{"id":7696,"date":"2025-02-17T18:57:42","date_gmt":"2025-02-17T17:57:42","guid":{"rendered":"https:\/\/quivid.de\/?post_type=collection&p=7696"},"modified":"2025-04-29T15:58:58","modified_gmt":"2025-04-29T13:58:58","slug":"quivid-review-2","status":"publish","type":"collection","link":"https:\/\/quivid.de\/en\/collection\/quivid-review-2\/","title":{"rendered":"QUIVID-Review #2"},"content":{"rendered":"","protected":false},"featured_media":7718,"template":"","district":[],"access":[],"class_list":["post-7696","collection","type-collection","status-publish","has-post-thumbnail","hentry"],"acf":{"collection_year":"","collection_location":"","collection_involved":"","collection_artists":[{"ID":7436,"post_author":"10","post_date":"2025-01-15 09:12:06","post_date_gmt":"2025-01-15 08:12:06","post_content":"Alexandra Birckens skulpturale Praxis geht vom Material und seinen sozialhistorischen Bedingungen und Bez\u00fcgen aus. Sie befragt die materiellen Eigenschaften von Objekten, ihren Umgebungen und Anwendungskontexten und ist daran interessiert, herauszuarbeiten, wie ein Objekt funktioniert und welchen Gebrauchsbestimmungen es unterliegt. Welche Verhaltensweisen und K\u00f6rperhaltungen erzeugt seine Benutzung, welche kulturellen Konnotationen wohnen seinen Verarbeitungsweisen, Oberfl\u00e4chen und Texturen inne? Bircken gibt sich den \u00e4sthetischen und kulturellen Verstrickungen der Dinge des Alltags hin \u2013 ohne ihnen eine These oder ein Statement aufzuerlegen, folgt sie den in ihnen konzentrierten Spannungen, die sie offenlegt und dekonstruiert. Ihr Vorgehen ist dabei prozessbasiertes Experiment, ergebnisoffene Untersuchung, mitunter intuitive Bricolage. \u00dcber die Jahre etablierte sie ein differenziertes bildhauerisches Vokabular, in dem sich unterschiedliche Elemente und Ausdrucksformen in neuen Konstellationen wiederholen und transformieren.\r\n\r\nAlexandra Bircken lebt und arbeitet in Berlin und D\u00fcsseldorf. Ihre Arbeiten wurden in zahlreichen Einzel- und Gruppenausstellungen gezeigt, darunter in der Fondation Pernod Ricard, Paris (2022), im Museum Brandhorst, M\u00fcnchen (2021), im KINDL - Centre for Contemporary Art, Berlin (2021), in der Secession, Wien (2019), bei der 58. Biennale di Venezia (2019), im Studio Voltaire, London (2011), im Haus der Kunst, M\u00fcnchen (2011), im Sculpture Center, New York (2012) und im New Museum, New York (2007). Von 2018-2023 hielt sie einen Lehrstuhl f\u00fcr Bildhauerei an der Akademie der bildenden K\u00fcnste M\u00fcnchen inne, seit 2023 leitet sie eine Bildhauereiklasse an der Kunstakademie D\u00fcsseldorf.\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Alexandra Bircken","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"alexandra-bircken","to_ping":"","pinged":"","post_modified":"2025-08-05 10:32:50","post_modified_gmt":"2025-08-05 08:32:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7436","menu_order":13,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6874,"post_author":"10","post_date":"2024-07-10 09:51:09","post_date_gmt":"2024-07-10 07:51:09","post_content":"1964 in S\u00e3o Paulo, Brasilien geboren und aufgewachsen, ist Georgia Creimer kurz nach ihrem Kunststudium und ihrer ersten Einzelausstellung in S\u00e3o Paulo 1986 nach Wien gekommen, wo sie seitdem lebt und arbeitet. Ihr Ouvre erstreckt sich von Zeichnung, Malerei, Foto, Film und Skulptur bis zur raumgreifenden Installation.\r\n\r\nEinzel- und Gruppenausstellungen (Auswahl bis 2024)\r\n\r\n2024\r\nR\u00e4ume \u00f6ffnen! Die Sammlungen, Museum der Moderne, Salzburg\r\n2022\r\n\u201eUntitled (for Leopoldina)\u201c, Installation im Porzellanmuseum Augarten im Rahmen der Ausstellung \u201eLEOPOLDINA. Furchtlos nach Rio\u201c , Wien (Einzelpr\u00e4sentation)\r\n2019\r\n\u201eDer Diskrete Charm des Monstr\u00f6sen\u201c, Galerie Rauminhalt, Wien (Einzelausstellung)\r\n\u201eDiscreet Austrian Secrets\u201c, The Galaxy Museum of Contemporary Art, Chongqing, China (artist in residence)\r\n2017\r\n\u201egeorgia creimer incorporado\u201c, Atelierhaus der Akademie der bildenden K\u00fcnste Wien (ehemaliges Semperdepot) im Rahmen von \u201ewir zeigen\u201c, 2017 (Einzelausstellung)\r\n2016\r\n\u201eLiquid:Morph\u201c, mit Thomas Reinhold, Art Room W\u00fcrth, B\u00f6heimkirchen\r\n2015\r\n\u201eder schwierige raum\u201c, mit Ernst Caramelle, Isa Melsheimer, Christiane Reiter, Heimo Zobernig, Siggi Hofer, Michael Kienzer, Olaf Nicolai, Kunsthaus M\u00fcrz\r\n2014\r\n\u201eBrut\u201c, tempor\u00e4re Installation, Kunstraum Weikendorf, Weikendorf\r\n\u201eAll these signs ... Overwriting the subject\u201c, mit Iris Andraschek, GalerieRaum mit Licht, Wien\r\n2013\r\n\u201eFlowers & Mushrooms\u201c, Museum der Moderne, Salzburg\r\n2007\r\n\u201eSimultan - zwei Sammlungen \u00f6sterreichischer Fotografie\u201c, Fotomuseum Winterthur, Schweiz\r\n2002\r\n\u201eNaturezas\u201c, Galerie Brito Cimino, S\u00e3o Paulo, Brasilien\r\n1995\r\n\u201eGeorgia Creimer\u201c, Galeria Luisa Strina, S\u00e3o Paulo, Brasilien\r\n1994\r\n\u201eEspelhos e Sombras\u201d, Museum of Modern Art (MAM), S\u00e3o Paulo, Brasilien\r\n1992\r\n\u201eGeorgia Creimer\u201c, Museu de Arte Moderna (MAM), S\u00e3o Paulo, Brasilien (Einzelausstellung)\r\n1991\r\n\u201eGeorgia Creimer\u201c, Secession, Wien (Einzelausstellung)\r\n1987\r\n\u201e19. Bienale\u201d, S\u00e3o Paulo, Brasilien\r\n\r\nProjekte im \u00f6ffentlichen Raum (Auswahl bis 2024)\r\n\r\n2021\r\n\u201eO.T. (for Karlsplatz)\u201c, U-Bahn Intervention, Red Carpet Showroom Karlsplatz, U-Bahnstation Karlsplatz, Wien\r\n2019\r\n\u201ePsychogenics V\u201c, Tempor\u00e4re Wandinstallation, Konzilged\u00e4chtniskirche, Wien\r\n2012\r\n\u201eEin Wohnen\u201c, permanente Installation f\u00fcr das 3. Olympische Dorf in Innsbruck\r\n2011\r\n\u201eIntimate Space\u201c, permanente Installation f\u00fcr das 3. Olympische Dorf in Innsbruck\r\n2009\r\n\u201eOn Stones\u201c, permanente Installation f\u00fcr die Universit\u00e4ts- und Landesbibliothek Tirol, Innsbruck\r\n2008\r\n\u201eGeliehene Landschaft\u201d, tempor\u00e4re Installation, Lunz am See\r\n2005\r\n\u201eHands on Tables\u201c, Permanente Installation, Winzer Krems, Krems\r\n1999\r\n\u201eWir sind es, wir sind es wirklich!\u201c, Kunsthof, Z\u00fcrich\r\n\r\nAlle Informationen und Werke der K\u00fcnstlerin finden Sie hier<\/a>.","post_title":"Georgia Creimer","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"georgia-creimer","to_ping":"","pinged":"","post_modified":"2024-07-10 09:53:29","post_modified_gmt":"2024-07-10 07:53:29","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6874","menu_order":24,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7057,"post_author":"10","post_date":"2024-08-26 14:04:17","post_date_gmt":"2024-08-26 12:04:17","post_content":"*1972 in Winterthur; lebt und arbeitet in Z\u00fcrich seit 2003\r\n\r\n1996-1999\u00a0 Ausbildung zum Fotografen an der Staatlichen Fachakademie f\u00fcr Fotodesign, M\u00fcnchen\r\n2004\u00a0 Berliner Kulturstipendium der Thurgauer Wirtschaft\r\n\r\nEinzelausstellungen\r\n2005\u00a0 Galerie Marianne Grob, Berlin\r\n2005\u00a0 Kunstmuseum des Kantons Thurgau, Kartause Ittingen, Warth\r\n\r\nGruppenausstellungen (Auswahl)\r\n2015\u00a0 Catch of the Year, Dienstgeb\u00e4ude, Z\u00fcrich\r\n2012\u00a0 Heimspiel, Kunstmuseum, St. Gallen\r\n2010\u00a0 Salon XV, Monat der Fotografie, Wien\r\n2009\u00a0 Heimspiel, Kunstmuseum, St. Gallen\r\n2009\u00a0 Singenkunst 2009, St\u00e4dtisches Kunstmuseum, Singen (Htwl.)