Wer in der Abendd\u00e4mmerung oder des Nachts in den Gr\u00fcnfl\u00e4chen im Bildungscampus und Sportpark von Freiham spazieren geht oder ihn einfach nur durchquert, erlebt etwas, was sonst nirgendwo zu erleben ist. Die k\u00fcnstliche Beleuchtung ist nicht statisch, sie ver\u00e4ndert sich. Subtil und kaum merklich wandeln sich Helligkeit und Temperatur des Lichts. In langen Frequenzen schwillt die Beleuchtung an, pulsiert, klingt ab. In kleineren und gr\u00f6\u00dferen Zeitabst\u00e4nden entstehen auf diese Weise in den Gr\u00fcnfl\u00e4chen ganz unterschiedliche Stimmungen und atmosph\u00e4rische Qualit\u00e4ten.<\/p>\n
Wie geht das? Stehen die Leuchten an den Wegr\u00e4ndern untereinander in Kontakt? Oder reagieren sie auf Lebewesen, die sich durch die Gr\u00fcnanlagen bewegen, auf Tiere oder auf Menschen, allein oder zu mehreren, joggend, auf dem Fahrrad oder mit Hund? Wie dem auch sei, der Park wirkt lebendig. Er erweckt den Eindruck, als w\u00fcrde er in der Dunkelheit atmen.<\/p>\n
Genau das ist der Grundgedanke des Lichtkunstwerks, das der Ku\u0308nstler Olaf Nicolai konzipiert und gemeinsam mit den Lichtplanern Daniel Slota und Jan Dinnebier speziell fu\u0308r diesen Ort umgesetzt hat: \u201eFreiham illuminata \/\/ Luce del respiro\u201c inszeniert die Gr\u00fcnfl\u00e4chen im Bildungscampus und Sportpark von Freiham als einen einzigartigen Organismus. Dabei zeigt bereits der italienische Titel \u2013 deutsch \u201eErleuchtetes Freiham \/\/ Licht des Atems\u201c \u2013 an, dass die Installation unmittelbar mit den Bewohner:innen des Stadtteils verbunden ist.<\/p>\n
Tats\u00e4chlich entsteht die Beleuchtungskomposition durch die Verarbeitung von Daten, die in Freiham erzeugt werden \u2013 also durch Daten, die der Stadtteil gewisserma\u00dfen selbst \u201eschreibt\u201c. Im Einzelnen handelt es sich um Daten von lokalen Bewegungsmeldern, Temperaturverl\u00e4ufe, aber auch die Anzahl der Bewohner:innen oder neu zugelassener Autos in Freiham. Mit all diesen Daten wird ein Computerprogramm gespeist wie ein Lebewesen mit Nahrung. Dabei bleibt bewusst offen, was mit dieser \u201eNahrung\u201c genau passiert und welche energetische Wirkung sie im Detail entfaltet. Denn so unverwechselbar die erfassten Daten sind, so wenig eindeutig lassen sie sich im daraus entstehenden Lichtkunstwerk ablesen.<\/p>\n
Die Programmierung erzeugt durch die Zugabe jeweils aktueller Daten immer wieder neue Kombinationen von Lichteffekten, -intensit\u00e4ten und -rhythmen, deren Abfolge sich eigenst\u00e4ndig fortf\u00fchrt \u2013 \u00e4hnlich, wie sich auch der neue Stadtteil weiterentwickelt. Die Bewohner:innen von Freiham, ebenso wie andere Menschen, erleben sich als Teil eines komplexen, staunenswerten Systems, das sich aus unz\u00e4hligen, gleichzeitig stattfindenden Vorg\u00e4ngen zusammensetzt, die wiederum durch eine Vielzahl von Faktoren beeinflusst werden. Wohin die jeweiligen Entwicklungen steuern und wie sie das einzelne Individuum betreffen, l\u00e4sst sich letztlich weder berechnen noch voraussagen. Das Lichtkunstwerk \u201eFreiham illuminata \/\/ Luce del respiro\u201c l\u00e4dt dazu ein, dieses unerkl\u00e4rliche Ganze auf poetische Weise wahrzunehmen.<\/p>\n","werk_artists":[{"ID":1221,"post_author":"1","post_date":"2022-06-28 16:30:24","post_date_gmt":"2022-06-28 14:30:24","post_content":"Einzelausstellungen (Auswahl)\r\n\r\n1998\r\nLandschaft. metaphysisch + konkret (nach Max Bill), Kunstverein Ulm\r\nAmbiente, Museum Junge Kunst, Frankfurt\/ Oder\r\n1999\r\nLabyrinth, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst Leipzig\r\n2000\r\nPantone wall, instrumented, Kunstverein Bonn\r\n...fading in, fading out, fading away..., Westf\u00e4lischer Kunstverein, M\u00fcnster\r\n2001\r\nEnjoy \/ Survive \/ Enjoy, Migros Museum f\u00fcr Gegenwartskunst, Z\u00fcrich\r\nFavorites, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst, Leipzig\r\n2002\r\nDie Flamme der Revolution, liegend (in Wolfsburg), St\u00e4dtisches Museum Wolfsburg\r\nMatches for Trees \u2013 Trees for Matches, Artist Commission, Scottland First National Park, Loch Lomond and the Trossachs\r\n2003\r\nG.F. Haas: in vain, Theater Basel\r\nBlond, Passanten 1: Shopping, Tilburg\/ SKOR, Amsterdam\r\nOdds and Ends, Casino Luxemburg\r\n2004\r\nOdds and Ends, Museum Altenburg, Lindenau\r\nTrajektor (mit Carsten Nicolai), VOXXX, Chemnitz\r\nOdds and Ends, Kunstmuseum Thun\r\n2005\r\nThe Blondes, Galerie