With this review, we wanted to document the eleven works of art in architecture that were realized in 2023 at schools, daycare centers, and public plazas in seven districts of Munich. Working in all different kinds of media, the artists invited or selected by the Commission create works of art conceived especially for the site and its users.<\/p>\n
For instance, ceramic objects are turned into artistically designed guidance systems for preschool children, such as \u201cObst & Gem\u00fcse\u201d by the Berlin artist Nigin Beck<\/a>. Other artists take advantage of the whole height of a building to create sculptures that reach upward from the ground floor to the top story, as the Danish, Berlin-based artist Christian Falsnaes<\/a> did with his piece \u201cKorper\u201d. Anja Buchheister<\/a>, an artist living in Ireland, and Sven Kalden<\/a>, from Kassel, start by having discussions with the users before realizing their works or collaborating on them. Others, such as the Austrian duo Claudia Plank & Hans Werner Poschauko, the Austrian collective Gelitin<\/a>, or the Norwegian artist Verena Isse<\/a>l enliven existing white walls with intensely colorful mosaics or reliefs.<\/p>\n Others use a variety of means to create special atmospheres through their artworks made of light \u2014 for example, Munich artist Albert Hien<\/a> and his \u201cCarpe Diem\u201d in the tower of the Oskar-von-Miller-Gymnasium, or Olaf Nicolai and his \u201cFreiham illuminata \/\/ Luce del respiro\u201d in the green space on the Freiham school campus. In Ilit Azoulay\u2019s multimedia piece \u201cDigital Amnesia or Constructed Memory\u201d, history and the history of the site are the focus. Berlin-based Nevin Alada\u011f<\/a> connects places around the world through the formal vocabulary for her floor piece, \u201cPattern of Fame\u201d, constructed out of specially made terrazzo tiles, while also addressing issues of ancestry, identity, and belonging.<\/p>\n In the center section of this booklet, the artist Philipp Gufler<\/a> discusses in an interview the artwork he made in 2021 for the Lerchenau sports facility, as well as his practice of art. In his work, the artist sheds a critical light on how Western history is written and advocates for visibility for queer figures, groups, and forgotten places. A second interview deals with the Israeli artist Ilit Azoulay<\/a>\u2019s process of creating her piece in the Maximiliansgymnasium, which is also part of this review.<\/p>\n Photos: Thomas Gothier<\/p>\n DIGITAL EDITION<\/a><\/p>\n GALLERYTALK.NET<\/a><\/p>\n","collection_year":"","collection_location":"","collection_involved":"","collection_artists":[{"ID":6310,"post_author":"10","post_date":"2023-11-02 16:27:18","post_date_gmt":"2023-11-02 15:27:18","post_content":"Nevin Alada\u011f nahm an der documenta 14 (2017), der 57. Biennale von Venedig (2017), der Sharjah Biennale (2013), der Ruhr Triennale (2016), der XIV Biennale Internazionale di Scultura, Carrara (2010), der 11. Istanbul Biennale (2009) und an der 8. Taipei Biennale (2008) u.a. teil.\r\n\r\nIhre Arbeiten wurden international in verschiedenen Einzelausstellungen gezeigt, u.a. im Kurpark, Baden Baden (2023), in der Galerie Krinzinger, Wien (2022), in der Galerie Pilevneli, Istanbul (2022), bei Barakat Contemporary, Seoul (2022), im Museum Villa Stuck, M\u00fcnchen (2021), im Lehmbruck Museum, Duisburg (2021), in der Hayward Gallery, London (2020), im SF Moma, Museum of Modern Art, San Francisco (2019), Kestner Gesellschaft, Hannover (2018), Albertinum, Dresden (2018), Salzburger Kunstverein (2017), Lentos Kunstmuseum, Linz (2016), Kunstmuseum Stuttgart (2015), Kunsthalle Basel (2014), Art Space Pythagorion, Samos (2014), Berlinische Galerie, Berlin (2013) und bei Arter Istanbul (2012).\r\n\r\nIhre Arbeiten waren Teil von Gruppenausstellungen, u.a Bundeskunsthalle, Bonn (2023), Lenbauchhaus, M\u00fcnchen (2022), Biennale Bregaglia, Vicosoprano (2022), Kunstfestivaldesarts-Maison des Arts, Br\u00fcssel, (2022), The Moody Center for the Arts, Houston (2022), Tinguely Museum, Basel (2021), ArtScience Museum, Singapur (2021), Kunsthalle Mannheim (2020), Hamburger Bahnhof, Berlin, (2020), Schirn Kunsthalle, Frankfurt (2019), Martin-Gropius-Bau, Berlin (2019), The High Line, New York (2019), Kemper Museum of Contemporary Art, Kansas City (2018), Istanbul Modern, Istanbul (2017), The Jewish Museum, New York (2015), Center for Contemporary Art, Malm\u00f6 (2014), Mus\u00e9e d'Art Contemporain, Marseille (2013), Pinakothek der Moderne, M\u00fcnchen (2012), Museum of Contemporary Art, Tokio (2011).","post_title":"Nevin Alada\u011f","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nevin-aladag","to_ping":"","pinged":"","post_modified":"2023-11-02 16:27:18","post_modified_gmt":"2023-11-02 15:27:18","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6310","menu_order":32,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6426,"post_author":"10","post_date":"2023-12-18 16:06:20","post_date_gmt":"2023-12-18 15:06:20","post_content":"*1972 in Tel Aviv-Jaffa, Israel, lebt und arbeitet in Berlin.\r\n\r\nAzoulays Arbeiten wurden international in zahlreichen Institutionen gezeigt. Mit Queendom, ihrem j\u00fcngsten Projekt, bespielte sie k\u00fcrzlich den israelischen Pavillon auf der 59. Biennale von Venedig (2022). Sie hatte Einzelausstellungen im Herzliya Museum of Contemporary Art, Israel (2014), in den KW Institute for Contemporary Art, Berlin (2014), in Das Israel Museum, Jerusalem (2017), im CCA \u2013 Center for Contemporary Art, Tel Aviv (2019) sowie in der Braverman Gallery, Tel Aviv (2021). Dar\u00fcber hinaus waren ihre Arbeiten in Gruppenausstellungen in international renommierten Institutionen zu sehen, darunter Das Israel Museum, Jerusalem (2011, 2017), Daimler Contemporary, Berlin (2012, 2020), das Museum of Modern Art, New York (2015), das Mus\u00e9e d\u2019Art moderne de la Ville de Paris (2015), das Australian Centre for Contemporary Art, Melbourne (2015), die Pinakothek der Moderne, M\u00fcnchen (2016), das Bauhaus Museum, Dessau (2019), das Eretz Israel Museum, Tel Aviv (2021) sowie das Kunsthaus Z\u00fcrich (2022).