\r\n2008\u00a0 Parallele Stadt, Galerie Sch\u00f6nenberger, Kirchberg\/St. Gallen\r\n2008\u00a0 TakeAway III, GalleriaStudio44, Genova\r\n2005\u00a0 Deutschlandbilder, Museum Wiesbaden\r\n2005\u00a0 Swiss Art Award, Basel\r\n2002\u00a0 Swiss Art Award, Basel\r\n2001\u00a0 Visionen in der Architektur, Europ\u00e4ischer Architekturfotografiepreis, Bundeskunsthalle, Bonn\r\n2000\u00a0 Swiss Art Award, Basel\r\n\r\nZUR WEBSEITE DES K\u00dcNSTLERS<\/a>","post_title":"Jon Etter","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jon-etter","to_ping":"","pinged":"","post_modified":"2024-08-26 14:04:42","post_modified_gmt":"2024-08-26 12:04:42","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7057","menu_order":21,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":1292,"post_author":"1","post_date":"2022-06-28 16:30:26","post_date_gmt":"2022-06-28 14:30:26","post_content":"Wolfgang Groh (*1961 in M\u00fcnchen) studierte an den Kunstakademien N\u00fcrnberg, M\u00fcnchen und Dublin und absolvierte im Anschluss erfolgreich ein Promotionsstudium an der Ludwig-Maximilians-Universit\u00e4t in M\u00fcnchen mit den Schwerpunkten Kunstgeschichte, Kunstp\u00e4dagogik und Philosophie. Seine \u00e4sthetischen Ideen realisiert er in unterschiedlichen Medien wie Zeichnung, Malerei, Assemblage, Fotografie und Skulptur. Wolfgang Groh ist Mitglied der Freien Klasse M\u00fcnchen. Er lebt und arbeitet in M\u00fcnchen und Tralee (Eire).\r\n\r\nZUR WEBSEITE DES K\u00dcNSTLERS<\/a>","post_title":"Wolfgang Groh","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"groh-wolfgang","to_ping":"","pinged":"","post_modified":"2024-10-22 14:00:47","post_modified_gmt":"2024-10-22 12:00:47","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/groh-wolfgang\/","menu_order":94,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7168,"post_author":"10","post_date":"2024-10-07 14:53:39","post_date_gmt":"2024-10-07 12:53:39","post_content":"*1965 in Salzburg; lebt und arbeitet in Wien. Sie studierte an der Akademie der bildenden K\u00fcnste in Wien und am Royal College of Art in London. Von 1995-2001 unterrichtete sie an der Kunstuniversit\u00e4t Linz. Seit 2020 ist sie Vorstandsmitglied des Tricky Women\/Tricky Realities-Festivals in Wien.\r\n\r\nIlse Haider verbindet in ihren Werken fotografische Bilder mit skulpturalen Techniken. Die Bilder, die sie f\u00fcr ihre Skulpturen verwendet, haben bereits eine mediale \u00d6ffentlichkeit und Vergangenheit. Durch ihre k\u00fcnstlerische \u00dcbersetzung werden diese Fotos ihrer eigenen Geschichtlichkeit entrissen und in einen aktuellen Gegenwartsbezug integriert. Die Objekte verdanken sich einem komplexen Entstehungsvorgang: Die fraktal gebrochenen Bilder werden einem Dekonstruktionsprozess unterzogen, sie werden gleichsam zerschnitten, auf Raster, St\u00e4be oder Peddigrohr projiziert und zu einer neuen Struktur zusammengesetzt. Was wir sehen, ist die Erinnerung an origin\u00e4re Bilder, gesehen durch den innovativen Schaffensprozess der K\u00fcnstlerin und wahrgenommen durch unsere Sehbewegung vor und mit dem Objekt.\r\n\r\nEinzelausstellungen (Auswahl)\r\n2023: Galerie Leonhard, Graz, \"Crossing the Line\", 2018: Galerie Schlo\u00df Wiespach, Hallein, \"Augenspiel\"; Galerie Leonhard, Graz, \"Open Monuments\", 2015: Galerie Steinek, Wien, \"le circuit heroesque\", 2013: Neuer Kunstverein Aschaffenburg, \"facebook NS\", Galerie Steinek, Wien, \"go to reference\", 2011: Museum der Moderne, Rupertinum, Salzburg, Otto Breicha-Preis f\u00fcr Fotokunst, 2010: Galerie der Stadt Fellbach, Stuttgart, \"Good to see you\"\r\n\r\nGruppenausstellungen ( Auswahl)\r\n2024: Galerie Schloss Wiespach, Hallein, \"Allure\", mit Christian Skrein, Museum der Moderne Salzburg, \"Der Raum in unseren K\u00f6pfen. Die Sammlungen\", 2023: Museum Liaunig, Neuhaus, \"Follow the Rabbit\", 2022: Museum Moderner Kunst, K\u00e4rnten, \"Menschheitsd\u00e4mmerung: Malerei der Zwischenkriegszeit 1918 -1938 und Reflexe der Gegenwart\", 2021: Sammlung Spallart, \"View into the depot #5 \u2013 The object in focus\", 2017: Neue Galerie Graz, Joanneumsviertel, Graz, \"Wer bist du? Portraits aus 200 Jahren\", 2015: Mumok, \"Bl\u00fchendes Gift, Zur feministischen Appropriation des \u00f6sterreichischen Unbewussten\", MUSA, WIEN, \"Die achtziger Jahre. Pluralismus an der Schwelle zum Informationszeitalter\", 2012: Leopoldmuseum, Wien, \"Nackte m\u00e4nner \u2013 von 1800 bis heute\"; Lentos Museum, \"Der nackte Mann\".\r\n\r\nKunst im \u00f6ffentlichen Raum\r\n\"Mr. Big\", Museumsquartier, Leopoldmuseum (2012\/13)\r\n\"Belle Etage\", U3 Station Enkplatz, Wien, mit Mona Hahn (2000)\r\n\"Venus und Antinoos\", Flughafen Wien (1996)\r\n\"Labor im Park\", Querfeld I, Volksgarten, Wien (1988)\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Ilse Haider","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ilse-haider","to_ping":"","pinged":"","post_modified":"2024-10-09 10:57:26","post_modified_gmt":"2024-10-09 08:57:26","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7168","menu_order":18,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7237,"post_author":"10","post_date":"2024-10-30 10:52:16","post_date_gmt":"2024-10-30 09:52:16","post_content":"Jette Hampe studierte Germanistik, Romanistik und Philosophie an der Ludwig-Maximilians-Universit\u00e4t sowie Bildhauerei an der Akademie der Bildenden K\u00fcnste in M\u00fcnchen und erhielt u.a. das Paris-Stipendium des Freistaates Bayern. Sie lebt in M\u00fcnchen und arbeitet in den Bereichen Installation und Fotografie. Ihr Ansatz beruht auf der Aneignung von Vorg\u00e4ngen in der Natur oder von Denkprozessen. Das \u00fcber lange Zeitr\u00e4ume Beobachtete, Aufgenommene und Gesammelte wird in k\u00fcnstlerisches Material transformiert, gebunden und als Installation im architektonischen Raum konkretisiert. Ihre Rauminstallationen wurden bisher in zahlreichen Ausstellungen in Deutschland und Frankreich gezeigt.