EIGEN+ART, Berlin\r\n30 Farben at Printed Matter, Printed Matter LTD., New York\r\n\r\nGruppenausstellungen (Auswahl)\r\n\r\n1997\r\ndocumenta X, Kassel\r\nReopening, PS1, New York\r\n1998\r\nBerlin Biennale, Berlin\r\nEtre Nature, Fondation Cartier, Paris\r\n1999\r\nLandscape Out Of Frame, MIT List Visual Art Centre, Cambridge\r\nEmpty Gardens, Watari-Um Museum, Tokyo\r\nSkulpturen-Biennale 1999, M\u00fcnster\r\nPeace, Migros Museum, Z\u00fcrich\r\n2000\r\nWhat if \u2013 Art on the verge of architecture and design, Moderna Museet, Stockholm\r\nLe Jardin, Acad\u00e9mie de France \u00e0 Rome Villa Medici, Rom\r\nreal (work), 4. Werkleitz Biennale, Tornitz\r\n2001\r\nPlatea dell\u2019Uminata, Biennale Venedig\r\nSquatters, Porto\r\nUnder the bridges, along the river\u2026, Casino Luxemburg\r\n2002\r\nP-a-u-s-e, Gwangju Biennale, Gwangju\r\n(The world may be) fantastic, Biennale of Sydney\r\nShopping, Schirn Kunsthalle, Frankfurt; Tate Liverpool\r\n2003\r\nKunst Garten Kunst, Sprengel Museum, Hannover\r\nForm Specific, Moderna Galerija, Ljubljana\r\nOutlook, Athen\r\n2004\r\nTyp O \u2013 Writing with Style, Moderna Museet Stockholm\r\nDie Zehn Gebote, Deutsches Hygiene-Museum, Dresden\r\nBienal de Arte Contempor\u00e1neo de Sevilia\r\n2005\r\n7th Biennal of Sharjah\r\nModel Modernisms, Artists Space, New York\r\nBiennale die Venezia","post_title":"Olaf Nicolai","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"nicolai-olaf","to_ping":"","pinged":"","post_modified":"2023-05-24 09:37:22","post_modified_gmt":"2023-05-24 07:37:22","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/nicolai-olaf\/","menu_order":161,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":1331,"post_author":"1","post_date":"2022-06-28 16:30:27","post_date_gmt":"2022-06-28 14:30:27","post_content":"www.lichtlicht.de<\/a>","post_title":"Lichtplanung: Daniel Slota & Jan Dinnebier","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"studio-dinnebier","to_ping":"","pinged":"","post_modified":"2024-01-26 12:29:59","post_modified_gmt":"2024-01-26 11:29:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/olaf-nicolai-und-studio-dinnebier\/","menu_order":69,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_material":"Kunst-Licht-Projekt","werk_technical_data":"","werk_technical_data_en":"","werk_visibility":false,"werk_map":false,"werk_parts":"","werk_architect":"Bildungscampus: Sch\u00fcrmann Dettinger Architekten mit Auer Weber (Campusmitte), M\u00fcnchen \/ Architektur Sportpark: Georg Scheel Wetzel Architekten, Berlin ","werk_architect_landscape":"Freianlagen Bildungscampus und \u00f6ffentliche Gr\u00fcnfl\u00e4che: Keller Damm Kollegen Landschaftsarchitekten Stadtplaner, M\u00fcnchen \/ Freianlagen Sportpark und \u00f6ffentliche Gr\u00fcnfl\u00e4che: L\u00fctzow 7 M\u00fcller Wehberg Landschaftsarchitekten, Berlin ","werk_photograph":"Florian Holzherr (und Video)","werk_author":"Bernhart Schwenk","werk_txt_long_en":" In the evenings, anyone walking in, or even simply crossing, the parks on the Freiham campus and sports facilities experiences something that cannot be experienced anywhere else. The artificial lighting is not static \u2013 it changes. Subtly, barely noticeably, the brightness and the temperature of the lights alter. Over a longer period of time, the lighting swells, pulsates, and subsides at a slow rate. In this way, very different moods and atmospheric qualities are created in the parks at shorter and longer intervals.<\/p>\n How does it work? Are the lights along the edges of the pathways in contact with each other? Or are they reacting to living creatures \u2013 animal or human \u2013 moving through the parks, alone or in groups, jogging, on a bike, or with a dog? Regardless, the park seems lively. It gives the impression that the darkness is breathing.<\/p>\n This is precisely the basic idea behind the work of light art conceived by the artist Olaf Nicolai and specially constructed for this site in cooperation with the lighting designers Daniel Slota and Jan Dinnebier. \u201cFreiham illuminata \/\/ Luce del respiro\u201d presents the two parks in Freiham as a single organism. The Italian title (meaning \u201cIlluminated Freiham \/\/ Breathing Light\u201d in English) already indicates that the installation is directly linked to the residents of this quarter of the city.