Vom M\u00fcnchner Stadtteil Fasangarten aus ist der Dschungel n\u00e4her als man denkt: Im neuen Haus f\u00fcr Kinder an der Holztendorffstra\u00dfe wachsen \u00fcber hundert \u201eLianen\u201c. So nennt Claudia Barcheri ihr Kunstwerk am Bau, das so aussieht, als ob tats\u00e4chlich Schlingpflanzen durch alle drei Geschosse des Treppenhauses ranken w\u00fcrden. Die Installation der jungen M\u00fcnchner K\u00fcnstlerin basiert auf einem modularen System und besteht aus 102 mit Buntlack bespr\u00fchten U-Profilen aus Acrylglas, die an den Holzlamellen, mit denen der Treppenschacht verkleidet ist, angebracht sind. Mittels Schablonen trug Barcheri die Umrisse von Fiederbl\u00e4ttern bis zu vierfach \u00fcbereinander auf, so dass ein dichtes gr\u00fcnes Geflecht entstand. Diese pflanzlich-organischen Strukturen bilden quasi die nat\u00fcrliche Erg\u00e4nzung zum Material des hellen Holzes, das innen und au\u00dfen das Geb\u00e4ude pr\u00e4gt.<\/p>\n
Die Verwendung von vier verschiedenen Farbt\u00f6nen zwischen Hell- und Tannengr\u00fcn verst\u00e4rkt die plastische Wirkung der Bl\u00e4tter. Die K\u00fcnstlerin greift damit auch das Gr\u00fcn der Fensterlaibungen am Au\u00dfenbau auf, darum wirken Architektur und Kunst wie aus einem Guss. Vegetabile Formen wie das Akanthusblatt und andere Bl\u00e4tterranken dienen seit der Antike als ornamentales Element in der Baukunst. Claudia Barcheri setzt sie im Bewusstsein dieser Tradition ein, findet daf\u00fcr aber eine zeitgem\u00e4\u00dfe Form und Struktur. Dabei bleiben die \u201eLianen\u201c kein rein dekoratives Element, sondern wirken durchaus raumpr\u00e4gend. Sie schaffen visuell ein flirrendes, fast tropisches Ambiente und verwandeln den Bau in eine Art Gew\u00e4chshaus, dessen paradiesische Atmosph\u00e4re f\u00fcr die Kinder eine Oase der Fantasie und zugleich sch\u00fctzenden Hort bietet.<\/p>\n
Roberta De Righi<\/p>\n","werk_artists":[{"ID":1332,"post_author":"1","post_date":"2022-06-28 16:30:27","post_date_gmt":"2022-06-28 14:30:27","post_content":"geboren 1985 in Bruneck\nlebt und arbeitet in M\u00fcnchen \nStudium der Bildenden Kunst an der Accademia di Belle Arti di Bologna\nund an der Akademie der Bildenden K\u00fcnste M\u00fcnchen\n\n\nPreise und Stipendien\n\n2018 \tBayerischer Kunstf\u00f6rderpreis \n2017 \tProjektstipendium Arizona, Autonome Provinz Bozen S\u00fcdtirol \n2016 \tUSA-Stipendium des Bayerischen Staatsministeriums f\u00fcr Bildung und Kultus\n\n\nAusstellungen (Auswahl)\n\n2018\tSame same but different, Parallelevent Manifesta 12 \nKunst Meran und Museo Civico di Castelbuono, Palermo (I) \n2017\tKultur ist eine Ordensregel, Kartause Allerengelberg, Karthaus (I)\n3000 Years Rhadamanthys Foundation, Easy!upstream, M\u00fcnchen \n2016\tGarten \/ giardino, Hofburg, Brixen (I) \n\tSammlergl\u00fcck, St\u00e4dtische Galerie Villingen-Schwenningen\n\tWege zum Museum_01., Stadtmuseum, Bruneck (I) \n2015\tSpa, Galerie Prisma, Bozen (I) (Einzelausstellung)\nDoppelpass, 6x2 Positionen, Halle50, M\u00fcnchen","post_title":"Claudia Barcheri","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"barcheri-claudia","to_ping":"","pinged":"","post_modified":"2023-04-19 18:15:25","post_modified_gmt":"2023-04-19 16:15:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/barcheri-claudia\/","menu_order":70,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_technical_data":"","werk_technical_data_en":"","werk_visibility":false,"werk_architect_landscape":"","werk_txt_long_en":"
From the Munich district of Fasangarten, the jungle is closer than one might think: in the new Haus f\u00fcr Kinder (Children\u2019s House) on Holztendorffstrasse, more than one hundred \u201clianas\u201d grow. At least, that is what Claudia Barcheri calls her public work of art, which looks as if lianas are actually twining through all three floors of the stairwell.<\/p>\n
The installation by the young Munich-based artist is based on a modular system and consists of 102 u-profiles made of acrylic glass and sprayed with colorful paint, which are attached to the wooden slats covering the stairwell. Using stencils, Barcheri traced the outlines of pinnate leaves up to four times on top of each other, creating a dense, green weave. These organic-plant textures are virtually the natural complement to the light-colored wood that characterizes both the interior and exterior of the building.<\/p>\n
Barcheri\u2019s use of four different shades of green, ranging from light green to fir green, \u00a0reinforces the sculptural effect of the leaves. Here, the artist also picks up on the green of the window reveals on the exterior, so that the architecture and the art look as if they have been cast from the same mold.<\/p>\n
Since antiquity, flora such as the acanthus leaf and other types of leafy tendrils have served as ornamental elements in architecture. Claudia Barcheri consciously echoes this tradition in her use of them, but has also invented a form and structure more in keeping with the times. The \u201clianas\u201d are not a purely decorative element, however; they have a definite impact upon the space. Visually, they create a shimmering, almost tropical ambience, transforming the building into a kind of greenhouse whose paradisiacal atmosphere offers children an oasis for the imagination as well as a safe haven.<\/p>\n","werk_collections":false,"werk_sort_data_artists":"Claudia Barcheri","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_year":"2018","werk_sort_data_category":"Installation","werk_sort_data_district":"Obergiesing-Fasangarten"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-claudia-barcheri-lianen-kunst-am-bau-2018-02-1280x1920.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-claudia-barcheri-lianen-kunst-am-bau-2018-02-768x1152.jpg","artists":[{"name":"Claudia Barcheri","url":"https:\/\/quivid.de\/en\/artist\/barcheri-claudia\/"}],"tax_category":"Installation","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Obergiesing-Fasangarten","tax_year":2018,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=2614"}],"version-history":[{"count":7,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2614\/revisions"}],"predecessor-version":[{"id":6228,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2614\/revisions\/6228"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/5283"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1332"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/2615"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=2614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=2614"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=2614"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=2614"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=2614"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=2614"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=2614"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=2614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}