\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Jette Hampe","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jette-hampe","to_ping":"","pinged":"","post_modified":"2024-10-30 10:52:16","post_modified_gmt":"2024-10-30 09:52:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7237","menu_order":17,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7391,"post_author":"10","post_date":"2024-12-02 17:12:44","post_date_gmt":"2024-12-02 16:12:44","post_content":"Von 2000 bis 2007 studierte Benedikt Hipp, geboren 1977 in M\u00fcnchen, an den Akademien der Bildenden K\u00fcnste in N\u00fcrnberg, M\u00fcnchen und Bologna. Ab 2015 lebte er zwischen Amsterdam und M\u00fcnchen, seit 2019 in Finning. In seinen Gem\u00e4lden, Keramiken und raumgreifenden Installationen ist der K\u00f6rper ein zentrales Thema. Er hinterfragt dabei Konzepte von Individualit\u00e4t und Identit\u00e4t, sowie die Ver\u00e4nderung und Bedeutung des K\u00f6rpers, als Ort kultischen, gesellschaftlichen und architektonischen Handelns.\r\n\r\nSeine Arbeiten waren in zahlreichen nationalen und internationalen Gruppen- und Einzelausstellungen zu sehen wie z.B. im Haus der Kunst M\u00fcnchen, in den Staatlichen Kunstsammlungen Dresden, im Palazzo delle Esposizioni Rom, in der Schirn Kunsthalle in Frankfurt, im CAPC Museum f\u00fcr zeitgen\u00f6ssische Kunst von Bordeaux, im Wilhelm-Hack-Museum in Ludwigshafen, im Kunstpalais Erlangen, im Kunstverein Hannover oder dem Zeppelin Museum in Friedrichshafen.\r\n\r\n2014 erhielt er das USA Stipendium des Freistaates Bayern und war 2020\/2021 Rompreistr\u00e4ger und Stipendiat der Deutschen Akademie Villa Massimo in Rom. Dort realisierte er unter anderem Projekte, die sich der Steigerung der Biodiversit\u00e4t im Park der Villa Massimo widmeten, sowie zu Ver\u00e4nderungen und Anpassungen im Areal an die neuen klimatischen Bedingungen f\u00fchrten.\r\n\r\nZUR WEBSEITE DES K\u00dcNSTLERS<\/a>","post_title":"Benedikt Hipp","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"benedikt-hipp","to_ping":"","pinged":"","post_modified":"2026-01-03 22:59:33","post_modified_gmt":"2026-01-03 21:59:33","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7391","menu_order":14,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6951,"post_author":"10","post_date":"2024-07-24 15:00:21","post_date_gmt":"2024-07-24 13:00:21","post_content":"VALERIE KIOCK\r\n*1971 in M\u00fcnchen\r\nlebt und arbeitet als selbst\u00e4ndige Grafikerin in M\u00fcnchen\r\n\r\n1992\u20131994 Vorkurs und der Basiserweiterungsklasse an der Schule f\u00fcr Gestaltung in Basel\r\n1994\u20131998 Grafikfachklasse an der Schule f\u00fcr Gestaltung in Z\u00fcrich\r\nGr\u00fcndungsmitglied der M\u00f6beldesigngruppe N2 mit Ausstellungen in Basel, Mailand, K\u00f6ln, Luzern und Hamburg (1997\u20131999)\r\n1997 Praktikum bei M\u00fcller+Hess in Basel\r\n1998 \u2013 2002 als Designer bzw. Art Director bei Williams & Phoa Ltd., London und Gettyimages, London\r\n2000 und 2001 Lehrauftrag Grafikfachklasse in Luzern\r\nseit 2003 selbst\u00e4ndige Grafikerin in M\u00fcnchen\r\n\r\nAusstellungen (Auswahl)\r\n2017 \u201eOTOFFOTO\" bei schlegelschmuck, M\u00fcnchen\r\n2019 \u201edots, points, circles\u201c in der Galerie Claudia Weil, Friedberg-Rinnenthal (Gruppenausstellung)\r\n2021 \u201eBl\u00e4tter\u201c bei schlegelschmuck, M\u00fcnchen\r\n\r\nvalerie-kiock.com<\/a>\r\n\r\nZENO DIETRICH\r\n*1971 in M\u00fcnchen\r\n1991-1998 Architekturstudium an der TU M\u00fcnchen, ETSAB Barcelona\r\n\r\n1998-2000 Architekt und Lichtk\u00fcnstler in London: Architektur f\u00fcr Adjaye and Russell Architecture, K\u00fcnstlerische Assistenz f\u00fcr Kathy de Moncheaux, Lichtkunst vertreten durch Galerist Dominic Berning\r\n2000-2014 Architektur und Kunst in M\u00fcnchen f\u00fcr u.a. Peter Haimerl, Architekten Wollmann und Mang, Kunstprojekte mit Rudolf Bott Kapelle, Altenheim St. Franziskus, M\u00fcnchen, Lithurgie im Neubau St. Nikolaus, Neuried\r\n2014-2018 Architekt bei Und Mang Architektur\r\n2018-2022 Wissenschaftlicher Mitarbeiter am Lehrstuhl f\u00fcr Entwerfen und Holzbau bei Prof. Kaufmann, Prof.Birk, TU M\u00fcnchen\r\nSeit 2022 Freier Architekt und K\u00fcnstler in M\u00fcnchen\r\n\r\nAusstellungen\r\n1996 Stadtmuseum M\u00fcnchen Aufm\u00f6beln Gestaltungswettbewerb Recycling Container\r\n2000 12th Contemporary Art Fair, Gallery Dominic Berning, London","post_title":"Valerie Kiock und Zeno Dietrich","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"valerie-kiock-und-zeno-dietrich","to_ping":"","pinged":"","post_modified":"2024-08-06 09:55:25","post_modified_gmt":"2024-08-06 07:55:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6951","menu_order":22,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7120,"post_author":"10","post_date":"2024-09-16 15:08:17","post_date_gmt":"2024-09-16 13:08:17","post_content":"Das deutsch-norwegische Ku\u0308nstlerduo L+S (Lutz-Rainer Mu\u0308ller & Stian \u00c5dlandsvik) realisiert seit 2006 gemeinsam ortsbezogene Projekte, die sich meist im \u00f6ffentlichen Raum ereignen. Die \u00e4sthetische Arbeit von L+S ist stets sowohl prozesshaft als auch dialogisch angelegt und wird oftmals mit einer objekthaften Fixierung scheinbar beendet. Die von dem Duo installierten Objekte oder eingeleiteten Situationen setzen jedoch Prozesse der Interaktion und des Dialoges fort, die in anderer Form das k\u00fcnstlerische Geschehen schon w\u00e4hrend ihrer Konzeption und Produktion bestimmt haben. L+S arbeiten seit 2006 zusammen. Sie studierten beide an der Staatlichen Kunstakademie in Oslo. A\u030adlandsvik studierte au\u00dferdem an der HFBK in Hamburg. Mu\u0308ller studierte zudem an der Kunsthochschule in Bergen und hat einen Abschluss von der Muthesius Kunsthochschule in Kiel.\r\n\r\nLUTZ-RAINER M\u00dcLLER\r\n*1977 in Neustaft in Ostholstein\r\n1999 \u2013 2005 Muthesis Kunsthochschule, Kiel\r\n2003 Kunsthochschule in Bergen (NO) (Austausch)\r\n2004 \u2013 2006 Nationale Akademie der K\u00fcnste, Oslo\r\n\r\nProjekte im \u00f6ffentlichen Raum (Auswahl ab 2018)\r\n2022 Folkevagte | Skulpturengruppe | Rathausplatz Bergen (NO)\r\n2020 Inverted Bridge | Skulpturengruppe | St. Olav Pilgerpfad | Lillehammer (NO)\r\n2020 Austb\u00f8 secondary school | Stavanger (NO)\r\n2020 \u00d8sters | Heimdal High School | Heimdal (NO)\r\n2019 Columnae | Skulptur | Edward Griegs Behandlungszentrum | Kolbotn (NO)\r\n2019 Bonding Border | Skulptur Polarsirkelen weiterf\u00fchrende Schule | Mo i Rana (NO)\r\n2019 Column stagg | Skulptur | Greifswald Universit\u00e4tsklinik | Greifswald\r\n2018 Locker um Abizeugnismythoswelt | Installation | Tolkewitz Oberschule Gymnasium | Dresden\r\n\r\nSTIAN \u00c5DLANDSVIK\r\n*1981 in Bergen (NO)\r\n2003 \u2013 2006 Nationale Akademie der K\u00fcnste, Oslo\r\n2005 Hochschule f\u00fcr bildende K\u00fcnste, Hamburg (Prof. Eran Schaerf) (Austausch)\r\n2001 \u2013 2003 Rogaland Schule f\u00fcr Kunst, Stavanger\r\n\r\nAusstellungen (Auswahl)\r\n2010 \u201eStill life\u201c | MOT international | London\r\n2010 \u201eYou only tell me you love me when you\u2019re drunk\u201c | Hordaland Kunstverein | Bergen\r\n2010 \u201eStill life with hyena\u201c | Lotus and cave | W17 | Kunstnernes hus | Oslo | Norwegen\r\n2008 \u201eIf it won\u2019t fly, try using it as a reducing machine\u201c | Ausstellung an mehreren Orten gleichzeitig: Galerie HfbK, Elektrohaus, Trottoir and St.Pauli Kunstverein, Hamburg\r\n\r\nResidenzstipendien (Auswahl ab 2010)\r\n2018 URRA, Buenos