\r\n\r\nAzoulays Werke wurden in vielz\u00e4hlige internationale Museums- und Privatsammlungen aufgenommen, darunter die des Museum of Modern Art, New York, des Guggenheim Museum, New York, des LACMA, Los Angeles, des Hammer Museum, Los Angeles, des Art Institute of Chicago, des Centre Georges Pompidou, Paris, der National Gallery of Australia, Canberra, der Julia Stoschek Collection, D\u00fcsseldorf\/Berlin, des Das Israel Museum, Jerusalem, sowie des Tel Aviv Museum of Art.\r\n\r\nAzoulay absolvierte ein Studium an der Bezalel Academy of Arts and Design in Jerusalem. Ihr wurden mehrere Preise verliehen, darunter der Constantiner Photography Award for an Israeli Artist des Tel Aviv Museum of Art (2011), der Preis des israelischen Ministeriums f\u00fcr Kultur und Sport (2011, 2017) sowie der Rencontres d\u2019Arles Discovery Award (2014). Dar\u00fcber hinaus war sie unter den Finalist:innen des Prix Pictet (2015).","post_title":"Ilit Azoulay","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ilit-azoulay","to_ping":"","pinged":"","post_modified":"2023-12-18 16:06:20","post_modified_gmt":"2023-12-18 15:06:20","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6426","menu_order":29,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6528,"post_author":"10","post_date":"2024-01-26 09:15:14","post_date_gmt":"2024-01-26 08:15:14","post_content":"*1984 in M\u00fcnchen, lebt und arbeitet in Berlin\r\n2003 Ludwig-Maximilians-Universit\u00e4t, M\u00fcnchen: Kunstgeschichte, Philosophie, Orientalistik\r\n2005 Akademie der Bildenden K\u00fcnste, M\u00fcnchen, Klasse Joseph Kosuth\r\n2007 Akademie der Bildenden K\u00fcnste, M\u00fcnchen, Klasse Olaf Metzel\r\n2011 Mitgr\u00fcndung des non-profit Kunstraumes \"Prince of Wales\" in M\u00fcnchen\r\n2011 Meisterklasse bei Olaf Metzel\r\n2012 Diplom, Deb\u00fctantenpreis des Bayerischen Staates\r\n2016 Umzug nach Berlin mit ihren zwei T\u00f6chtern\r\n\r\nEinzelausstellungen (Auswahl)\r\n\r\n2023 \"Transformers\", Mauer, K\u00f6ln\r\n2022 \"Beware o Wanderer, the road is moving too\", Hoto Galerie, Berlin\r\n2021 Restaurant Ezsra, Berlin\r\n2020 \"I decided to wrap up my family\", Gemeinde K\u00f6ln, Cologne\r\n2019 \"Yeki Bud, Yeki Nabud\", Ashley, Berlin\r\n2017 \"My yellow is yours, your red is mine\", Pogobar KW Berlin\r\n2017 \"Places that are not \u2014 Nostalgia for Mahdieh\", Galerie Jo van de Loo, M\u00fcnchen\r\n2015 \"I voodoo like you do\", Galerie Jo van de Loo, M\u00fcnchen\r\n2013 \"Reality is north, empty dreams are west, fake hopes are east, and we are south\", Prince of Wales, M\u00fcnchen\r\n2013 \"Monsters, Devils, Heroes\", Galerie Jo van de Loo, M\u00fcnchen\r\n\r\nGruppenausstellungen (Auswahl)\r\n\r\n2023 \"House of Dreamers\", Fondation Boghossian, Br\u00fcssel\r\n2021 Merzbaugarten, Kinderhook Caracas, Berlin Kuli, Mauer, K\u00f6ln\r\n2021 \"Freedom and Independence\", Galerie Ebensperger, Wien\r\n2020 \"Da f\u00fcr Dich\", Zentrale, Berlin\r\n2020 \"Green go Home\", Hua International, Berlin\r\n2019 \"Swamp\", Berlinskej Model mit Galerie Tobias N\u00e4hring, Prag\r\n2019 \"Le ping le pong\", Galerie Jo van de Loo, M\u00fcnchen\r\n2018 Jahresgaben, Kunstverein M\u00fcnchen\r\n2018 \"The rabbit I never got\", Vereinigung Bildender K\u00fcnstlerinnen \u00d6sterreichs, Wien\r\n2018 \"Played\", Galerie Ebensperger, Salzburg\r\n2018 \"Voyage\",\u00a0 Tropez, Sommerbad im Humboldthain, Berlin\r\n2017 Jahresgaben, Kunstverein M\u00fcnchen\r\n2017 \"Fierce Cranberry Taroof\", HOTO Berlin\r\n2016 Jahresgaben, Kunstverein M\u00fcnchen\r\n2016 \"Hayward und Tamayo\", Kunstverein M\u00fcnchen\r\n2016 Nominierung und Ausstellung F\u00f6rderpreis der Stadt M\u00fcnchen","post_title":"Nigin Beck","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nigin-beck","to_ping":"","pinged":"","post_modified":"2024-01-26 09:15:52","post_modified_gmt":"2024-01-26 08:15:52","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6528","menu_order":25,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6442,"post_author":"10","post_date":"2023-12-20 10:26:39","post_date_gmt":"2023-12-20 09:26:39","post_content":"Anja Buchheisters Arbeiten siedeln an der Grenze von Zweidimensionalit\u00e4t und Dreidimensionalit\u00e4t. Sie arbeitet mit Fotografie, Linienzeichnung, Schriftbildern sowie Techniken des Ausschneidens und Faltens. Aus ihrem Abbildungsarchiv sch\u00f6pft sie Elemente f\u00fcr Cut Out-Objekte und raumgreifende Installationen, in denen surrealabstrahierte Umdeutungen abgebildeter Realit\u00e4ten Spannungsfelder erzeugen. Basis ist die konzeptuelle Auseinandersetzung mit Paradigmen von Wirklichkeitserfahrung, Raumwahrnehmung und Raumdarstellung.\r\n\r\nAnja Buchheister (*1978 in Wolfenb\u00fcttel) lebt und arbeitet in Tipperary\/Irland. Von 2004 bis 2011 studierte sie Bildhauerei an der Akademie der Bildenden K\u00fcnste in M\u00fcnchen und war Meistersch\u00fclerin von Professor Stephan Huber. Davor schloss sie ein Kommunikationsdesign-Studium in Mannheim ab. Sie erhielt diverse F\u00f6rderungen und Preise f\u00fcr ihre Arbeit, darunter 2016 das K\u00fcnstlerstipendium der Emsl\u00e4ndischen Landschaft, 2013 den F\u00f6rderpreis Bildende Kunst der Stadt M\u00fcnchen und 2012 den Deb\u00fctantenpreis der GEDOK und des Bayerischen Staatsministeriums f\u00fcr Wissenschaft, Forschung und Kunst.