{"id":3560,"date":"2022-08-30T14:48:10","date_gmt":"2022-08-30T12:48:10","guid":{"rendered":"https:\/\/quivid.de\/?p=3560"},"modified":"2024-06-07T13:19:42","modified_gmt":"2024-06-07T11:19:42","slug":"sitzen-bleiben-sitzenbleiben","status":"publish","type":"post","link":"https:\/\/quivid.de\/en\/sitzen-bleiben-sitzenbleiben\/3560\/","title":{"rendered":"Sitzen Bleiben \/ Sitzenbleiben"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":3565,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[168],"district":[144],"access":[194],"accessibility":[131],"space":[132],"year":[221],"gender":[137],"class_list":["post-3560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-platzgestaltung","district-laim","access-auf-anfrage-zugaenglich","accessibility-barrierefrei-zugaenglich","space-aussenraum","year-221","gender-w"],"link_en":"https:\/\/quivid.de\/en\/\/en\/sitzen-bleiben-sitzenbleiben\/3560","acf":{"werk_qv_id":"312","werk_artist":[{"werk_artist_name":"Erkmen","werk_artist_surname":"Ay\u015fe","werk_artist_gender":"w"}],"werk_artists":[{"ID":3802,"post_author":"7","post_date":"2022-11-19 14:45:22","post_date_gmt":"2022-11-19 13:45:22","post_content":"1949 geboren in Istanbul, lebt und arbeitet in Berlin und Istanbul.\r\n\r\nEinzelausstellungen (Auswahl)\r\n\r\n2021 scrolling, Galerie Barbara Weiss, Berlin\r\n2020 EINS, ZWEI, DREI, Kunsthalle Vogelmann, Heilbronn\r\n2019 Whitish, Arter Museum, Istanbul\r\n2015 A, Ay\u015fe Erkmen und Ann Veronica Janssens, S.M.A.K., Gent\r\n2013 Ay\u015fe Erkmen: Intervals, The Barbican, London\r\n\r\nGruppenausstellungen (Auswahl)\r\n\r\n2017 Displacements\/ Entortungen, Museum der bildenden K\u00fcnste, Leipzig\r\n2016 Uncertain States\/ K\u00fcnstlerisches Handeln in Ausnahmezust\u00e4nden, Akademie der K\u00fcnste Berlin\r\nArt and Alphabet, Hamburger Kunsthalle, Hamburg\r\n2015 Strange Pilgrims, The Contemporary Art Museum, Austin, USA\r\nImaginary Audience Scale, Artspace, Auckland, Neuseeland\r\n2014 A History. Art, Architecture, Design from the 1980s until today, Centre Pompidou, Paris\r\n2011 54. Biennale Venedig, T\u00fcrkischer Pavillon\r\n2001 Museum Friedericianum Kassel, Berlin Biennale\r\n2000 Kwangju Biennale\r\n1989, 1995, 2013 Teilnahme an der Internationalen Istanbul Biennale\r\n\r\nwww.ayseerkmen.com<\/a>","post_title":"Ay\u015fe Erkmen","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"erkmen-ayse","to_ping":"","pinged":"","post_modified":"2023-04-21 15:08:36","post_modified_gmt":"2023-04-21 13:08:36","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=3802","menu_order":66,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_location_district":"Laim","werk_location_address":"Grund- und Mittelschule an der Schrobenhausener Stra\u00dfe 15-17, 80686 M\u00fcnchen","werk_location_longitude":"48.1369206973883","werk_location_latitude":"11.5124575092922","werk_material":"Eingef\u00e4rbter Beton, verschiedene Gr\u00f6\u00dfen","werk_technical_data":"","werk_technical_data_en":"Colored concrete, various sizes","werk_client":"LH M\u00fcnchen, Baureferat","werk_year":"2020","werk_visibility":true,"werk_map":true,"werk_parts":"mehrteilig","werk_institution":"Grund- und Mittelschule in der Schrobenhausener Stra\u00dfe","werk_architect":"Schwinde Architekten, M\u00fcnchen","werk_architect_landscape":"k\u00fcbertlandschaftsarchitektur, M\u00fcnchen","werk_photograph":"Florian Holzherr","werk_author":"Cornelia Gockel","werk_img":[{"ID":5498,"id":5498,"title":"quivid-kunst-am-bau-ayse-erkmen-sitzenbleiben-muenchen-2020","filename":"quivg98.jpg","filesize":1343665,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivg98.jpg","link":"https:\/\/quivid.de\/en\/quivg98-2\/","alt":"","author":"5","description":"","caption":"","name":"quivg98-2","status":"inherit","uploaded_to":0,"date":"2022-08-30 12:28:23","modified":"2022-08-30 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Sitzenbleiben m\u00f6chte eigentlich niemand in der Schule. Aber mit Ay\u015fe Erkmens Installation k\u00f6nnte das ganz anders aussehen. Sie hat f\u00fcr die Erweiterung der Grund- und Mittelschule an der Schrobenhausener Stra\u00dfe sechs eigenst\u00e4ndige Skulpturen geschaffen, die als B\u00e4nke zum Verweilen in den Pausen einladen. Spielerisch ist nicht nur der Titel, in dem sie auf die unterschiedlichen Wortbedeutungen von \u201eSitzen bleiben\u201c und \u201eSitzenbleiben\u201c verweist, sondern auch die Formen. Sie erinnern an die bunten Holzbaukl\u00f6tze aus Kindertagen. Erkmen hat die gelben und orangen Elemente aus durchgef\u00e4rbtem Beton geschaffen und sich in der Farbgebung an der bestehenden Architektur orientiert. Dabei handelt es sich um einen Entwurf des Architekten Sep Ruf aus den 1950er Jahren, der ein bedeutender Architekt der Nachkriegszeit in Deutschland war.<\/p>\n