Aires | Argentinien\r\n2013 Flacc | Genk | Belgien\r\n2010 W17 | Oslo | Norwegen\r\n2010 Air Bergen | Bergen | Norwegen\r\n\r\nF\u00f6rderungen\r\n2012 Stiftung Kunstfond, Bonn | Projektf\u00f6rderung\r\n2010 Internationale F\u00f6rderung | OCA (Office for Contemporary Art Norway)\r\n2010 Projektf\u00f6rderung | KORO | Norwegen\r\n2010 Projektf\u00f6rderung | Bergen Kommune\r\n2010 Projektf\u00f6rderung | Vederlagsfondet\r\n2010 Staatliche F\u00f6rderung\r\n2008 International support, OCA (Office for Contemporary Art Norway)\r\n\r\nSammlungen\r\nBergen Art Museum\r\nAstrup Fearnley Museum | Oslo\r\nSammlung der Sparkassenstiftung\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLER<\/a>","post_title":"L+S (Lutz-Rainer M\u00fcller und Stian \u00c5dlandsvik)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ls","to_ping":"","pinged":"","post_modified":"2025-02-21 10:59:14","post_modified_gmt":"2025-02-21 09:59:14","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7120","menu_order":19,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7260,"post_author":"10","post_date":"2024-11-04 15:12:05","post_date_gmt":"2024-11-04 14:12:05","post_content":"*1984 in Feldbach, \u00d6sterreich.\r\n2006\u201311 Studium der Bildhauerei an der Universit\u00e4t f\u00fcr angewandte Kunst Wien mit Studienaufenthalten am Hendrix College,\r\nArkansas (2005\u201306) und am Wimbledon College of Arts, London (2009)\r\nGewinnerin des ersten Dagmar Chobot Skulpturenpreises 2016 und des Kardinal K\u00f6nig Kunstpreises 2019\r\n\r\nEinzelausstellungen (Auswahl): Sophie Tappeiner, Wien; Belvedere 21, Wien (2024); Contemporary Fine Arts, Berlin (2023); Sophie Tappeiner, Wien (2022); Grazer Kunstverein (2018); Secession, Wien (2017); Salzburger Kunstverein (2016); Dortmunder Kunstverein (2015); Akademie Graz (2013).\r\n\r\nGruppenausstellungen (Auswahl): Maison Europ\u00e9enne de la Photographie, Paris; Lentos Museum, Linz; Albertina, Wien; Thaddaeus Ropac, Paris; Albertina Modern, Wien (2024); Kunsthalle Bratislava (2023); Kunstraum Dornbirn, Museum der Moderne Salzburg (2022); New Museum, New York, MAK \u2013 Museum f\u00fcr angewandte Kunst, Wien, Kunsthaus Graz (2021); Belvedere 21, Wien (2019); El Quinto Piso, Mexico City (2017).\r\n\r\nWerke in den Sammlungen von (Auswahl): \u00d6sterreichische Galerie Belvedere, Wien; Albertina, Wien; MAK \u2013 Museum f\u00fcr angewandte Kunst, Wien; Museum der Moderne Salzburg; Lentos Kunstmuseum Linz; Kunsthaus Bregenz; Universalmuseum Joanneum, Graz.","post_title":"Angelika Loderer","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"angelika-loderer","to_ping":"","pinged":"","post_modified":"2024-11-04 15:12:59","post_modified_gmt":"2024-11-04 14:12:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7260","menu_order":16,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7301,"post_author":"10","post_date":"2024-11-11 09:31:55","post_date_gmt":"2024-11-11 08:31:55","post_content":"Gabriela Oberkofler, 1975 in Bozen geboren, besch\u00e4ftigt sich in ihren zeichnerischen, installativen und performativen Arbeiten mit der Entstehung und dem Verlust von Natur- und Kulturr\u00e4umen. Dabei liegt ihr Hauptinteresse in den Verhaltensweisen von Pflanzen, welche in parasit\u00e4ren und symbiotischen Lebensgemeinschaften leben. Sie sucht nach Schnittstellen im Verh\u00e4ltnis zwischen Pflanze und Gesellschaft. Die K\u00fcnstlerin hat an der Staatlichen Akademie der Bildenden K\u00fcnste Stuttgart von 2002 bis 2009 bei den Professoren Werner Pokorny, Micha Ullmann, Markus Umbach und Rainer Ganahl studiert. Ihre sehr umfangreichen Projekte sind in vielen Einzel- und Gruppenausstellungen im In- und Ausland zu sehen, au\u00dferdem war sie von 2009 bis 2020 mit zahlreichen internationalen Aufenthaltsstipendien unterwegs. Im Herbst 2022 er\u00f6ffnete Gabriela Oberkofler den Taberhof in Flaas (S\u00fcdtirol) als Institut f\u00fcr alternative Landwirtschaft, zeitgen\u00f6ssische Kunst und Leben in der Peripherie.\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Gabriela Oberkofler","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"gabriela-oberkofler","to_ping":"","pinged":"","post_modified":"2024-11-11 09:32:42","post_modified_gmt":"2024-11-11 08:32:42","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=7301","menu_order":15,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6909,"post_author":"10","post_date":"2024-07-10 18:32:42","post_date_gmt":"2024-07-10 16:32:42","post_content":"*1971 in Salzburg, studierte an der Akademie der bildenden K\u00fcnste in Wien und Athen. Seit 2017 Professor an der Akademie der bildenden K\u00fcnste in Wien, lebt und arbeitet in Wien und Berlin.\r\n\r\nChristian Schwarzwald wurde unter anderen mit dem Slavi Soucek Preis, Villa Romana Preis, Goldener F\u00fcgerpreis und dem Senefelder Preis ausgezeichnet. Seine Arbeiten sind in zahlreichen \u00f6ffentlichen und privaten Sammlungen vertreten wie z.B.: Albertina Wien, Museum of Modern Art New York, Museum Liaunig Neuhaus, Belvedere 21 Wien\r\n\r\nEr war in zahlreichen internationalen Ausstellungen vertreten wie z.B: MAK Museum f\u00fcr Angewandte Kunst\/Wien, MUCA Roma\/Mexico City, Museum of Contemporary Art MOCA\/Chengdu, GCA The Galaxy Museum of Contemporary Art\/Chongqing, Kunsthaus N\u00fcrnberg, Ningbo Museum of Art Ningbo, Centre de la gravure, La Louvi\u00e9re, Kunsthaus Potsdam, Belvedere 21 Wien, Museum of Fine Arts\/Sochi, Centro per l`Arte Contemporanea Luigi Pecci\/Prato, Michael Woolworth Editions\/Paris, Galerie Krinzinger\/Wien, Nina Menocal Gallery\/Mexico City, Derek Eller Gallery\/New York, Galerie Ebensperger\/Berlin.\r\n\r\nChristian Schwarzwalds Arbeit verk\u00f6rpert einen weiten Begriff von Grafik: Sie umfasst ebenso die schnelle, einfach gehaltene Skizze und Notiz wie Editionen und Malereien. Seine Arbeiten entwickelt er als Elemente von Ensembles, die in Form von vielteiligen Raumarbeiten und Installationen pr\u00e4sentiert werden. Das Einzelblatt \u2013 als Zeichen \u2013 wird so zur Komponente eines komplexen Zeichensystems. Zeichnung ist die einfachste und direkteste Art der Aufzeichnung. Noch vor jedem auf Konsens beruhenden Zeichensystem beherrschen wir als Kinder die Zeichnung als Ausdrucksmittel. F\u00fcr Christian Schwarzwald bedeutet Zeichnung den Anfang der Beschreibung der Welt schlechthin und erm\u00f6glicht es gerade deswegen, die vielf\u00e4ltigsten Formulierungen in der bildenden Kunst zu entwickeln. Zeichnung h\u00e4lt die Verbindung zu urspr\u00fcnglichen \u201eZeichen\u201c aufrecht, die, ungeachtet ihrer jeweiligen spezifischen Motivation, eine Gemeinschaft voraussetzen, die via uncodierter Aufzeichnung kommuniziert. Zeichnung und Grafik sind mittels dieser Direktheit in der Lage, eine Verbindung mit anderen Formen der K\u00fcnste, Musik, Architektur, Literatur, aber auch Philosophie aufrechtzuerhalten und zu nutzen. Die Zeichnung ist f\u00fcr Christian Schwarzwald ein Kreuzungspunkt, an dem sich verschiedenste