\r\n\r\nGezeigt wurden ihre Arbeiten unter anderem im Kunsthaus N\u00fcrnberg (2018), in der Artothek M\u00fcnchen (2020), der\r\nGalerie Karin Wimmer\/M\u00fcnchen (2017), der St\u00e4dtischen Galerie Papenburg (2016), im Kunstverein Grafschaft\r\nBentheim (2016) und der Galerie Esther Donatz\/M\u00fcnchen (2015).\r\n\r\nwww.anjabuchheister.com<\/a>","post_title":"Anja Buchheister","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"anja-buchheister","to_ping":"","pinged":"","post_modified":"2024-01-08 16:44:55","post_modified_gmt":"2024-01-08 15:44:55","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6442","menu_order":27,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6081,"post_author":"5","post_date":"2023-06-16 09:39:39","post_date_gmt":"2023-06-16 07:39:39","post_content":"Christian Falsnaes studierte Philosophie an der Universit\u00e4t von Kopenhagen und Kunst an der Akademie der bildenden K\u00fcnste in Wien. Seine Arbeiten basieren oft auf der Interaktion zwischen Publikum und K\u00fcnstler und besch\u00e4ftigen sich mit den Ritualen, der Dynamik und dem Gruppenverhalten in stark sozial kodierten Bereichen wie der Kunstwelt. Sie kreisen um die Fragen von Identit\u00e4t, Autorit\u00e4t und Unterwerfung. Seine Arbeiten wurden u.a. gezeigt in der Copenhagen Contemporary (2020), der Kunsthalle Mannheim (2018), dem Kiasma Museum of Contemporary Art, Helsinki (2019), im Centre Pompidou, Paris (2018), bei der Bienal de Performance, Buenos Aires (2017), 57. Venedig Biennale, Venedig (2017), Manifesta 11, Z\u00fcrich (2016), Hamburger Bahnhof \u2013 Museum f\u00fcr Gegenwart, Berlin (2015) und in der Kunsthalle Wien (2015), Wien.\r\n\r\nwww.christianfalsnaes.com<\/a>","post_title":"Christian Falsnaes","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"christian-falsnaes","to_ping":"","pinged":"","post_modified":"2023-06-19 16:12:25","post_modified_gmt":"2023-06-19 14:12:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6081","menu_order":35,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":4250,"post_author":"5","post_date":"2023-03-20 14:01:09","post_date_gmt":"2023-03-20 13:01:09","post_content":"Gelitin besteht aus vier K\u00fcnstlern aus Wien. Erstmals trafen sie sich 1978 bei einem Sommercamp. Seitdem sind sie gemeinsam t\u00e4tig. Seit 1993 werden ihre Arbeiten international gezeigt.\r\n\r\nwww.gelitin.net<\/a>\r\n\r\n ","post_title":"Gelitin","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"gelitin","to_ping":"","pinged":"","post_modified":"2023-05-15 11:06:56","post_modified_gmt":"2023-05-15 09:06:56","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=4250","menu_order":39,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":4136,"post_author":"5","post_date":"2023-01-18 11:08:13","post_date_gmt":"2023-01-18 10:08:13","post_content":"*1989 in Augsburg, lebt und arbeitet in M\u00fcnchen und Amsterdam\r\n\r\n2008\u20132014 Kunststudium an der Akademie der Bildenden K\u00fcnste, M\u00fcnchen und an der Hochschule f\u00fcr Gestaltung, Karlsruhe\r\n2014\u20132015 Komiteemitglied der Lothringer13_Florida\r\n2015\u20132017 K\u00fcnstlerresidenz De Ateliers, Amsterdam\r\n2019 K\u00fcnstlerresidenz Skowhegan School of Painting & Sculpture, Maine (USA)\r\n2021 K\u00fcnstlerresidenz Delfina Foundation, London\r\nSeit 2013 ist er aktives Mitglied des Vereins Forum Queeres Archiv M\u00fcnchen.\r\n\r\nAuszeichnungen und Preise (Auswahl)\r\n\r\n2021 Medienpreis HIV\/AIDS der Deutschen-AIDS Stiftung\r\n2021 K\u00f6niglicher Malereipreis, Niederlande\r\n2018 F\u00f6rderpreis der Landeshauptstadt M\u00fcnchen, Bildende Kunst\r\n2015 Bayerischer Staatsf\u00f6rderpreis\r\n\r\nEinzelausstellungen (Auswahl)\r\n\r\n2020 Autoerotismus, Kevin Space, Wien\r\n2020 It is getting alive, BQ, Berlin\r\n2019 I\u2019m in Love with a Statue, Galerie Fran\u00e7oise Heitsch, M\u00fcnchen\r\n2019 Pleasure Pain, Marwan, Amsterdam\r\n2017 Romankreisen, BQ, Berlin\r\n2017 I Wanna Give You Devotion, Plattform, M\u00fcnchen\r\n2016 Setz dein Ich in Anf\u00fchrungsstriche, Kunstverein G\u00f6ttingen\r\n\r\nGruppenausstellungen (Auswahl)\r\n\r\n2022 Exzentrische 1980er: Tabea Blumenschein, Hilka Nordhausen, Rabe perplexum und Kompliz\u00b7innen aus dem Jetzt, Lothringer 13, M\u00fcnchen, Kunstverein Tiergarten, Berlin, K\u00fcnstlerhaus, Hamburg\r\n2021 Sweat, Haus der Kunst, M\u00fcnchen\r\n2021 Actually, the Dead Are Not Dead. Techniques of Becoming, W\u00fcrttembergischer Kunstverein, Stuttgart\r\n2021 Biennale f\u00fcr Freiburg, Freiburg\r\n2021 Is it possible to be a revolutionary and like flowers?, Nest, Den Haag\r\n2020 Andere Geschiedenis volgens Dirjke Kuik und Philipp Gufler, Centraal Museum, Utrecht\r\n2019 Liebe und Ethnologie, Haus der Kulturen der Welt, Berlin\r\n2019 Maskulinit\u00e4ten, Kunstverein D\u00fcsseldorf\r\n2018 Paranoid House, Vleeshal, Middelburg\r\n2017 Bei Cosy, Rongwrong, Amsterdam\r\n2016 Favoriten III, Lenbachhaus M\u00fcnchen\r\n2015 Videonale15, Kunstmuseum Bonn\r\n\r\n\u00d6ffentliche Sammlungen\r\n\r\nBundeskunstsammlung, Sammlung zeitgen\u00f6ssischer Kunst der Bundesrepublik Deutschland\r\nCentraal Museum, Utrecht\r\nLenbachhaus, M\u00fcnchen\r\nStadtmuseum, M\u00fcnchen\r\n\r\nK\u00fcnstlerb\u00fccher (Auswahl)\r\n2021 Projektion auf die Krise (Gauweilereien in M\u00fcnchen)\r\n2020 Quilt #01\u2013#30\r\n2020 Lana Kaiser\r\n2017 I Wanna Give You Devotion\r\n2017 Indirekte Ber\u00fchrung\r\n\r\nwww.philippgufler.de<\/a>\r\nwww.forummuenchen.org<\/a>","post_title":"Philipp