martin Stenger, has created a spatial scenario that refers to the surrounding landscape, resulting in a contrast to both the urban location and setting. Inspired by a photograph of a forest which opens onto a broad meadow and is covered by a cloud-filled sky of various shades of blue, the artist developed a color concept based on ten different hues of green and blue, the basis of the project\u2019s color scheme. The silhouette of the forest has been abstracted into a gentle wave movement traversing the side walls of the access path. The lower part of this silhouette and the pavement are characterized by green, while the blue gives the illusion of a horizon above the green on the wall and ceiling. The aim was to transform the flowing movement of cycling into a dynamic spatial and visual experience.<\/p>\n

The same hues reappear in a similarly curved color gradient in the bicycle garage, where the parking poles have been painted at different heights. The positioning of the 225 ceiling-high metal bars recalls the image of trailing curves on a bicycle; these are created by the dissimilar rotating radius of the axles of the front and rear wheels, a phenomenon easily recognizable in the snow, for example. The poles were arranged in a curved path, which leads to the exits and structures the space. Students can navigate here as if they are traveling on different \u201cavenues.\u201d The poles respond to the color of the driveway, while the floor is a uniform yellow-green. The bicycles can be attached to a metal ring from two sides; thus, the bike spaces are easily accessible, and there is enough space between the wheels to accommodate both the bike rider and the bike.<\/p>\n

With \u201cUnderscape,\u201d Georgia Creimer and Martin Stenger have created an overall architectural and artistic design that represents a convincing implementation of the structural requirements in terms of both the physical design of the bicycle parking spaces and the spatial design and management of the bike paths. The space\u2019s refined and spacious atmosphere barely reveals the meticulous planning and detailed execution behind it. The aesthetically highly-sensitive design of the bicycle racks, which are an in-house creation, combines practical and sophisticated design with the requirements of robustness and safety. Through the conceptual inclusion of nature, the \u201cdepth\u201d or \u201crecess\u201d of the garage is understood as part of an organic environment.<\/p>\n","werk_img":[{"ID":6905,"id":6905,"title":"GC-Undrescape-720p","filename":"gc-undrescape-720p.mp4","filesize":87235273,"url":"https:\/\/quivid.de\/wp-content\/uploads\/gc-undrescape-720p.mp4","link":"https:\/\/quivid.de\/en\/underscape\/6876\/gc-undrescape-720p-2\/","alt":"","author":"10","description":"","caption":"","name":"gc-undrescape-720p-2","status":"inherit","uploaded_to":6876,"date":"2024-07-10 09:00:46","modified":"2024-07-10 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Die unterirdische Fahrradgarage im Thomas-Mann-Gymnasium<\/a> in M\u00fcnchen-Sendling bietet Platz f\u00fcr 450 Fahrr\u00e4der. Sie wird \u00fcber eine flach geneigte, ca. 40 Meter lange Rampe erreicht, die vom Freien nach unten f\u00fchrt und in einen ebenfalls ca. 40 Meter langen Tunnel \u00fcbergeht. Danach \u00f6ffnet sich der 1000 qm gro\u00dfe Raum mit den Fahrradabstellpl\u00e4tzen.<\/p>\n

Der k\u00fcnstlerische Entwurf f\u00fcr diese architektonische Situation bezieht sowohl die Zufahrt (Rampe und Tunnel) als auch die Garage mit ein. Die K\u00fcnstlerin Georgia Creimer<\/a> hat zusammen mit Martin Stenger, der seinen Architektur-Hintergrund eingebracht hat, ein r\u00e4umliches Szenario geschaffen, das einen Landschaftsbezug aufweist und damit einen Kontrast zum urbanen Standort und zur st\u00e4dtischen Umgebung bildet. Ausgehend von einer Fotografie mit einem Wald, vor dem sich eine Wiese erstreckt und der von einem Himmel in unterschiedlichen Blaut\u00f6nen und Wolken \u00fcberw\u00f6lbt ist, entwickelte die K\u00fcnstlerin ein auf jeweils zehn verschiedenen Gr\u00fcn- und Blaut\u00f6nen basierendes Farbkonzept, das die Grundlage der farblichen Gestaltung des Projektes bildet. Die Silhouette des Waldes wurde zu einer sanften Wellenbewegung abstrahiert, welche die Seitenw\u00e4nde der Zufahrt bedeckt. Der untere Teil dieser Silhouette und der Boden nehmen die Farbe Gr\u00fcn auf, w\u00e4hrend das Blau die Illusion von Horizont \u00fcber dem Gr\u00fcn an Wand und Decke wiedergibt. Ziel war es, den flie\u00dfenden Bewegungsablauf des Radfahrens in eine dynamische Raum- und Farberfahrung zu transformieren.<\/p>\n