Str\u00f6mungen der bildenden Kunst treffen \u2013 ihre Besonderheit und St\u00e4rke liegt gerade darin, diese Verbindungen aktiv zu halten.","post_title":"Christian Schwarzwald","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"christian-schwarzwald","to_ping":"","pinged":"","post_modified":"2024-07-10 18:32:42","post_modified_gmt":"2024-07-10 16:32:42","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6909","menu_order":23,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":1172,"post_author":"1","post_date":"2022-06-28 16:30:23","post_date_gmt":"2022-06-28 14:30:23","post_content":"*1968 in M\u00fcnchen, lebt und arbeitet in M\u00fcnchen\r\n1987\u201389 Studium der Kunstgeschichte an der LMU M\u00fcnchen\r\n1989\u201395 Studium an der Akademie der Bildenden K\u00fcnste, M\u00fcnchen\r\n1994 1. Staatsexamen f\u00fcr Kunsterziehung\r\n1995 Diplom\r\n\r\nPreise und Stipendien (seit 2015)\r\n2019 Prinzregent-Luitpold-Stiftung M\u00fcnchen\r\n2018 zwei:eins \u2013 Der M\u00fcnchner Preis f\u00fcr Kunst\r\n2017 Preis: Kunst im \u00f6ffentlichen Raum Projekt der Stadt M\u00fcnchen\r\n2016 F\u00f6rderpreis f\u00fcr Bildende Kunst der Stadt M\u00fcnchen\r\n\r\nEinzelausstellungen (Auswahl seit 2010)\r\n\r\n2024 \"Wir w\u00fcrden jetzt die Welt retten\", mit Erik G\u00f6ngrich, Maximiliansforum M\u00fcnchen\r\n2023 \"Changing times\", RMIT Melbourne, Australien\r\n\"Stetching the system\", Galerie Boutwell Schabrowsky, M\u00fcnchen\r\n2021 \"Videoprogramm: Veronika Veit\", Haus am Waldsee, Berlin\r\n\"Better times\", Kulturraum Kloh\u00e4u\u00dfchen, M\u00fcnchen\r\n2019 \"connected on nature\", Projektraum Karin Wimmer, M\u00fcnchen\r\n2018 Kunstfilmtage, Kunstverein Rosenheim\r\n2017 \"Im Bunker\", Multimediainstallation, Gasteig M\u00fcnchen\r\n2015 \"Videoworks\", Electropical Festival, Reunion, Frankreich\r\n\"The very moment\", Maximiliansforum, M\u00fcnchen\r\n2014 \"You give me what you want yourself\", Galerie Esther Donatz M\u00fcnchen\r\n2012 \"Wir dachten, es w\u00fcrde immer so bleiben\", Kunstverein Konstanz\r\n2011 \"suspension\", Galerie upstairs berlin, Berlin\r\n2010 \"Kunst und Wirklichkeit\", Skulpturenforum Isernhagen\r\n\r\nGruppenausstellungen (Auswahl seit 2010)\r\n\r\n2023 \"MACRS fps - Videokunst zum Anfassen\", Museum of Contemporary Art of Rio Grande do Sul, Brasilien\r\n\"Die Schwerkraft macht keine Ausnahme\", Neue Galerie Landshut\r\n2022 \"Phantastische Welten, vom Trickfilm zur Computerkunst\", LANDSHUTmuseum, Landshut\r\n\"Kunst digital - oder digitale Kunst?\", StadtHaus Galerie Sonthofen\r\n2021 \"Sympatric Areas\", artQ13, Rom, Italien\r\n\"VIDEODOX \u2013 Biennale f\u00fcr Videokunst\", M\u00fcnchen\r\n\"F\u00fcnf SeenFilmfestival- Was ist wahr?\", Starnberg\r\n2020 \"Licht 02\", Kunstverein Pfaffenhofen\r\n2019 \"Prinzip Hoffnung, Teil III\", Maximiliansforum M\u00fcnchen\r\n\"invited by \/\/ part one\", Galerie Robert Drees, Hannover\r\n\"The big sleep\", 4. Biennale des KV, Haus der Kunst M\u00fcnchen\r\n2018 \"Kunst_Film_Tage\", Kunstverein Rosenheim\r\n\"Von Ottobrunn lernen\", Kloh\u00e4uschen Biennale, M\u00fcnchen\r\n\"Superoptimize me\", Rathausgalerie Landshut\r\n2017 Serendipity, Galerie Schmalfu\u00df, Berlin\r\n\"Mind the gap\", Wurlitzer Pied a Terre Collection, Berlin\r\n2016 \"No place like home\", Sammlung Goetz, Haus der Kunst M\u00fcnchen\r\n\"The haunted house\", Rathausgalerie M\u00fcnchen\r\n2015 \"Codes\", Haus der Kunst M\u00fcnchen\r\n\"Nachspeise gibt es sowieso nicht f\u00fcr alle\", Neue Galerie Landshut\r\n2014 \"Eins und eins\", Galerie Esther Donatz, M\u00fcnchen\r\n\"M\u00e4chtigeingemacht\", Bettina van Haaren, Veronika Veit, Kunstverein Essenheim\r\n\"Between sculpture and print\", Verein f\u00fcr Originalradierung M\u00fcnchen\r\n2013 \"No Place like Home\", Wilhelm Hack Museum Ludwigshafen, im Rahmen des 5th Fotofestival Mannheim_Ludwigshafen_Heidelberg, Ludwigshafen\r\n\"Boys n\u00b4girls \u2013 immer wieder anders\", Staatliche Kunsthalle Karlsruhe\r\n\"I would prefer not to\", Galerie Esther Donatz M\u00fcnchen\r\n2012 Bodies unlimited, Palais d\u2018I\u00e9na, Paris\r\n\"Under the constant threat\", Museum of Contemporary Art of Rio Grande do Sul, Brasilien\r\n2011 \"2D\/3D\", Galerie Caroline Smulders, Paris\r\n2010 \"1910 Figur 2010\", Georg Kolbe Museum, Berlin\r\n\"Mythos Kindheit\", Kunstverein Ludwigshafen\r\n\r\nZUR WEBSEITE DER K\u00dcNSTLERIN<\/a>","post_title":"Veronika Veit","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"veit-veronika","to_ping":"","pinged":"","post_modified":"2024-10-30 14:02:25","post_modified_gmt":"2024-10-30 13:02:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/veit-veronika\/","menu_order":205,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_district":"Altstadt-Lehel","werk_sort_data_access":"\u00f6ffentlich zug\u00e4nglich","collection_location_longitude":"48.14105524048782","collection_location_latitude":"11.5601748514335","collection_bg":"#ffebeb","collection_txt":"

Publisher: Baureferat Munich
\nProject Management: Lisa Maria Weber & Lisa Stoiber & Heinz Gr\u00fcnberger
\nDesign: PARAT.cc, Munich
\nPrint: Offizin Scheufele Druck und Medien, Stuttgart
\nWith texts by Katrin Bauer, Dr. Monika Bayer-Wermuth, Quirin Brunnmeier, Roberta De Righi, Dr. Eva-Marina Froitzheim, Dr. Patricia Grzonka, Dr. Christa H\u00e4usler, Barbara Horvath, Prof. Julienne Lorz, Dr. Jenny Mues, Ursula Pokorny, Herbert Schnepf and Julia Stellmann
\nTranslation: Marie Frohling
\nGerman\/English, 96 pages
\nRelease Date: April 2025<\/h3>\n
\n

With works by Alexandra Bircken, Georgia Creimer, Jon Etter, Wolfgang Groh, Ilse Haider, Jette Hampe, Benedikt Hipp, Valerie Kiock & Zeno Dietrich, L+S, Angelika Loderer, Gabriela Oberkofler, Christian Schwarzwald and Veronika Veit<\/h3>\n
\n

The second edition of the QUIVID review presents 13 art in architecture projects realized in 2024 at municipal schools, daycare centers, youth facilities, as well as on a depot and a public square in Munich and its surroundings.The uniting thread linking the artworks in this year\u2019s review publication is the focus on our environment in the broadest sense. The works heighten our awareness of what surrounds us and keeps us alive: nature and human interaction. The artists thus contribute to the preservation of our social foundations, the intergenerational task par excellence.<\/p>\n

The immediate beneficiaries of the works created in the context of the QUIVID program are largely children and young adults. For a decade now, the city\u2019s building department\u2019s art in architecture program largely has been dedicated to new and emerging educational facilities. Since the 2014 launch of the \u2018Bildungsbauoffensive M\u00fcnchen,\u2019 Germany\u2019s largest school and daycare building construction program, QUIVID has brought children and youths, in kindergartens and schools, into contact with contemporary art and a broad range of relevant social issues.<\/p>\n