Gufler","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"philipp-gufler","to_ping":"","pinged":"","post_modified":"2023-04-20 18:27:27","post_modified_gmt":"2023-04-20 16:27:27","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=4136","menu_order":42,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":1233,"post_author":"1","post_date":"2022-06-28 16:30:24","post_date_gmt":"2022-06-28 14:30:24","post_content":"1956 geboren in M\u00fcnchen\n\n1976 - 82 Studium an der Akademie der Bildenden K\u00fcnste in M\u00fcnchen\n1982 - 83 DAAD - Stipendium f\u00fcr Italien\n1986 - 87 Stipendiat des Freistaats Bayern in Los Angeles\n1988 - 89 Villa Massimo, Rom\n1997 - 2001 Professor an der Hochschule f\u00fcr Bildende K\u00fcnste Braunschweig\n2001 Professor an der Akademie der Bildenden K\u00fcnste M\u00fcnchen\n\nAlbert Hien lebt und arbeitet in M\u00fcnchen und Hochst\u00e4tt am Chiemsee\n\nAusstellungen \/ Auswahl:\n1982 documenta 7, Kassel\n1984 St\u00e4dt. Museum Abteiberg, M\u00f6nchengladbach\n1985 XVIII. Biennale Sao Paulo, deutscher Beitrag\n1986 Josef - Haubrich - Kunsthalle, K\u00f6ln\n1987 documenta 8, Kassel\n1985 XVIII. Bienale Sao Paulo, deutscher Beitrag\n1991 Lenbachhaus, M\u00fcnchen\n\nProjekte im \u00f6ffentlichen Raum und permanent installierte Arbeiten, Auswahl:\n1987 Essen, R\u00fcttenscheider Markt\n1991 N\u00f6rdlingen, T\u00e4ndelmarkt\n1991 Landratsamt Villingen - Schwenningen\n1996 Vereinte Versicherungen, M\u00fcnchen - Neuperlach \n1997 Bundesamt f\u00fcr Strahlenschutz, Salzgitter\n1998 JVA Schw\u00e4bisch - Hall\n2000 Platzgestaltung Pfarrer-Steiner-Platz, M\u00fcnchen - Hasenbergl\n2000 PUC, Kulturzentrum Puchheim\n2002 Swiss Re Germany AG, M\u00fcnchen - Unterf\u00f6hring\n2003 Heckscher Klinik, M\u00fcnchen\n2004 Stadtbibliothek, Ulm\n2006 Fachhochschule, Aachen","post_title":"Albert Hien","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"hien-albert","to_ping":"","pinged":"","post_modified":"2023-04-19 18:17:32","post_modified_gmt":"2023-04-19 16:17:32","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/hien-albert\/","menu_order":174,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6339,"post_author":"10","post_date":"2023-11-08 16:09:23","post_date_gmt":"2023-11-08 15:09:23","post_content":"Verena Issel wurde 1982 in M\u00fcnchen geboren und studierte freie Kunst an der HfbK Hamburg sowie klassische Philologie an der Universit\u00e4t Hamburg. Zahlreiche Reisestipendien und Artist-in-Residency-Programme f\u00fchrten sie unter anderem nach Russland, Taiwan, S\u00fcdkorea, Japan, Litauen und Papua-Neuguinea. In den letzten Jahren widmeten ihr u.a. die Kunsthalle Mannheim (DE), die Volksb\u00fchne Berlin (DE), das ZARYA Center for Contemporary Art (RU), die Trafo Kunsthall (NOR), das Museum Lothar Fischer (DE) sowie der Westf\u00e4lische Kunstverein \/ LWL Museum M\u00fcnster Einzelpr\u00e4sentationen. 2020 war Verena Issel Gastprofessorin an der HFBK Hamburg. Seit November 2023 ist Verena Issel Professorin an der BTU Cottbus-Senftenberg.","post_title":"Verena Issel","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"verena-issel","to_ping":"","pinged":"","post_modified":"2023-11-08 16:09:23","post_modified_gmt":"2023-11-08 15:09:23","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6339","menu_order":31,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6429,"post_author":"10","post_date":"2023-12-15 09:36:42","post_date_gmt":"2023-12-15 08:36:42","post_content":"Preise, Auszeichnungen (Auswahl)\r\n\r\n2023 Neustart Kultur Stipendium, Stiftung Kunstfonds, Bonn\r\n2022 Pr\u00e4sentationsf\u00f6rderung Bildende Kunst\r\nSenatsverwaltung f\u00fcr Kultur und Europa, Berlin\r\n2021 Neustart Kultur, BBK-Bundesverband\r\n2019 1. Preis, eingeladener Kunst-am-Bau-Wettbewerb, Lew-Tolstoi-Schule, Berlin\r\n2019 1. Preis, eingeladener Wettbewerb, Grundschule St.-Veit-Stra\u00dfe, M\u00fcnchen\r\n2014 Curator in Residence, quartier21, MuseumsQuartier Wien, \u00d6sterreich mit Georg Klein\r\n\r\nKunst \u00f6ffentlicher Raum (Auswahl)\r\n\r\n2023 Xylothek im Gr\u00fcnen Klassenzimmer, Grundschule St.-Veit, M\u00fcnchen\r\n2022 Kerbh\u00f6lzer XXL | Ginibank, Rolandufer (n\u00e4he Senfin), Berlin\r\nFertigstellung: Raumstand | Neugier f\u00fcr die Lew-Tolstoi-Schule, Berlin\r\n2021 Lina Braake Bank LBB, Kunst im Stadtraum der Karl-Marx-Allee (KIST)\r\nWolfgang-Borchert-Schule Spandau, eingeladener Wettbewerb\r\n2019 Tiermedizinisches Zentrum (TZR) Dahlem, eingeladener Wettbewerb\r\n2004 Typenoffen, Alexanderplatz U2, 03, NGBK, Berlin (K\/R)\r\n2002 Lichthelfer, Kunst im Gleimtunnel, Berlin (R)\r\n1998 Das Treppenhaus, Tagesspiegel-Verlagsgeb\u00e4ude, Berlin (R)\r\n1997 Vier Vitrinen vor dem Haus des Lehrers, Alexanderplatz, mit I. Lockemann\r\n1996 Kreissegmente, Park Klinik Wei\u00dfensee, Berlin (R)\r\nPrivat-Kunst statt Werbung im U-Bahnhof Alexanderplatz, Berlin (K\/R)\r\n\r\nAusstellungen (Auswahl)\r\n\r\n2022 Histories of Violence, Meinblau Berlin\r\n2021 Strukturen im Wandel, BLMK, Dieselkraftwerk, Cottbus\r\nWerterauschen, Schloss Biesdorf, Berlin\r\n2019 Beyond Bauhaus, Galerie Bernau\r\n2018 Claire Obscure, Kunstverein Speyer\r\nDigging Digging, Benyamini Gallery, Tel Aviv, Il\r\nPatterns, Daegu Photo Biennale, Korea\r\n2016 D\u00fcne Wedding, Galerie Wedding, mit Constanze Fischbeck, Berlin\r\nGraben Graben, Galerie im K\u00f6rnerpark, Berlin\r\nTransitional Justice, NON, Berlin\r\n2015 Operation Mindfuck, Kunstverein Wolfsburg\r\nLob der Arbeit, Kunstverein Tiergarten, Berlin\r\nGrowth-Riding, Marzahner Promenade, Berlin (E)\r\nBoys and their Toys, Kunstraum Kreuzberg, Berlin\r\nUnited Nations Extended, the Vienna dialog, MQ, Wien (K)\r\n2014 PCFS, Post Colonial Flagships Store, Freiraum International, MQ, Wien (K)\r\n2011 West End?, Museum on the Seam, Jerusalem, Il (K)\r\n2009 29 km palestinensische, israelische und deutsche K\u00fcnstler\r\nUmm el Fahem Gallery, Il( K)\r\nDictatorship of the majority, Sculpture Quadrennial, Riga\/Lettland (K)\r\n2007 urban transcience, Goethe Institut, Rotterdam\r\n2006 Near East Side Gallery, Galerie Abel, Berlin (E)\r\nKulturwochen Nahost, Kiel (K)\r\n\r\nVer\u00f6ffentlichungen (Auswahl)\r\n\r\n2023 LBB MAD XXL, Textem Verlag, Hamburg (ab April 23)\r\n2021 PATTERNS, Monografie, Matthias Reichelt (Hrsg.)