Die gleichen T\u00f6ne werden in einem ebenfalls kurvigen Farbverlauf auch in der Fahrradgarage selbst durch die in unterschiedlichen H\u00f6henstufen angebrachte Bemalung der Abstellstangen aufgenommen. Die Platzierung der 225 deckenhohen Metallstangen folgt dem Bild von Schleppkurven beim Fahrrad, die durch den jeweils unterschiedlichen Drehradius der Achsen des Vorder- und Hinterrads entstehen, und die beispielsweise in dieser Charakteristik im Schnee sehr gut erkennbar sind. So wurden die Stangen kurvenf\u00f6rmig angeordnet, leiten zu den Ausg\u00e4ngen und strukturieren den Raum. Wie durch verschiedene \u201eAlleen\u201c k\u00f6nnen sich die Sch\u00fcler:innen hier bewegen. Die Stangen nehmen die Farbigkeit der Zufahrt auf, w\u00e4hrend der Boden ein einheitliches Gr\u00fcngelb aufweist. Die Fahrr\u00e4der k\u00f6nnen von zwei Seiten an einem Metallring angeschlossen werden; die Stellpl\u00e4tze sind dadurch bequem zug\u00e4nglich, und zwischen den R\u00e4dern besteht gen\u00fcgend Platz, um sich und das Bike zu positionieren.<\/p>\n

Mit \u201eUnderscape\u201c haben Georgia Creimer und Martin Stenger einen architektonisch-k\u00fcnstlerischen Gesamtentwurf geschaffen, der sowohl in der konstruktiven Konzipierung der Fahrradstellpl\u00e4tze als auch in der r\u00e4umlichen Gestaltung und Leitung der Fahrwege eine \u00fcberzeugende Umsetzung der baulichen Ma\u00dfgaben darstellt. Die edle und luftig wirkende Raumatmosph\u00e4re l\u00e4sst die dahinterstehende minuti\u00f6se Planung und Detailausf\u00fchrung nur erahnen. Die \u00e4sthetisch hochsensible Ausf\u00fchrung der Fahrradst\u00e4nder, die ein Eigenentwurf sind, vereint praktisches und formsch\u00f6nes Design mit den Anforderungen von Robustheit und Sicherheit. Durch den konzeptionellen Einbezug der Natur wird die \u201eTiefe\u201c der Garage als Teil einer organischen Umwelt begriffen.<\/p>\n

Georgia Creimer wurde 1964 in S\u00e3o Paulo, Brasilien, geboren, wo sie auch eine Kunstausbildung absolvierte. Nach dem Studium \u00dcbersiedlung nach \u00d6sterreich. Sie lebt als freie K\u00fcnstlerin seit 1986 in Wien. In Kooperation mit Martin Stenger, der ebenfalls in Wien lebt, sind bisher mehrere gro\u00dfangelegte Kunst-am-Bau-Projekte entstanden, darunter diejenigen f\u00fcr das 3. Olympische Dorf Innsbruck und f\u00fcr die Universit\u00e4ts- und Landesbibliothek Innsbruck.<\/p>\n","werk_txt_context":"

Die K\u00fcnstlerin Georgia Creimer wurde eingeladen, einen k\u00fcnstlerischen Entwurf im Rahmen eines Kunst-am-Bau-Wettbewerbs f\u00fcr den Neubau des sechsz\u00fcgigen Thomas-Mann-Gymnasiums an der Gmunder Stra\u00dfe mit Dreifachsporthalle, Fahrradgarage und Tiefgarage zu entwickeln. Ihr k\u00fcnstlerisches Konzept \u201eUnderscape\u201c f\u00fcr die unterirdische Fahrradgarage wurde 2020 von der Kommission f\u00fcr Kunst am Bau und im \u00f6ffentlichen Raum ausgew\u00e4hlt.<\/p>\n","werk_collections":[{"ID":7696,"post_author":"5","post_date":"2025-02-17 18:57:42","post_date_gmt":"2025-02-17 17:57:42","post_content":"","post_title":"QUIVID-Review #2","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"quivid-review-2","to_ping":"","pinged":"","post_modified":"2025-04-29 15:58:58","post_modified_gmt":"2025-04-29 13:58:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=collection&p=7696","menu_order":11,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":1,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_artists":"Georgia Creimer","werk_sort_data_category":"Installation,Skulptur \/ Plastik","werk_sort_data_district":"Thalkirchen-Obersendling-Forstenried-F\u00fcrstenried-Solln","werk_sort_data_year":"2024","werk_sort_data_access":"auf Anfrage zug\u00e4nglich"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-georgia-creimer-underscape-kunst-am-bau-2024-01-1280x960.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-georgia-creimer-underscape-kunst-am-bau-2024-01-768x576.jpg","artists":[{"name":"Georgia Creimer","url":"https:\/\/quivid.de\/en\/artist\/georgia-creimer\/"}],"tax_category":"Installation, Skulptur \/ Plastik","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Thalkirchen-Obersendling-Forstenried-F\u00fcrstenried-Solln","tax_year":2024,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=6876"}],"version-history":[{"count":19,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6876\/revisions"}],"predecessor-version":[{"id":7743,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6876\/revisions\/7743"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6882"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6890"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6878"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6888"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6884"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6905"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6874"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6887"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=6876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=6876"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=6876"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=6876"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=6876"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=6876"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=6876"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=6876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}