Als Aufstellungsort hat Erkmen den Zwischenraum von Schule und Sporthalle gew\u00e4hlt, den die Landschaftsarchitekt:innen mit B\u00e4umen als Boulevard gestaltet haben. Erkmens sechs B\u00e4nke f\u00fcgen sich als freie geometrische Formen in rhythmischer Gliederung zwischen den Geb\u00e4udeteilen ein und setzen farbige Akzente. Durch die formale Vielfalt bieten sie den Sch\u00fcler:innen unterschiedliche Nutzungsm\u00f6glichkeiten. Mit ihrer k\u00fcnstlerischen Setzung greift Erkmen vorgegebene Strukturen auf, lenkt den Blick auf \u00dcbersehenes und Vergessenes und schl\u00e4gt Br\u00fccken zwischen Vergangenheit und Gegenwart.<\/p>\n","werk_txt_long_en":"

Nobody really wants to stay behind at school. But with Ays\u0327e Erkmen\u2019s installation that might be completely different. For the new wing of the elementary and middle school on Schrobenhausener Strasse, she created six independent sculptures that double as benches, inviting people to sit during recess. The German title is a play on the words sitzen bleiben (\u201cstaying seated\u201d) and Sitzenbleiben (having to repeat a year of school).<\/p>\n

But the shapes of the sculptures themselves are also playful. They recall the colorful wooden blocks from childhood. Erkmen made the yellow and orange components out of colored concrete, basing their color scheme on the existing architecture. The building was designed in the 1950s by the architect Sep Ruf, one of Germany\u2019s most important architects during the post-war years.<\/p>\n

Erkmen chose the space in between the school and the gym as the site, which was designed like a boulevard with trees by the landscape architects. Setting a colorful accent, Erkmen\u2019s six benches fit in between the two like independent geometrical forms in a rhythmic arrangement. The diversity of their shapes means that there are different possible ways for the students to use them. With her artistic setting, Erkman picks up on existing structures, guides the eye to things overlooked and forgotten, and builds bridges between the past and the present.<\/p>\n","werk_collections":false,"werk_sort_data_artists":"Ay\u015fe Erkmen","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_year":"2020","werk_sort_data_category":"Platzgestaltung","werk_sort_data_district":"Laim","werk_txt_context":""},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivg98.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivg98.jpg","artists":[{"name":"Ay\u015fe Erkmen","url":"https:\/\/quivid.de\/en\/artist\/erkmen-ayse\/"}],"tax_category":"Platzgestaltung","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Laim","tax_year":2020,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/3560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=3560"}],"version-history":[{"count":13,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/3560\/revisions"}],"predecessor-version":[{"id":6794,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/3560\/revisions\/6794"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5502"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5499"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5498"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/3802"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/3565"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=3560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=3560"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=3560"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=3560"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=3560"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=3560"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=3560"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=3560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}