\r\nVerlag f\u00fcr Moderne Kunst, Wien\r\n2020 D\u00fcne Wedding, in Zusammenarbeit mit Constanze Fischbeck\r\nVerlag Berliner Hefte\r\n\r\nwww.sven-kalden.de<\/a>","post_title":"Sven Kalden","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"sven-kalden","to_ping":"","pinged":"","post_modified":"2023-12-15 09:37:41","post_modified_gmt":"2023-12-15 08:37:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6429","menu_order":28,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":1221,"post_author":"1","post_date":"2022-06-28 16:30:24","post_date_gmt":"2022-06-28 14:30:24","post_content":"Einzelausstellungen (Auswahl)\r\n\r\n1998\r\nLandschaft. metaphysisch + konkret (nach Max Bill), Kunstverein Ulm\r\nAmbiente, Museum Junge Kunst, Frankfurt\/ Oder\r\n1999\r\nLabyrinth, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst Leipzig\r\n2000\r\nPantone wall, instrumented, Kunstverein Bonn\r\n...fading in, fading out, fading away..., Westf\u00e4lischer Kunstverein, M\u00fcnster\r\n2001\r\nEnjoy \/ Survive \/ Enjoy, Migros Museum f\u00fcr Gegenwartskunst, Z\u00fcrich\r\nFavorites, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst, Leipzig\r\n2002\r\nDie Flamme der Revolution, liegend (in Wolfsburg), St\u00e4dtisches Museum Wolfsburg\r\nMatches for Trees \u2013 Trees for Matches, Artist Commission, Scottland First National Park, Loch Lomond and the Trossachs\r\n2003\r\nG.F. Haas: in vain, Theater Basel\r\nBlond, Passanten 1: Shopping, Tilburg\/ SKOR, Amsterdam\r\nOdds and Ends, Casino Luxemburg\r\n2004\r\nOdds and Ends, Museum Altenburg, Lindenau\r\nTrajektor (mit Carsten Nicolai), VOXXX, Chemnitz\r\nOdds and Ends, Kunstmuseum Thun\r\n2005\r\nThe Blondes, Galerie EIGEN+ART, Berlin\r\n30 Farben at Printed Matter, Printed Matter LTD., New York\r\n\r\nGruppenausstellungen (Auswahl)\r\n\r\n1997\r\ndocumenta X, Kassel\r\nReopening, PS1, New York\r\n1998\r\nBerlin Biennale, Berlin\r\nEtre Nature, Fondation Cartier, Paris\r\n1999\r\nLandscape Out Of Frame, MIT List Visual Art Centre, Cambridge\r\nEmpty Gardens, Watari-Um Museum, Tokyo\r\nSkulpturen-Biennale 1999, M\u00fcnster\r\nPeace, Migros Museum, Z\u00fcrich\r\n2000\r\nWhat if \u2013 Art on the verge of architecture and design, Moderna Museet, Stockholm\r\nLe Jardin, Acad\u00e9mie de France \u00e0 Rome Villa Medici, Rom\r\nreal (work), 4. Werkleitz Biennale, Tornitz\r\n2001\r\nPlatea dell\u2019Uminata, Biennale Venedig\r\nSquatters, Porto\r\nUnder the bridges, along the river\u2026, Casino Luxemburg\r\n2002\r\nP-a-u-s-e, Gwangju Biennale, Gwangju\r\n(The world may be) fantastic, Biennale of Sydney\r\nShopping, Schirn Kunsthalle, Frankfurt; Tate Liverpool\r\n2003\r\nKunst Garten Kunst, Sprengel Museum, Hannover\r\nForm Specific, Moderna Galerija, Ljubljana\r\nOutlook, Athen\r\n2004\r\nTyp O \u2013 Writing with Style, Moderna Museet Stockholm\r\nDie Zehn Gebote, Deutsches Hygiene-Museum, Dresden\r\nBienal de Arte Contempor\u00e1neo de Sevilia\r\n2005\r\n7th Biennal of Sharjah\r\nModel Modernisms, Artists Space, New York\r\nBiennale die Venezia","post_title":"Olaf Nicolai","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"nicolai-olaf","to_ping":"","pinged":"","post_modified":"2023-05-24 09:37:22","post_modified_gmt":"2023-05-24 07:37:22","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/artist\/nicolai-olaf\/","menu_order":162,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6452,"post_author":"10","post_date":"2024-01-22 16:01:42","post_date_gmt":"2024-01-22 15:01:42","post_content":"Seit \u00fcber 30 Jahren arbeitet das \u00f6sterreichische K\u00fcnstlerduo Claudia Plank (*1969) und Hans Werner Poschauko (*1963) zusammen. Meist richten sich ihre Werke gegen die durch die Folgen unserer Konsumgesellschaft ausgel\u00f6ste Zerst\u00f6rung von Natur und Kultur. Ihre Themen kreisen dabei h\u00e4ufig um das Geheimnisvolle unserer Welt, sie bezeichnen sich selbst auch als \u201eVertreter einer zeitgen\u00f6ssischen Romantik\u201c. Plank und Poschauko studierten an der Universit\u00e4t f\u00fcr angewandte Kunst bei Maria Lassnig und Ernst Caramelle und anschlie\u00dfend in einem Postgraduate Programm an der Jan van Eyck Academie Maastricht bei Guillaume Bijl, Mona Hatoum, Jimmie Durham und Jean Fisher. Claudia Plank und Hans Werner Poschauko leben in Wien. Ihre Arbeiten zeichnen sich durch eine konzeptuell-poetische Herangehensweise aus, die Ausdruck in so unterschiedliche Medien wie Installation, Performance, Video, Malerei und Skulptur findet. F\u00fcr den \u00f6ffentlichen Raum realisierten die beiden bereits zahlreiche Arbeiten.","post_title":"Claudia Plank & Hans Werner Poschauko","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"claudia-plank-hans-werner-poschauko","to_ping":"","pinged":"","post_modified":"2024-01-24 13:37:39","post_modified_gmt":"2024-01-24 12:37:39","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=artist&p=6452","menu_order":26,"post_type":"artist","post_mime_type":"","comment_count":"0","filter":"raw"}],"werk_sort_data_district":"Altstadt-Lehel","werk_sort_data_access":"\u00f6ffentlich