The interview in the middle section of the magazine offers readers a deeper understanding of the new QUIVID artwork \u201ePS (Horsepower)\u201c by Alexandra Bircken. With her eye-catching horse sculpture located at the entrance to the Altstadtringtunnel on Oskar-von-Miller-Ring, Bircken explores the limits of mobility and speed. In conversation with Dr. Monika Bayer-Wermuth, this sculpture will be placed in the context of the artist’s oeuvre as a whole.<\/p>\n

A new feature will be introduced in the second issue of QUIVID-Review: From now on, the design of the covers will be in the hands of artists. With their designs, they create independent works that comment on the topics of art in architecture or art in public spaces. The design of its cover was created by the Greek artist Zafos Xagoraris. His two drawings on the cover and inside flap address a paradigm shift in dealing with monumental symbols of power in public space and the associated existence of different versions of history.<\/p>\n

The yearbook is accompanied by an educational program in the form of an art treasure hunt for children and families to five QUIVID artworks in Sendling, Westend and Isarvorstadt. An invitation to (re)explore these works and their sites on foot or by bike following a provided map.<\/p>\n

Photos: Thomas Gothier<\/p>\n

The number of printed copies is very limited. If you are interested in a printed edition, please contact the QUIVID team: quivid.bau@muenchen.de<\/a><\/p>\n

DIGITAL EDITION<\/a><\/p>\n","collection_detail":true,"collection_maptype":true,"collection_article_relation":"","collection_preview_tile_img":7718,"collection_images":[{"ID":7718,"id":7718,"title":"quivid-muenchen-review-2024-kunst-am-bau-01","filename":"quivid-muenchen-review-2024-kunst-am-bau-01-scaled.jpg","filesize":449867,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-scaled.jpg","link":"https:\/\/quivid.de\/en\/collection\/quivid-review-2\/quivid-muenchen-review-2024-kunst-am-bau-01-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-review-2024-kunst-am-bau-01-2","status":"inherit","uploaded_to":7696,"date":"2025-04-29 11:02:56","modified":"2025-04-29 12:21:33","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":1707,"height":2560,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-200x300.jpg","thumbnail-width":200,"thumbnail-height":300,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-853x1280.jpg","medium-width":853,"medium-height":1280,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-768x1152.jpg","medium_large-width":768,"medium_large-height":1152,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-1707x2560.jpg","large-width":1707,"large-height":2560,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-1024x1536.jpg","1536x1536-width":1024,"1536x1536-height":1536,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-1365x2048.jpg","2048x2048-width":1365,"2048x2048-height":2048,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-1920x2880.jpg","_2560-width":1920,"_2560-height":2880,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-1920x2880.jpg","_1920-width":1920,"_1920-height":2880,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-1280x1920.jpg","_1280-width":1280,"_1280-height":1920,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-1024x1536.jpg","_1024-width":1024,"_1024-height":1536,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-01-768x1152.jpg","_768-width":768,"_768-height":1152}},{"ID":7720,"id":7720,"title":"quivid-muenchen-review-2024-kunst-am-bau-02","filename":"quivid-muenchen-review-2024-kunst-am-bau-02-scaled.jpg","filesize":592156,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-scaled.jpg","link":"https:\/\/quivid.de\/en\/quivid-muenchen-review-2024-kunst-am-bau-02-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-review-2024-kunst-am-bau-02-2","status":"inherit","uploaded_to":0,"date":"2025-04-29 11:03:02","modified":"2025-04-29 11:03:02","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1707,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-1280x853.jpg","medium-width":1280,"medium-height":853,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-2560x1707.jpg","large-width":2560,"large-height":1707,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-1920x1280.jpg","_2560-width":1920,"_2560-height":1280,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-1920x1280.jpg","_1920-width":1920,"_1920-height":1280,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-1280x853.jpg","_1280-width":1280,"_1280-height":853,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-02-768x512.jpg","_768-width":768,"_768-height":512}},{"ID":7726,"id":7726,"title":"quivid-muenchen-review-2024-kunst-am-bau-05","filename":"quivid-muenchen-review-2024-kunst-am-bau-05-scaled.jpg","filesize":563592,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-scaled.jpg","link":"https:\/\/quivid.de\/en\/quivid-muenchen-review-2024-kunst-am-bau-05-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-review-2024-kunst-am-bau-05-2","status":"inherit","uploaded_to":0,"date":"2025-04-29 11:03:18","modified":"2025-04-29 11:03:18","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1708,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-1280x854.jpg","medium-width":1280,"medium-height":854,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-2560x1708.jpg","large-width":2560,"large-height":1708,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-1536x1025.jpg","1536x1536-width":1536,"1536x1536-height":1025,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-2048x1366.jpg","2048x2048-width":2048,"2048x2048-height":1366,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-1920x1281.jpg","_2560-width":1920,"_2560-height":1281,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-1920x1281.jpg","_1920-width":1920,"_1920-height":1281,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-1280x854.jpg","_1280-width":1280,"_1280-height":854,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-05-768x512.jpg","_768-width":768,"_768-height":512}},{"ID":7724,"id":7724,"title":"quivid-muenchen-review-2024-kunst-am-bau-04","filename":"quivid-muenchen-review-2024-kunst-am-bau-04-scaled.jpg","filesize":602329,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-scaled.jpg","link":"https:\/\/quivid.de\/en\/quivid-muenchen-review-2024-kunst-am-bau-04-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-review-2024-kunst-am-bau-04-2","status":"inherit","uploaded_to":0,"date":"2025-04-29 11:03:12","modified":"2025-04-29 