<\/p>\n In fact, the lighting composition stems from the processing of the data created in Freiham \u2013 the data that the quarter itself \u201cwrites,\u201d in a way. The data comes from individual places like local motion detectors and temperature curves, as well as the number of residents or newly registered cars in Freiham. A computer program is fed all of this data, as if it were a living creature being fed nutrients. What happens with these \u201cnutrients,\u201d however, and what kind of detailed energetic impact they have, remain deliberately open-ended. Because as unmistakable as the recorded data is, it is not obviously recognizable in the resulting work of art.<\/p>\n When fed brand new, current data, the programming creates novel combinations of light effects, intensities, and rhythms, whose sequences continue independently, similar to the way that the new quarter is developing. The inhabitants of Freiham, like other people, experience themselves as part of a complex, astounding system made up of countless simultaneous processes, which are, in turn, influenced by numerous other factors. It is impossible to calculate or predict where each development will lead and how it will affect individuals. \u201cFreiham illuminata \/\/ Luce del respiro\u201d is a work of art that invites you to perceive this inexplicable whole in a poetic way.<\/p>\n","werk_collections":[{"ID":7678,"post_author":"5","post_date":"2024-06-19 09:58:13","post_date_gmt":"2024-06-19 07:58:13","post_content":"","post_title":"QUIVID-Review #1","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"review-1","to_ping":"","pinged":"","post_modified":"2025-04-29 14:29:38","post_modified_gmt":"2025-04-29 12:29:38","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/review-1\/","menu_order":10,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7699,"post_author":"5","post_date":"2023-05-08 13:28:18","post_date_gmt":"2023-05-08 11:28:18","post_content":"","post_title":"Last realized","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zuletzt-realisiert","to_ping":"","pinged":"","post_modified":"2025-04-28 16:19:34","post_modified_gmt":"2025-04-28 14:19:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/collection\/zuletzt-realisiert\/","menu_order":2,"post_type":"collection","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_district":"Aubing-Lochhausen-Langwied","werk_sort_data_year":"2023","werk_sort_data_access":"\u00f6ffentlich zug\u00e4nglich","werk_sort_data_category":"Installation","werk_sort_data_artists":"Olaf Nicolai,Lichtplanung: Daniel Slota & Jan Dinnebier","werk_txt_context":""},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-olaf-nicolai-kunst-am-bau-2023-06.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-olaf-nicolai-kunst-am-bau-2023-06.jpg","artists":[{"name":"Olaf Nicolai","url":"https:\/\/quivid.de\/en\/artist\/nicolai-olaf\/"},{"name":" Lichtplanung: Daniel Slota & Jan Dinnebier","url":"https:\/\/quivid.de\/en\/artist\/studio-dinnebier\/"}],"tax_category":"Installation","tax_access":"\u00f6ffentlich zug\u00e4nglich","tax_district":"Aubing-Lochhausen-Langwied","tax_year":2023,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=2601"}],"version-history":[{"count":21,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2601\/revisions"}],"predecessor-version":[{"id":6777,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2601\/revisions\/6777"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6582"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6584"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6580"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6578"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6586"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6588"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6707"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1331"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1221"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6583"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=2601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=2601"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=2601"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=2601"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=2601"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=2601"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=2601"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=2601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}