zug\u00e4nglich","collection_location_longitude":"48.14105524048782","collection_location_latitude":"11.56017485143346","collection_detail":true,"collection_bg":"#ffebeb","collection_preview_tile_img":6831,"collection_images":[{"ID":6815,"id":6815,"title":"02_2406_ParatCC_Quivid1040_JPEG_SRGB_FULLSIZE","filename":"02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-scaled.jpg","filesize":338414,"url":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-scaled.jpg","link":"https:\/\/quivid.de\/en\/collection\/review-1\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-2\/","alt":"Ansicht aus der ersten Ausgabe der Quivid-Review","author":"10","description":"Ansicht aus der ersten Ausgabe der Quivid-Review","caption":"Ansicht aus der ersten Ausgabe der Quivid-Review","name":"02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-2","status":"inherit","uploaded_to":7678,"date":"2024-06-21 08:20:12","modified":"2024-07-08 13:33:04","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1706,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-1280x853.jpg","medium-width":1280,"medium-height":853,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-2560x1706.jpg","large-width":2560,"large-height":1706,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-1920x1280.jpg","_2560-width":1920,"_2560-height":1280,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-1920x1280.jpg","_1920-width":1920,"_1920-height":1280,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-1280x853.jpg","_1280-width":1280,"_1280-height":853,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/02_2406_paratcc_quivid1040_jpeg_srgb_fullsize-768x512.jpg","_768-width":768,"_768-height":512}},{"ID":6817,"id":6817,"title":"03_2406_ParatCC_Quivid1032_JPEG_SRGB_FULLSIZE","filename":"03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-scaled.jpg","filesize":457277,"url":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-scaled.jpg","link":"https:\/\/quivid.de\/en\/collection\/review-1\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-2\/","alt":"Covermotiv der ersten Ausgabe der Quivid-Review","author":"10","description":"Covermotiv der ersten Ausgabe der Quivid-Review","caption":"Covermotiv der ersten Ausgabe der Quivid-Review","name":"03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-2","status":"inherit","uploaded_to":7678,"date":"2024-06-21 08:20:21","modified":"2024-07-08 13:34:12","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2560,"height":1708,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-200x133.jpg","thumbnail-width":200,"thumbnail-height":133,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-1280x854.jpg","medium-width":1280,"medium-height":854,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-2560x1708.jpg","large-width":2560,"large-height":1708,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-1536x1025.jpg","1536x1536-width":1536,"1536x1536-height":1025,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-2048x1366.jpg","2048x2048-width":2048,"2048x2048-height":1366,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-1920x1281.jpg","_2560-width":1920,"_2560-height":1281,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-1920x1281.jpg","_1920-width":1920,"_1920-height":1281,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-1280x854.jpg","_1280-width":1280,"_1280-height":854,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-1024x683.jpg","_1024-width":1024,"_1024-height":683,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/03_2406_paratcc_quivid1032_jpeg_srgb_fullsize-768x512.jpg","_768-width":768,"_768-height":512}},{"ID":6863,"id":6863,"title":"Quivid-Review-4","filename":"quivid-review-4.jpg","filesize":943585,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4.jpg","link":"https:\/\/quivid.de\/en\/collection\/review-1\/quivid-review-4-2\/","alt":"Ansicht aus der ersten Ausgabe der Quivid-Review","author":"10","description":"Ansicht aus der ersten Ausgabe der Quivid-Review","caption":"Ansicht aus der ersten Ausgabe der Quivid-Review","name":"quivid-review-4-2","status":"inherit","uploaded_to":7678,"date":"2024-07-08 13:22:42","modified":"2024-07-08 13:32:31","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2160,"height":2160,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-200x200.jpg","thumbnail-width":200,"thumbnail-height":200,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-1280x1280.jpg","medium-width":1280,"medium-height":1280,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-768x768.jpg","medium_large-width":768,"medium_large-height":768,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4.jpg","large-width":2160,"large-height":2160,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-1536x1536.jpg","1536x1536-width":1536,"1536x1536-height":1536,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-2048x2048.jpg","2048x2048-width":2048,"2048x2048-height":2048,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-1920x1920.jpg","_2560-width":1920,"_2560-height":1920,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-1920x1920.jpg","_1920-width":1920,"_1920-height":1920,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-1280x1280.jpg","_1280-width":1280,"_1280-height":1280,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-1024x1024.jpg","_1024-width":1024,"_1024-height":1024,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-4-768x768.jpg","_768-width":768,"_768-height":768}},{"ID":6865,"id":6865,"title":"Quivid-Review-6","filename":"quivid-review-6.jpg","filesize":1036794,"url":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6.jpg","link":"https:\/\/quivid.de\/en\/collection\/review-1\/quivid-review-6-2\/","alt":"Ansicht