F\u00fcr den M\u00fcnchner K\u00fcnstler Matias Becker ist die Treppe ein Ort der Begegnung. Daher schuf er f\u00fcr die Kindertagesst\u00e4tte in der Hogenbergstra\u00dfe 33 ein Kunstwerk, das sich mit diesem architektonischen Element besch\u00e4ftigt. Er baut den Kindern ein eigenes Haus integriert in die Treppe, welche das Erdgeschoss mit dem ersten Stock verbindet: Ein \u201eTreppenhaus\u201c.<\/p>\n
Ein \u201eHaus im Haus\u201c, auf dessen W\u00e4nden im Vordergrund Treppenl\u00e4ufe zu sehen sind und dahinter eine Landschaft mit einem See. Allerlei lustige Gestalten tummeln sich in dieser Landschaft. Wie kleine Weggef\u00e4hrten begleiten sie die Kinder bei jedem Treppengang. Dem K\u00fcnstler geht es wohl um den Spa\u00df auch an absurden Begegnungen: Es treffen sich ein kleines Origami-Eichh\u00f6rnchen und ein gepunkteter Tintenfisch, um mit riesigen Pinseln am Landschaftsbild zu malen. Aber auch ein tanzender Marienk\u00e4fer mit Regenschirm oder ein Aufzieh-Papagei finden sich hier, w\u00e4hrend ein Flugzeug vom Himmel baumelt.
\nDie einzelnen Motive sind auf eine Tr\u00e4gerplatte gedruckt, dann herausges\u00e4gt und, wie bei einem \u00fcberdimensionalen Holzpuzzle, wieder in eine Hintergrundplatte eingesetzt. Die Schnittlinien bleiben sicht- und tastbar.<\/p>\n
W\u00e4hrend Beckers Einbau von Au\u00dfen den Blick in eine bunte Landschaft suggeriert, ist im Inneren eine gem\u00fctliche Spielh\u00f6hle mit weichen Mattenb\u00f6den als Versteck f\u00fcr die Kinder verborgen. Eine der drei kreisrunden \u00d6ffnungen in den W\u00e4nden ist mit Vorh\u00e4ngen ausgestattet und wird auf diese Weise zur B\u00fchne eines Puppentheaters. Da hei\u00dft es: Vorhang auf f\u00fcr spannende Begegnungen im \u201eTreppenhaus\u201c!<\/p>\n","werk_artists":[{"ID":1333,"post_author":"1","post_date":"2022-06-28 16:30:27","post_date_gmt":"2022-06-28 14:30:27","post_content":"1994-00 Studium an der Akademie der Bildenden Ku\u0308nste in Mu\u0308nchen\r\n2010-11 Internationales Ku\u0308nstlerhaus Villa Concordia, Bamberg\r\n\r\nAusstellungen (Auswahl)\r\n\r\n2016 gruppetto, Kunstarkaden, Mu\u0308nchen\r\n2013 my mind keeps wandering, Biesenthal, Brandenburg\r\n2011 Kunstverein Passau\r\nDas Meer - Traum und Wirklichkeit, ERES-Stiftung, Mu\u0308nchen\r\n2010 Prospekt, Internationales Ku\u0308nstlerhaus Villa Concordia, Bamberg (E)\r\nHohes C, Weltraum, Mu\u0308nchen\r\n2008 Unterholz, Dina4 Projekte Atelier,Berlin\r\n2007 march, friday or saturday, Galerie Andreas Grimm, Mu\u0308nchen (E)\r\nChima\u0308ren, Sammlung Su\u0308dhausbau, Mu\u0308nchen\r\n2005 go figure, Grimm\/Rosenfeld, New York\r\nHallucinations, Galerie Almine Rech, Paris\r\n2004 They think I'm one of them, Guild & Greyskuhl, New York\r\n2003 Room 64 (mit Felix Schramm), Chateau Marmont, Hollywood\r\netc. in arcadia, Galerie Andreas Grimm, Mu\u0308nchen (E)","post_title":"Matias Becker","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"becker-matias","to_ping":"","pinged":"","post_modified":"2023-05-24 10:33:34","post_modified_gmt":"2023-05-24 08:33:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/becker-matias\/","menu_order":71,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_technical_data":"","werk_technical_data_en":"","werk_visibility":false,"werk_parts":"","werk_author":"","werk_txt_long_en":"
For the Munich artist Matias Becker, the stairwell is a meeting place. So, for the daycare center at Hogenbergstrasse 33, he created a work of art that deals with this architectural element. Becker built a house just for the children and integrated it into the stairwell that connects the ground floor with the second floor. It is a literal representation of the German word for \u201cstairwell,\u201d which is Treppenhaus (\u201cstair house\u201c).<\/p>\n
This is a \u201dhouse within a house,\u201d on whose walls are staircases in the foreground, while behind is a landscape with a lake. All kinds of funny characters cavort in this landscape. Like little buddies, they accompany the children every time they climb the stairs. The artist is probably thinking about the fun involved even in absurd encounters: a little origami squirrel and a polka-dotted octopus get together in order to paint a landscape with a gigantic brush. But you can also find a ladybug dancing with an umbrella, or a wind-up parrot, or an airplane hanging in the sky.<\/p>\n
The individual motifs are printed on a single plate, then jigsawed out, and, like an oversized wooden puzzle, reinserted into a background plate. The lines where the pieces have been cut out remain visible and tangible.<\/p>\n
Whereas from the outside, Becker\u2019s installation suggests a colorful landscape, the inside conceals a hiding place for children that is like a cozy cave with soft matting on the floors. One of the three round openings in the walls is equipped with curtains, which turns it into a stage for puppet shows. So: curtain up on the exciting encounters in the \u201cstairwell\u201d!<\/p>\n","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_year":"2017","werk_sort_data_category":"Installation","werk_sort_data_district":"Laim","werk_collections":false,"werk_sort_data_artists":"Matias Becker"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-matias-becker-treppenhaus-kunst-am-bau-2017-01-1280x922.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-matias-becker-treppenhaus-kunst-am-bau-2017-01-768x553.jpg","artists":[{"name":"Matias Becker","url":"https:\/\/quivid.de\/en\/artist\/becker-matias\/"}],"tax_category":"Installation","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Laim","tax_year":2017,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=2617"}],"version-history":[{"count":4,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2617\/revisions"}],"predecessor-version":[{"id":6188,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2617\/revisions\/6188"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5285"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1333"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/2618"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=2617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=2617"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=2617"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=2617"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=2617"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=2617"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=2617"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=2617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}