14:02:55","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1707,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-1280x853.jpg","medium-width":1280,"medium-height":853,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-2560x1707.jpg","large-width":2560,"large-height":1707,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-1920x1280.jpg","_2560-width":1920,"_2560-height":1280,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-1920x1280.jpg","_1920-width":1920,"_1920-height":1280,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-1280x853.jpg","_1280-width":1280,"_1280-height":853,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-04-768x512.jpg","_768-width":768,"_768-height":512}},{"ID":7716,"id":7716,"title":"quivid-muenchen-review-2024-kunst-am-bau-08","filename":"quivid-muenchen-review-2024-kunst-am-bau-08-scaled.jpg","filesize":526985,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-scaled.jpg","link":"https:\/\/quivid.de\/en\/quivid-muenchen-review-2024-kunst-am-bau-08-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-review-2024-kunst-am-bau-08-2","status":"inherit","uploaded_to":0,"date":"2025-04-29 11:02:51","modified":"2025-04-29 14:00:48","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1707,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-1280x853.jpg","medium-width":1280,"medium-height":853,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-2560x1707.jpg","large-width":2560,"large-height":1707,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-1920x1280.jpg","_2560-width":1920,"_2560-height":1280,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-1920x1280.jpg","_1920-width":1920,"_1920-height":1280,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-1280x853.jpg","_1280-width":1280,"_1280-height":853,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-08-768x512.jpg","_768-width":768,"_768-height":512}},{"ID":7722,"id":7722,"title":"quivid-muenchen-review-2024-kunst-am-bau-03","filename":"quivid-muenchen-review-2024-kunst-am-bau-03-scaled.jpg","filesize":604159,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-scaled.jpg","link":"https:\/\/quivid.de\/en\/quivid-muenchen-review-2024-kunst-am-bau-03-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-review-2024-kunst-am-bau-03-2","status":"inherit","uploaded_to":0,"date":"2025-04-29 11:03:07","modified":"2025-04-29 11:03:07","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1707,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-1280x853.jpg","medium-width":1280,"medium-height":853,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-2560x1707.jpg","large-width":2560,"large-height":1707,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-1920x1280.jpg","_2560-width":1920,"_2560-height":1280,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-1920x1280.jpg","_1920-width":1920,"_1920-height":1280,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-1280x853.jpg","_1280-width":1280,"_1280-height":853,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-03-768x512.jpg","_768-width":768,"_768-height":512}},{"ID":7728,"id":7728,"title":"quivid-muenchen-review-2024-kunst-am-bau-06","filename":"quivid-muenchen-review-2024-kunst-am-bau-06-scaled.jpg","filesize":477302,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-scaled.jpg","link":"https:\/\/quivid.de\/en\/quivid-muenchen-review-2024-kunst-am-bau-06-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-review-2024-kunst-am-bau-06-2","status":"inherit","uploaded_to":0,"date":"2025-04-29 11:03:22","modified":"2025-04-29 11:03:22","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1707,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-1280x854.jpg","medium-width":1280,"medium-height":854,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-2560x1707.jpg","large-width":2560,"large-height":1707,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-2048x1366.jpg","2048x2048-width":2048,"2048x2048-height":1366,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-1920x1281.jpg","_2560-width":1920,"_2560-height":1281,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-1920x1281.jpg","_1920-width":1920,"_1920-height":1281,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-1280x854.jpg","_1280-width":1280,"_1280-height":854,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-06-768x512.jpg","_768-width":768,"_768-height":512}},{"ID":7730,"id":7730,"title":"quivid-muenchen-review-2024-kunst-am-bau-07","filename":"quivid-muenchen-review-2024-kunst-am-bau-07-scaled.jpg","filesize":540855,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-scaled.jpg","link":"https:\/\/quivid.de\/en\/quivid-muenchen-review-2024-kunst-am-bau-07-2\/","alt":"","author":"10","description":"","caption":"","name":"quivid-muenchen-review-2024-kunst-am-bau-07-2","status":"inherit","uploaded_to":0,"date":"2025-04-29 11:03:28","modified":"2025-04-29 11:10:19","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1707,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-1280x854.jpg","medium-width":1280,"medium-height":854,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-2560x1707.jpg","large-width":2560,"large-height":1707,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-2048x1366.jpg","2048x2048-width":2048,"2048x2048-height":1366,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-1920x1281.jpg","_2560-width":1920,"_2560-height":1281,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-1920x1281.jpg","_1920-width":1920,"_1920-height":1281,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-1280x854.jpg","_1280-width":1280,"_1280-height":854,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-muenchen-review-2024-kunst-am-bau-07-768x512.jpg","_768-width":768,"_768-height":512}}],"collection_werke":[{"ID":7437,"post_author":"10","post_date":"2025-01-15 09:12:22","post_date_gmt":"2025-01-15 08:12:22","post_content":"","post_title":"PS (Horsepower)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ps-horsepower","to_ping":"","pinged":"","post_modified":"2025-04-29 15:29:36","post_modified_gmt":"2025-04-29 13:29:36","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7437","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7694,"post_author":"10","post_date":"2025-04-29 14:32:47","post_date_gmt":"2025-04-29 12:32:47","post_content":"","post_title":"Interview with Alexandra Bircken","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"interview-alexandra-bircken","to_ping":"","pinged":"","post_modified":"2025-04-29 14:34:59","post_modified_gmt":"2025-04-29 12:34:59","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=article&p=7694","menu_order":0,"post_type":"article","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6876,"post_author":"10","post_date":"2024-07-19 10:48:11","post_date_gmt":"2024-07-19 08:48:11","post_content":"","post_title":"Underscape","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"underscape","to_ping":"","pinged":"","post_modified":"2025-04-29 15:53:50","post_modified_gmt":"2025-04-29 13:53:50","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6876","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7058,"post_author":"10","post_date":"2024-08-26 15:02:43","post_date_gmt":"2024-08-26 13:02:43","post_content":"","post_title":"Meerblick","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"meerblick","to_ping":"","pinged":"","post_modified":"2025-04-29 