aus der ersten Ausgabe der Quivid-Review mit einem Interview mit der K\u00fcnstlerin Ilit Azoulay","author":"10","description":"Ansicht aus der ersten Ausgabe der Quivid-Review","caption":"Ansicht aus der ersten Ausgabe der Quivid-Review","name":"quivid-review-6-2","status":"inherit","uploaded_to":7678,"date":"2024-07-08 13:22:48","modified":"2025-04-04 08:37:30","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/quivid.de\/wp-includes\/images\/media\/default.png","width":2160,"height":2160,"sizes":{"thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-200x200.jpg","thumbnail-width":200,"thumbnail-height":200,"medium":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-1280x1280.jpg","medium-width":1280,"medium-height":1280,"medium_large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-768x768.jpg","medium_large-width":768,"medium_large-height":768,"large":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6.jpg","large-width":2160,"large-height":2160,"1536x1536":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-1536x1536.jpg","1536x1536-width":1536,"1536x1536-height":1536,"2048x2048":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-2048x2048.jpg","2048x2048-width":2048,"2048x2048-height":2048,"alm-thumbnail":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150,"_2560":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-1920x1920.jpg","_2560-width":1920,"_2560-height":1920,"_1920":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-1920x1920.jpg","_1920-width":1920,"_1920-height":1920,"_1280":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-1280x1280.jpg","_1280-width":1280,"_1280-height":1280,"_1024":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-1024x1024.jpg","_1024-width":1024,"_1024-height":1024,"_768":"https:\/\/quivid.de\/wp-content\/uploads\/quivid-review-6-768x768.jpg","_768-width":768,"_768-height":768}}],"collection_werke":[{"ID":7053,"post_author":"10","post_date":"2024-07-01 10:33:49","post_date_gmt":"2024-07-01 08:33:49","post_content":"","post_title":"Interview mit Ilit Azoulay","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2024-08-23 08:23:34","post_modified_gmt":"2024-08-23 06:23:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=article&p=7053","menu_order":0,"post_type":"article","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7581,"post_author":"10","post_date":"2024-07-09 17:38:31","post_date_gmt":"2024-07-09 15:38:31","post_content":"","post_title":"Interview mit Philipp Gufler","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"interview-philipp-gufler","to_ping":"","pinged":"","post_modified":"2024-07-09 17:38:31","post_modified_gmt":"2024-07-09 15:38:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/article\/interview-philipp-gufler\/","menu_order":0,"post_type":"article","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6295,"post_author":"10","post_date":"2023-11-02 16:24:35","post_date_gmt":"2023-11-02 15:24:35","post_content":"","post_title":"PATTERN OF FAME","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"pattern-of-fame","to_ping":"","pinged":"","post_modified":"2024-05-17 10:35:18","post_modified_gmt":"2024-05-17 08:35:18","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6295","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6420,"post_author":"10","post_date":"2023-12-18 15:59:45","post_date_gmt":"2023-12-18 14:59:45","post_content":"","post_title":"Digital Amnesia or Constructed Memory","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"digital-amnesia","to_ping":"","pinged":"","post_modified":"2024-07-25 12:18:22","post_modified_gmt":"2024-07-25 10:18:22","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6420","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6529,"post_author":"10","post_date":"2024-01-26 09:36:55","post_date_gmt":"2024-01-26 08:36:55","post_content":"","post_title":"Obst & Gem\u00fcse","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"obst-gemuese","to_ping":"","pinged":"","post_modified":"2024-05-17 10:41:26","post_modified_gmt":"2024-05-17 08:41:26","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6529","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6440,"post_author":"10","post_date":"2023-12-20 10:53:03","post_date_gmt":"2023-12-20 09:53:03","post_content":"","post_title":"Inscribe","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"inscribe","to_ping":"","pinged":"","post_modified":"2024-05-17 10:43:01","post_modified_gmt":"2024-05-17 08:43:01","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6440","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6082,"post_author":"5","post_date":"2023-06-16 09:53:56","post_date_gmt":"2023-06-16 07:53:56","post_content":"","post_title":"K\u00f6rper","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"koerper","to_ping":"","pinged":"","post_modified":"2024-05-17 10:45:43","post_modified_gmt":"2024-05-17 08:45:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6082","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":4251,"post_author":"5","post_date":"2023-03-20 14:08:47","post_date_gmt":"2023-03-20 13:08:47","post_content":"","post_title":"Alle f\u00fcr alle","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"alle-fuer-alle","to_ping":"","pinged":"","post_modified":"2024-02-22 17:21:36","post_modified_gmt":"2024-02-22 16:21:36","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=4251","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6653,"post_author":"10","post_date":"2024-03-15 10:59:55","post_date_gmt":"2024-03-15 09:59:55","post_content":"","post_title":"CARPE