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Wo bin ich zuhause? Will ich in Australien leben? Wie s\u00e4he ich die Welt, wenn ich in Afrika geboren worden w\u00e4re? Fragen nach der eigenen Herkunft, nach pers\u00f6nlichen wie kollektiven Bezugspunkten gewinnen in der Zeit des Heranwachsens an Bedeutung \u2013 und sind das zentrale Thema des Kunstprojekts: Der eigene Himmel jedes jungen Menschen, die eigene Welt, die es zu erschaffen gilt.<\/p>\n

Sieben gro\u00dfe Leuchtringe, an ausgew\u00e4hlten Standorten der Schule in die Decken eingebracht, zeigen fotografische Rundbilder, die jeweils auf einem anderen Erdteil entstanden sind, in Asien, Afrika, Nord- und S\u00fcdamerika, Australien, Europa und in der Antarktis. Den Bildern gemeinsam ist ihre Perspektive, denn sie sind mit dem Blick in den Himmel aufgenommen, so dass an der unteren Bildkante lediglich Hausd\u00e4cher, Turmspitzen oder Baumwipfel erscheinen, der Boden aber unsichtbar bleibt. Dieser erg\u00e4nzt sich f\u00fcr die Betrachter, die unter den Leuchtringen stehen und nach oben schauen.<\/p>\n

Der erste Leuchtring findet sich im Eingangsbereich und zeigt den Himmelsausschnitt \u00fcber der Schule \u2013 Moosach als Panoramaansicht \u201eEuropa\u201c. Mit ihren sozialen Netzwerken halfen die Sch\u00fclerinnen und Sch\u00fcler, die Motive f\u00fcr die sechs weiteren Himmelspanoramen zu finden und trugen so zur Vervollst\u00e4ndigung des Kunstwerks bei. Die sieben Kuppeln, die an die Deckenbilder des Barockzeitalters erinnern, bilden jetzt Orientierungspunkte im schulischen Alltag und gleichsam Ausblicke in eine eigene, weltoffene Zukunft.<\/p>\n","werk_txt_long_en":"

Where do I feel at home? Do I want to live in Australia? How would I view the world if I\u2019d been born in Africa? While growing up, questions about one\u2019s own origins, or about personal and collective benchmarks gain meaning\u2014and this is the main theme of this art project: how young people create their own individual heavens, their own individual worlds.<\/p>\n

Seven large rings of light placed in the ceilings of selected locations at the school display round photographs, each one taken at a different place around the world, in Asia, Africa, North and South America, Australia, Europe, and Antarctica. What the pictures have in common is their perspective: they are all skyward views, so that at the lower edges of the photos only the roofs of houses, or the tops of towers or trees can be seen, while the ground remains unseen. This complements the perspective of viewers as they stand beneath the rings of light, looking up.<\/p>\n

The first ring of light is in the entrance area and features a detail of the sky above the school\u2014Moosach as the panoramic view of \u201cEurope.\u201d The students contributed to the work by using their social networks to help find the motifs for the other six sky panoramas. The seven domes, reminiscent of Baroque ceiling murals, are now orientation points in everyday life at the school, and at the same time, they look out toward their own cosmopolitan future.<\/p>\n","werk_collections":false,"werk_sort_data_artists":"Empfangshalle","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_year":"2018","werk_sort_data_category":"Installation,Skulptur \/ Plastik","werk_sort_data_district":"Moosach"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-empfangshalle-sieben-kontinente-kunst-am-bau-2018-04.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-empfangshalle-sieben-kontinente-kunst-am-bau-2018-04.jpg","artists":[{"name":" Empfangshalle","url":"https:\/\/quivid.de\/en\/artist\/empfangshalle\/"}],"tax_category":"Installation, Skulptur \/ Plastik","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Moosach","tax_year":2018,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/3595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=3595"}],"version-history":[{"count":8,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/3595\/revisions"}],"predecessor-version":[{"id":6195,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/3595\/revisions\/6195"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5512"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5511"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5510"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5508"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5509"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1131"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/3597"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=3595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=3595"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=3595"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=3595"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=3595"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=3595"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=3595"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=3595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}