15:53:24","post_modified_gmt":"2025-04-29 13:53:24","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7058","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7203,"post_author":"10","post_date":"2024-10-22 13:59:59","post_date_gmt":"2024-10-22 11:59:59","post_content":"","post_title":"Hortus Parvulorum","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hortus-parvulorum","to_ping":"","pinged":"","post_modified":"2025-04-29 15:52:28","post_modified_gmt":"2025-04-29 13:52:28","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7203","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7169,"post_author":"10","post_date":"2024-10-07 14:37:58","post_date_gmt":"2024-10-07 12:37:58","post_content":"","post_title":"Zwei Eschen","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zwei-eschen","to_ping":"","pinged":"","post_modified":"2025-04-29 15:52:41","post_modified_gmt":"2025-04-29 13:52:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7169","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7226,"post_author":"10","post_date":"2024-10-30 10:54:52","post_date_gmt":"2024-10-30 09:54:52","post_content":"","post_title":"Schon geh\u00f6rt?","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"schon-gehoert","to_ping":"","pinged":"","post_modified":"2025-04-29 15:52:10","post_modified_gmt":"2025-04-29 13:52:10","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7226","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7393,"post_author":"10","post_date":"2024-12-09 10:29:26","post_date_gmt":"2024-12-09 09:29:26","post_content":"","post_title":"Blobs (Tilia, Carpinus, Betula, Quercus, Prunus)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"blobs-tilia-carpinus-betula-quercus-prunus","to_ping":"","pinged":"","post_modified":"2025-04-29 15:50:38","post_modified_gmt":"2025-04-29 13:50:38","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7393","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6952,"post_author":"10","post_date":"2024-07-25 11:34:29","post_date_gmt":"2024-07-25 09:34:29","post_content":"","post_title":"REFLEXE","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"reflexe","to_ping":"","pinged":"","post_modified":"2025-04-29 15:53:37","post_modified_gmt":"2025-04-29 13:53:37","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6952","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7121,"post_author":"10","post_date":"2024-09-17 13:49:20","post_date_gmt":"2024-09-17 11:49:20","post_content":"","post_title":"Extraeck","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"extraeck","to_ping":"","pinged":"","post_modified":"2025-04-29 15:53:06","post_modified_gmt":"2025-04-29 13:53:06","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7121","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7261,"post_author":"10","post_date":"2024-11-11 08:53:35","post_date_gmt":"2024-11-11 07:53:35","post_content":"","post_title":"Sch\u00fcttl\u00f6cher (Rockefellerstra\u00dfe)","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"schuettloecher","to_ping":"","pinged":"","post_modified":"2025-04-29 15:51:57","post_modified_gmt":"2025-04-29 13:51:57","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7261","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7302,"post_author":"10","post_date":"2024-11-12 10:31:33","post_date_gmt":"2024-11-12 09:31:33","post_content":"","post_title":"Am\u00f6be","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"amoebe","to_ping":"","pinged":"","post_modified":"2025-04-29 15:51:40","post_modified_gmt":"2025-04-29 13:51:40","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7302","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6910,"post_author":"10","post_date":"2024-07-12 09:23:57","post_date_gmt":"2024-07-12 07:23:57","post_content":"","post_title":"SLANG","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"slang","to_ping":"","pinged":"","post_modified":"2025-04-29 15:54:13","post_modified_gmt":"2025-04-29 13:54:13","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6910","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7362,"post_author":"10","post_date":"2024-12-02 15:10:23","post_date_gmt":"2024-12-02 14:10:23","post_content":"","post_title":"Ein Hase fliegt, einer passt auf","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ein-hase-fliegt","to_ping":"","pinged":"","post_modified":"2025-04-29 15:51:20","post_modified_gmt":"2025-04-29 13:51:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=7362","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/collection\/7696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/collection"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/collection"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1172"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6909"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7301"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7260"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7120"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6951"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7391"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7237"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7168"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1292"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7057"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6874"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/7436"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7362"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6910"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7302"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7261"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7121"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6952"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7393"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7226"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7169"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7203"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7058"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6876"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/article\/7694"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/7437"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7730"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7728"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7722"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7716"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7724"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7726"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7720"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7718"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/7718"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7696"}],"wp:term":[{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7696"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}