Gulliver oder ein anderer Riese k\u00f6nnte sie bei seiner letzten Abenteuerfahrt vergessen haben, die drei tonnenschwer in den Boden eingelassenen Gef\u00e4\u00dfe. Wundersam ambivalent oszilliert ihr Erscheinungsbild zwischen einem spielerischen und funktionalen, zwischen einem m\u00e4rchenhaften und arch\u00e4ologischen Charakter. Scheinbar zur H\u00e4lfte im Sand eingebuddelt, haben Marijanca Ambos\u2018 Skulpturen etwas von archaischen oder zumindest fr\u00fchantiken Beh\u00e4ltnissen an sich. W\u00e4ren sie aus Ton und nicht aus por\u00f6sem Kalkstein, dann k\u00f6nnte man die Vasengebilde mit ihrem eher kurzen Hals und wulstigen Kragen leicht f\u00fcr verwitterte Amphoren halten.<\/p>\n
Mit gutem Grund hat Marijanca Ambos Naturpigmente f\u00fcr die Bemalung der raffiniert einfachen Gef\u00e4\u00dfe gew\u00e4hlt: In Sienarot, Eisenoxydrot und hellem Siena gehalten, f\u00fcgt sich das Trio v\u00f6llig selbstverst\u00e4ndlich in die Gartenarchitektur ein, korrespondiert sogar mit den warmen Farbt\u00f6nen des Kindergartenbaus. Auch die Formen wirken wie leise Variationen ein und desselben Themas. Auf den runden Bauch einer \u201aLiegenden\u2018 antworten dialogisch eine aufrecht \u201aStehende” und eine windschief in den Sand \u201aGesetzte\u2018.<\/p>\n
Den Gebrauchswert haben die Kinder l\u00e4ngst ausgelotet, die Gef\u00e4\u00dfe werden beklettert, mit Sand gef\u00fcllt, als Versteck und Sitzgelegenheit benutzt. Ihr ganzes Geheimnis gibt das Skulpturenensemble trotzdem nicht preis. Denn dass es sich um Fragmente handelt, dass den k\u00f6rperhaften Vasen quasi der Unterleib fehlt, w\u00e4re nur festzustellen, wenn man sie ganz ausgraben w\u00fcrde. Doch kein Mensch verfiele auf die Idee, die figurinenhaften Skulpturen aus ihrer organoiden Sandinsel herauszul\u00f6sen. Als ob sie seit Jahrhunderten hier schon platziert seien, verleihen die Gef\u00e4\u00dfe dem Ort eine unverwechselbare Aura.<\/p>\n","werk_artists":[{"ID":1134,"post_author":"1","post_date":"2022-06-28 16:30:22","post_date_gmt":"2022-06-28 14:30:22","post_content":"1982-85\tKeramikausbildung \n1984\t\tStudienaufenthalt in den USA\n1985-91\tStudium an der Akademie der bildenden K\u00fcnste, M\u00fcnchen, Diplom \n\nseit 1988 zahlreiche Einzel- und Gruppenausstellungen, international\n\n\nPreise und Stipendien\n\nF\u00f6rderpreis der Stadt M\u00fcnchen\nPrinzregent - Luitpold - Stiftung, Stipendium\nProjektstipendium Kulturreferat M\u00fcnchen,\nStelle f\u00fcr interkulturelle Zusammenarbeit \nStipendium Kunstfonds\n\t\t\n\n\nAnk\u00e4ufe\n\nKeramiksammlung der Veste Coburg\nFerdinand-Maria-Stra\u00dfe, Kunst am Bau, Stadt M\u00fcnchen\nAm Bauschweg, Kunst am Bau, Stadt M\u00fcnchen\nMuseum f\u00fcr angewandte Kunst, Gera\nStadt M\u00fcnchen, Artothek\nKulturpark Frohschammerstra\u00dfe, M\u00fcnchen","post_title":"Marijanca Ambos","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"ambos-marijanca","to_ping":"","pinged":"","post_modified":"2023-04-19 18:15:22","post_modified_gmt":"2023-04-19 16:15:22","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/ambos-marijanca\/","menu_order":263,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_technical_data":"","werk_technical_data_en":"","werk_architect":"","werk_architect_landscape":"","werk_txt_long_en":"
Gulliver or another giant might have forgotten them on his last adventure, these three vessels on the ground, weighing tons. Wonderfully ambivalent, their appearance fluctuates between the playful and the functional, the fairy-tale-like and the archeological. Seemingly half-buried in the sand, the sculptures are reminiscent of archaic or at least early antique containers. If they were made of clay and not porous limestone, then it would be easy to mistake these vases, with their rather short necks and thick rims, for weathered amphorae. Ambos had good reason to choose natural pigments for painting the refined, simple vessels: in sienna red, iron oxide red, and light sienna, the trio blends in naturally with the garden architecture, even corresponding to the warm tones of the kindergarten building. The shapes also appear to be like slight variations on the same theme. In a dialogue, the round belly of a reclining vase responds to a vertical standing vase and one set at an angle into the sand. Children have long since explored the containers\u2019 practical value: they have climbed on the vases, filled them with sand, used them as hiding places and seats. Still, the ensemble does not reveal its entire secret. For the fact that they are fragments\u2014that they are missing their lower torsos, as it were\u2014could only be known if they were completely excavated. Yet, no one would entertain the idea of removing the figurine-like sculptures from their organoid, sandy island. Looking as if they were placed here centuries ago, the vessels give the site an unmistakable aura.<\/p>\n","werk_collections":false,"werk_sort_data_artists":"Marijanca Ambos","werk_sort_data_access":"auf Anfrage zug\u00e4nglich","werk_sort_data_year":"2000","werk_sort_data_category":"Skulptur \/ Plastik","werk_sort_data_district":"Allach-Untermenzing"},"featured_image_src_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-marijanca-ambos-ein-geheimnis-kunst-am-bau-2000-01-1280x906.jpg","featured_image_src_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-marijanca-ambos-ein-geheimnis-kunst-am-bau-2000-01-768x544.jpg","artists":[{"name":"Marijanca Ambos","url":"https:\/\/quivid.de\/en\/artist\/ambos-marijanca\/"}],"tax_category":"Skulptur \/ Plastik","tax_access":"auf Anfrage zug\u00e4nglich","tax_district":"Allach-Untermenzing","tax_year":2000,"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/1363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/comments?post=1363"}],"version-history":[{"count":5,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/1363\/revisions"}],"predecessor-version":[{"id":6185,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/1363\/revisions\/6185"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/4337"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/1472"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=1363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/categories?post=1363"},{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=1363"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=1363"},{"taxonomy":"accessibility","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/accessibility?post=1363"},{"taxonomy":"space","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/space?post=1363"},{"taxonomy":"year","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/year?post=1363"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/gender?post=1363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}