DIEM","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"carpe-diem","to_ping":"","pinged":"","post_modified":"2024-05-17 10:49:43","post_modified_gmt":"2024-05-17 08:49:43","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6653","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6323,"post_author":"10","post_date":"2023-11-08 16:04:06","post_date_gmt":"2023-11-08 15:04:06","post_content":"","post_title":"Am Krautgarten","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"am-krautgarten","to_ping":"","pinged":"","post_modified":"2024-05-17 10:50:11","post_modified_gmt":"2024-05-17 08:50:11","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6323","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6397,"post_author":"10","post_date":"2023-12-15 09:40:29","post_date_gmt":"2023-12-15 08:40:29","post_content":"","post_title":"Xylothek im Gr\u00fcnen Klassenzimmer","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"xylothek","to_ping":"","pinged":"","post_modified":"2024-05-17 10:54:01","post_modified_gmt":"2024-05-17 08:54:01","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6397","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":2601,"post_author":"1","post_date":"2022-06-28 18:00:42","post_date_gmt":"2022-06-28 16:00:42","post_content":"","post_title":"Freiham illuminata \/\/ Luce del respiro","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"freiham-illuminata","to_ping":"","pinged":"","post_modified":"2024-05-17 10:54:44","post_modified_gmt":"2024-05-17 08:54:44","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/freiham-illuminata-luce-del-respiro\/","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":6453,"post_author":"10","post_date":"2023-12-22 09:16:33","post_date_gmt":"2023-12-22 08:16:33","post_content":"","post_title":"Die Erforschung der Sternenwelt & Sternenhimmelmosaik","post_excerpt":"","post_status":"publish","comment_status":"open","ping_status":"open","post_password":"","post_name":"sternenwelt","to_ping":"","pinged":"","post_modified":"2024-05-17 10:56:29","post_modified_gmt":"2024-05-17 08:56:29","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?p=6453","menu_order":0,"post_type":"post","post_mime_type":"","comment_count":"0","filter":"raw"}],"collection_maptype":true,"collection_article_relation":[{"ID":7053,"post_author":"10","post_date":"2024-07-01 10:33:49","post_date_gmt":"2024-07-01 08:33:49","post_content":"","post_title":"Interview mit Ilit Azoulay","post_excerpt":"","post_status":"draft","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"","to_ping":"","pinged":"","post_modified":"2024-08-23 08:23:34","post_modified_gmt":"2024-08-23 06:23:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/?post_type=article&p=7053","menu_order":0,"post_type":"article","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":7581,"post_author":"10","post_date":"2024-07-09 17:38:31","post_date_gmt":"2024-07-09 15:38:31","post_content":"","post_title":"Interview mit Philipp Gufler","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"interview-philipp-gufler","to_ping":"","pinged":"","post_modified":"2024-07-09 17:38:31","post_modified_gmt":"2024-07-09 15:38:31","post_content_filtered":"","post_parent":0,"guid":"https:\/\/quivid.de\/article\/interview-philipp-gufler\/","menu_order":0,"post_type":"article","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/collection\/7678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/collection"}],"about":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/types\/collection"}],"acf:post":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6452"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1221"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6429"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6339"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/1233"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/4136"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/4250"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6081"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6442"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6528"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6426"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/artist\/6310"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6453"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/2601"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6397"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6323"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6653"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/4251"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6082"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6440"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6529"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6420"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/posts\/6295"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/article\/7581"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/article\/7053"}],"acf:attachment":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6865"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6863"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6817"},{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6815"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media\/6831"}],"wp:attachment":[{"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/media?parent=7678"}],"wp:term":[{"taxonomy":"district","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/district?post=7678"},{"taxonomy":"access","embeddable":true,"href":"https:\/\/quivid.de\/en\/wp-json\/wp\/v2\/access?post=7678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}